| Fred Ward | ... | Royal Earle Thompson | |
| Stellan Skarsgård | ... | Olaf Helton | |
| Pat Hingle | ... | Homer T. Hatch | |
| Jon Cryer | ... | Teenage Herbert | |
| Roberts Blossom | ... | Mr. McClellan | |
| James N. Harrell | ... | Tom Allbright | |
| Lise Hilboldt | ... | Ellie Thompson | |
| Brent Hadaway | ... | Teenage Arthur | |
| Adam Faraizl | ... | Young Arthur | |
| James Gammon | ... | Sheriff | |
| Wayne Tippit | ... | Mr. Burleigh | |
| Enrique Brown | ... | Young Herbert | |
| Billie Keller | ... | Mrs. McClellan | |
| Shawn Sattler | ... | McClellan Boy | |
| Jerry Biggs | ... | Mr. Manning | |
| Doris Hargrave | ... | Mrs. Manning |
| Episode Crew |
Directed by | |||
| Michael Fields | |||
Writing credits(in alphabetical order) | ||
| Michael Fields | ||
| Katherine Anne Porter | story | |
Produced by | |||
| Doro Bachrach | .... | producer | |
| James Ivory | .... | executive producer | |
| Ismail Merchant | .... | executive producer | |
| Marcus Viscidi | .... | associate producer (as Marcus Vascidi) | |
Original Music by | |||
| Paul Chihara | |||
Cinematography by | |||
| Juan Ruiz Anchía | (as Juan Ruiz-Anchia) | ||
Film Editing by | |||
| Jeanne Jordan | |||
Casting by | |||
| Lynn Kressel | |||
Production Design by | |||
| Charles C. Bennett | (as Charles Bennett) | ||
Costume Design by | |||
| Hilary Rosenfeld | |||
Art Department | |||
| Ann Edgeworth | .... | property master | |
Sound Department | |||
| Marko A. Costanzo | .... | foley artist | |
| Rick Dior | .... | sound re-recording mixer | |
| Jay Dranch | .... | dialogue editor | |
| Michael Farrow | .... | sound recording engineer | |
| Mark Goodermote | .... | boom operator | |
| John Pritchett | .... | sound mixer | |
Camera and Electrical Department | |||
| Murray K. Campbell | .... | gaffer (as Murray Campbell) | |
| Michael Dunson | .... | second key grip (as Mike Dunson) | |
| Lars Hoiby | .... | electrician | |
| John Knight | .... | key grip | |
| Jon H. Lewis | .... | second assistant camera | |
| Deana Newcomb | .... | still photographer (as Deanna Newcomb) | |
| Roberto Rivera | .... | assistant camera | |
| Neil Roach | .... | director of photography: additional photography | |
| Dave Roberts | .... | best boy | |
| Bill Schwarz | .... | electrician | |
| Fred Vicarel | .... | third key grip | |
Casting Department | |||
| Shari Rhodes | .... | casting: Texas | |
Costume and Wardrobe Department | |||
| Roseann Milano | .... | wardrobe supervisor | |
Music Department | |||
| Seymour Red Press | .... | music supervisor | |
| Andy Statman | .... | musician: mandolin | |
Other crew | |||
| Danny Castaneda | .... | teamster captain | |
| Rick Dallago | .... | location manager | |
| Ned Dowd | .... | production consultant | |
| Richard Ericson | .... | dialect coach | |
| Jerry Fleming | .... | key production assistant | |
| Mamie Mitchell | .... | script supervisor | |
| Max Snow | .... | production accountant | |
| Kelly Wimberly | .... | production consultant | |
| Series Crew These people are regular crew members. Were they in this episode? |
Second Unit Director or Assistant Director | |||
| Thomas Herod Jr. | .... | first assistant director (episode "Land of Little Rain" (1989), The") | |
Music Department | |||
| Michael Small | .... | composer: theme music | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Comedy section | IMDb USA section |
Katherine Ann Porter's short story about a poor farmer who takes on a fugitive as his hired man has a number of complexities which can provoke discussions for years. There is an earlier version with Jason Robards, Olivia DeHavilland and Theodore Bikel which captures the theme of the story but comes out a bit stodgy in spite of the cast. This feature with Fred Ward, Stellan Skarsgård, Pat Hingle and the very beautiful and talented Lise Hilboldt captures much of the shadow nuances of Porter's original work.
Ward is especially effective as the turn of the century farmer whose life is transformed by the mysterious Swede who won't talk, works like a horse and plays the harmonica. Skarsgård, seen recently as the brutal Saxon king in the revisionist King Arthur, is superb as the taciturn Swede. Great support comes from veteran character actor, Pat Hingle,as the villainous bounty hunter and craggy, James Gammon as the sheriff. But, the bright light is the delicate but solid performance of Lise Hilboldt, as the wife who is caught in the middle of mixed feelings about the mysterious Swede, her marriage to her mercurial husband and her own conflicts.
As looking at a slice of life in desolate, South Texas, this little film works. I suppose the amazing thing is that it is a made for TV movie that has some substance-- considering that 90% of what is viewed on TV is pure garbage and the remaining 10% is on its way to becoming garbage. So, how did a thoughtful, provocative film like this make it through? Amazing. Simply amazing.