Emma is a divorced woman with a teen-aged son who moves into a small town and tries to make a go of a horse ranch. Murphy is the widowed town druggist who steers business her way. Things ...
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Not until three years after the death of her husband Jolly, Kay dares to move back into their former home, persuaded by her new fiancé Rupert. But soon her worst expectations come true, ... See full summary »
A socially inept fourteen year old experiences heartbreak for the first time when his two best friends -- Cappie, an older-brother figure, and Maggie, the new girl with whom he is in love -- fall for each other.
Emma is a divorced woman with a teen-aged son who moves into a small town and tries to make a go of a horse ranch. Murphy is the widowed town druggist who steers business her way. Things are going along predictably until her ex-husband shows up, needing a place to stay. The three of them form an intricate circle, with Emma's son liking Murphy but desperately wanting his father back. Written by
John Vogel <email@example.com>
The make and model of Murphy Jones (James Garner)'s car was a 1927 Studebaker according to a review at 'The Spirituality and Practice' website but the IMCDb says its a 1930 Studebaker Model 53 sedan. The vehicle's color is red-brown. See more »
When Murphy and Emma return from their walk in the hospital he tells her she only has one problem; that her hospital gown is open all the way down her back. In an earlier scene, when they are leaving the room to take their walk, her gown is only open a few inches near the bottom. See more »
[to Emma, who's about to put a flyer on his windshield]
Lady, you're covering up my causes.
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Aging Garner makes the most of this showcase role, arguably among his best work. Sally Field is also appealing and believable as the much younger woman torn between romancing a ne'er-do-well but age appropriate peer or the warm-n'-fuzzy but still studly sexagenarian Garner. The dialogue exchanges between Garner and Field pop nicely and the direction is tight. Less polished is the plotline, which veers between the simplistic soap operatics in Field's life (boring and largely cliched) and the gradual courtship process between Garner and Field (sly, entertaining and winning).
Overall, though, this is a satisfying portrayal of may-december romance with the mush women will love and just enough conflict and tension to keep the men around, too. We all know the outcome before the start but it's still a gentle and loving rendition of the blossoming of true love.
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