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Storyline
Joe Mulholland, Head of Production at a Hollywood studio, makes a rather fool-hardy promise to a dying friend. He undertakes to make a major movie using the title - if not the content - of a best-selling sex manual "Love in Sex". Enlisting the help of depressed screenwriter Herb Derman and rather off-centre director Sid Spokane to try and come up with an idea or two, Joe soon wishes he was not one of those people who always try to keep their promises. Written by
Jeremy Perkins <jwp@aber.ac.uk>
Plot Summary
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Certificate:
PG
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Did You Know?
Trivia
Grodin got some of his actors friends involved in trying to pitch the film. Himself,
Steve Martin,
Gilda Radner,
Penny Marshall and
Tyne Daly all agreed to work for the least amount of money the union allowed. Steve Martin did so without even reading the script. When the film was finally green-lit, Grodin received no salary for writing or producing the film, only the minimum for working five weeks as an actor: about five thousand dollars for two years of work (seven years in total since the inception of the project).
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Goofs
The huge prop dinosaur that is mounted on the lawn of the movie studio lot changes position in respect to nearby buildings several times throughout the film.
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Connections
References
The Snake Pit (1948)
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Soundtracks
"Can't We Go Home Again"
Words and Music by
Mitzie Welch and
Ken Welch
Performed by
Stephen Bishop See more »
This aired on TCM last night, selected by guest programmer/star/screenwriter Charles Grodin. Classic? Hardly! He seems fairly proud of this pic, though, which allows an extremely talented cast to either overplay or underplay to agonizing effect. Director Asher (an Emmy winner for Bewitched) was better in the half hour television format. A complete waste of time. I think it's supposed to satirize the dying Hollywood studio system. It was movies like this that killed it. Pairing Bill Macy and Gilda Radner as a couple? Penny Marshall is credited and we hear her voice, but to my recollection only ever actually see her feet. Tyne Daly stands around with nothing substantive to do but be ticked off.