| Photos (see all 15 | slideshow) |
| Ken Ogata | ... | Yukio Mishima (segment "November 25, 1970") | |
| Masayuki Shionoya | ... | Morita (segment "November 25, 1970") | |
| Hiroshi Mikami | ... | Cadet #1 (segment "November 25, 1970") | |
| Junya Fukuda | ... | Cadet #2 (segment "November 25, 1970") | |
| Shigeto Tachihara | ... | Cadet #3 (segment "November 25, 1970") | |
| Junkichi Orimoto | ... | General Mashita (segment "November 25, 1970") | |
| Naoko Otani | ... | Mother (segment "Flashbacks") | |
| Gô Rijû | ... | Mishima, age 18-19 (segment "Flashbacks") | |
| Masato Aizawa | ... | Mishima - age 9-14 (segment "Flashbacks") | |
| Yuki Nagahara | ... | Mishima, age 5 (segment "Flashbacks") | |
| Kyuzo Kobayashi | ... | Literary Friend (segment "Flashbacks") | |
| Yuki Kitazume | ... | Dancing Friend (segment "Flashbacks") | |
| Haruko Kato | ... | Grandmother (segment "Flashbacks") | |
| Yasosuke Bando | ... | Mizoguchi (segment "The Temple of the Golden Pavilion") | |
| Hisako Manda | ... | Mariko (segment "The Temple of the Golden Pavilion") | |
| Naomi Oki | ... | First Girl (segment "The Temple of the Golden Pavilion") | |
| Miki Takakura | ... | Second Girl (segment "The Temple of the Golden Pavilion") | |
| Imari Tsujikoichi Sato | ... | Madame (segment "The Temple of the Golden Pavilion") (as Imari Tsuji) | |
| Koichi Sato | ... | Kashiwagi (segment "The Temple of the Golden Pavilion") | |
| Kenji Sawada | ... | Osamu (segment "Kyoko's House") | |
| Reisen Lee | ... | Kiyomi (segment "Kyoko's House") | |
| Setsuko Karasuma | ... | Mitsuko (segment "Kyoko's House") | |
| Tadanori Yokoo | ... | Natsuo (segment "Kyoko's House") | |
| Yasuaki Kurata | ... | Takei (segment "Kyoko's House") | |
| Mitsuru Hirata | ... | Thug (segment "Kyoko's House") | |
| Toshiyuki Nagashima | ... | Isao (segment "Runaway Horses") | |
| Hiroshi Katsuno | ... | Lieutenant Hori (segment "Runaway Horses") | |
| Naoya Makoto | ... | Kendo Instructor (segment "Runaway Horses") | |
| Hiroki Ida | ... | Izutsu (segment "Runaway Horses") | |
| Jun Negami | ... | Kurahara (segment "Runaway Horses") | |
| Ryo Ikebe | ... | Interrogator (segment "Runaway Horses") | |
| Toshio Hosokawa | ... | 'Rokumeikan' Producer | |
| Hideo Fukuhara | ... | Military Doctor | |
| Yosuke Mizuno | ... | 'Yukoku' Producer | |
| Eimei Ezumi | ... | Ichigaya Aide-de-Camp | |
| Minoru Hodaka | ... | Ichigaya Colonel | |
| Shoichiro Sakata | ... | Isao's Classmate | |
| Alan Mark Poul | ... | American Reporter | |
| Ren Ebata | ... | Reporter #1 | |
| Yasuhiro Arai | ... | Reporter #2 | |
| Fumio Mizushima | ... | Reporter #3 | |
| Shinji Miura | ... | Pavilion Acolyte | |
| Yuichi Sato | ... | Student | |
| Sachiko Akagi | ... | Thug's Girl Friend | |
| Tsutomu Harada | ... | Romeo | |
| Mami Okamoto | ... | Juliet | |
| Atsushi Takayama | ... | Interrogation Policeman | |
| Kimiko Ito | ... | Grandmother's Nurse | |
| Kojiro Oka | ... | First MP | |
| Tatsuya Hiragaki | ... | Actor #1 | |
| Shinichi Nosaka | ... | Policeman | |
| Sachiko Hidari | ... | Osamu's Mother | |
| Roy Scheider | ... | Narrator (voice) |
Directed by | |||
| Paul Schrader | |||
Writing credits(in alphabetical order) | ||
| Yukio Mishima | life story and his novel | |
| Chieko Schrader | Japanese script | |
| Leonard Schrader | writer | |
| Paul Schrader | writer | |
Produced by | |||
| Francis Ford Coppola | .... | executive producer (as Francis Coppola) | |
| George Lucas | .... | executive producer | |
| Tom Luddy | .... | producer | |
| Yosuke Mizuno | .... | line producer | |
| Alan Mark Poul | .... | associate producer | |
| Chieko Schrader | .... | associate producer | |
| Leonard Schrader | .... | associate producer | |
| Mataichiro Yamamoto | .... | producer (as Mata Yamamoto) | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| John Bailey | (director of photography) | ||
Film Editing by | |||
| Michael Chandler | |||
| Tomoyo Oshima | |||
Casting by | |||
| Nobuaki Murooka | |||
Production Design by | |||
| Eiko Ishioka | |||
Art Direction by | |||
| Kazuo Takenaka | (executive art director) | ||
Set Decoration by | |||
| Kyoji Sasaki | |||
Costume Design by | |||
| Etsuko Yagyu | |||
| Eiko Ishioka | (uncredited) | ||
Makeup Department | |||
| Noriyo Ida | .... | makeup artist | |
| Yasuhiro Kawaguchi | .... | makeup artist | |
| Masayuki Okubi | .... | makeup artist | |
| Junji Ota | .... | hair stylist: Ken Ogata | |
Production Management | |||
| Whitney Green | .... | production manager: U.S. | |
| Atsushi Takayama | .... | production manager | |
Art Department | |||
| Masato Endo | .... | prop assistant | |
| Yuji Fukuzawa | .... | assistant property master | |
| Yoshikazu Furuya | .... | prop assistant | |
| Kyôko Heya | .... | art department (as Kyoko Heya) | |
| Toshihiko Higashimukai | .... | prop assistant | |
| Yoshiyuki Ishida | .... | art department | |
| Yasue Ito | .... | art department | |
| Kazumi Koike | .... | prop assistant | |
| Kyoko Machida | .... | assistant property master | |
| Yoichi Minagawa | .... | property master | |
| Akira Mizuno | .... | set artist | |
| Norio Morisaki | .... | prop assistant | |
| Sharon Nakazato | .... | calligrapher: titles | |
| Kunio Okimura | .... | assistant set decorator | |
| Yasushi Ono | .... | art department | |
| Shunichiro Shoda | .... | art department | |
| Kazuo Suzuki | .... | construction coordinator | |
| Shoichiro Takenoshita | .... | assistant to production designer | |
Sound Department | |||
| Tom Bellfort | .... | sound editor | |
| Lizzie Gelber | .... | assistant sound editor (as Lizabeth Gelber) | |
| Soichi Inoue | .... | boom operator | |
| Tom Johnson | .... | sound re-recording mixer | |
| Masashi Kikuchi | .... | boom operator | |
| Jerry Ross | .... | sound editor | |
| Leslie Shatz | .... | sound designer | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Jenny Stein | .... | assistant sound editor (as Jennifer Hodgson Stein) | |
| Giorgio Venturoli | .... | sound editor | |
| Shôtarô Yoshida | .... | sound recordist (as Shotaro Yoshida) | |
| Jeff Kliment | .... | sound editor (uncredited) | |
| Martin Maryska | .... | assistant sound editor (uncredited) | |
| Greg Smith | .... | machine room operator (uncredited) | |
Visual Effects by | |||
| Catherine Craig | .... | effects camera operator (uncredited) | |
Camera and Electrical Department | |||
| James W. Finnerty | .... | key grip (as Jim Finnerty) | |
| Yoshinori Ishizuki | .... | still photographer | |
| Munetoshi Kamata | .... | grip assistant | |
| Tsutomu Kamata | .... | lighting assistant | |
| Toyomichi Kurita | .... | camera operator | |
| Kitaro Miyazawa | .... | still photographer | |
| Takamasa Nakamura | .... | lighting assistant | |
| Kazuhiro Nozaki | .... | camera assistant | |
| George R. Schrader | .... | dolly grip (as George Schrader) | |
| Kazuo Shimomura | .... | gaffer | |
| Chuuji Sueyoshi | .... | lighting assistant (as Chuji Sueyoshi) | |
| Kazuo Takano | .... | lighting assistant | |
| Yuichi Tamura | .... | camera assistant | |
| Kazuhiko Tateishi | .... | lighting assistant | |
| Masanobu Tomura | .... | lighting assistant | |
| Katsuji Watanabe | .... | lighting assistant | |
| Yuji Watanabe | .... | lighting assistant | |
| Kagari Yasuda | .... | grip assistant | |
Animation Department | |||
| Bruce Walters | .... | animator: title | |
Casting Department | |||
| Kei Sugiura | .... | assistant casting director | |
| Yoshiro Yamaguchi | .... | assistant casting director | |
Costume and Wardrobe Department | |||
| Katsumi Harada | .... | wardrobe assistant | |
| Toshiaki Manki | .... | wardrobe assistant | |
Editorial Department | |||
| Rick Finney | .... | apprentice editor | |
| Kathleen Korth | .... | first assistant editor | |
| Tome Minami | .... | negative cutter: Japan | |
| Wataru Takahashi | .... | assistant editor | |
| Jenny Weyman-Cockle | .... | first assistant editor (as Jennifer Weyman-Cockle) | |
Music Department | |||
| Dan Dryden | .... | music recording engineer | |
| Philip Glass | .... | music arranger | |
| Kurt Munkacsi | .... | music producer | |
| Michael Riesman | .... | conductor | |
| Elliot Rosoff | .... | concertmaster | |
| Elliot Rosoff | .... | musician: solo violin | |
| Eric Shendell | .... | music personnel manager (as Earl Shendell) | |
Other crew | |||
| Jean A. Autrey | .... | production accountant (as Jean Autrey) | |
| Susumu Ejima | .... | location coordinator | |
| Mitsuo Endo | .... | bodybuilding instructor | |
| Kaname Hayase | .... | production accountant | |
| Akiko Hitomi | .... | executive production assistant | |
| Akiko Hitomi | .... | script researcher | |
| Kenichi Horii | .... | production assistant | |
| Keiko Kawaguchi | .... | assistant: Mr. Schrader, Japan | |
| Fusako Kawasaki | .... | unit publicist | |
| Chiyo Miyakoshi | .... | script supervisor | |
| Kazuko Nishikawa | .... | production accountant | |
| Linda Reisman | .... | assistant: Mr. Schrader, U.S. | |
| Keiko Sakurai | .... | production assistant | |
| Kuniko Sato | .... | production accountant | |
| Takao Shibaki | .... | production assistant | |
| Jun Shiragi | .... | scenario conceived in collaboration with | |
| Makito Sugiyama | .... | aide: Mr. Schrader | |
| Hiroki Tomohara | .... | production coordinator | |
| Hiroko Uchida | .... | production accountant | |
| Kappei Uehara | .... | consultant: historical art | |
| Kanso Uni | .... | action director (as Kanzo Uni) | |
| Christopher Werner | .... | title designer | |
Thanks | |||
| Sidney Ganis | .... | special thanks | |
| George Hayum | .... | special thanks | |
| John Peters | .... | special thanks | |
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One would think that a film based on the life of the Japanese author Yukio Mishima would be a daunting if not impossible task. However Paul Schrader has indeed made a film "about" Mishima that is both superb & complex. While it is not a literal biography, Schrader & his co-screenwriter Leonard Scharder (his brother) have taken several incidents from his life, including his sucide and crafted what can best be described as incidental tableaus that are visually sparse and stunning. Mishima's homosexuality is almost not there, due to legal threats from his widow, but in spite of this, the film is still terrific, and one of the best films I saw in 1985. I should also mention the important contribution of Philip Glass who did the score, which adds an additional texture to the film, and is superior to the one he did for Scorsese's Kundun. Also notable is John Bailey's fine crisp beautifully colored cinematography and the great production design & costumes by Eiko Ishioka who went on to do the memorable costumes for Coppola's Dracula for which she received a well deserved Oscar. Hopefully this film will soon be available on DVD.