7.9/10
5,897
28 user 56 critic

Mishima: A Life in Four Chapters (1985)

A fictionalized account in four chapters of the life of celebrated Japanese writer Yukio Mishima.

Director:

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ON DISC
1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
Ken Ogata ...
Masayuki Shionoya ...
Morita (segment "November 25, 1970")
Hiroshi Mikami ...
Cadet #1 (segment "November 25, 1970")
Junya Fukuda ...
Cadet #2 (segment "November 25, 1970")
Shigeto Tachihara ...
Cadet #3 (segment "November 25, 1970")
Junkichi Orimoto ...
General Mashita (segment "November 25, 1970")
Naoko Ôtani ...
Mother (segment "Flashbacks")
Gô Rijû ...
Mishima, age 18-19 (segment "Flashbacks")
Masato Aizawa ...
Mishima - age 9-14 (segment "Flashbacks")
Yuki Nagahara ...
Mishima, age 5 (segment "Flashbacks")
Kyûzô Kobayashi ...
Literary Friend (segment "Flashbacks")
Yuki Kitazume ...
Dancing Friend (segment "Flashbacks")
Haruko Katô ...
Grandmother (segment "Flashbacks")
Yasosuke Bando ...
Mizoguchi (segment "The Temple of the Golden Pavilion")
Hisako Manda ...
Mariko (segment "The Temple of the Golden Pavilion")
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Storyline

A fictionalized account in four chapters of the life of celebrated Japanese author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion, Kyoko's House, and Runaway Horses), while the fourth depicts the actual events of the 25th Nov. 1970, "The Last Day". Written by Nick Lopez <ntlopez@fas.harvard.edu>

Plot Summary | Add Synopsis

Taglines:

On November 25, 1970, Japan's greatest author Yukio Mishima commited an act that shocked the literary world...

Genres:

Biography | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

20 September 1985 (USA)  »

Also Known As:

Mishima  »

Filming Locations:

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

$10,378 (USA) (15 September 1985)

Gross:

$437,547 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Paul Schrader considers this film the best he has ever directed. See more »

Goofs

In the road scene, when Mishima and his crew are going to the Ministery of Defence, many models of cars can be seen which existed when the movie was filmed, but did not exist in the year the events happened (1970). See more »

Quotes

Yukio Mishima (Narrator): My need to transform reality was an urgent necessity, as important as three meals a day or sleep.
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Crazy Credits

Yukio Mishima is acknowledged to have been a real person, but his acts have been fictionalized by writers. Other persons and events in this film are fictitious. Any similarity to actual persons and events is unintentional. See more »

Connections

Referenced in Sweets to the Sweet: The Candyman Mythos (2004) See more »

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User Reviews

 
A beautiful work of art
22 October 1999 | by (Charlotte) – See all my reviews

Movies are something you see on Saturday night and forget by Sunday morning. Motion pictures are works of art that stick with you forever. Mishima falls into the latter category. This is the type of thing that should win Academy Awards, a brilliant, visual peice of film that is both depressing and uplifting. Instead of doing a straightforward look at the life of Yukio Mishima, director Paul Schrader interweaves three adaptations of the author's stories into a look at his past and final day on Earth, the day he tried to lead the Japanese military into rebellion in the name of the Emperor. Failing to do that, he commits ritual suicide in an ending that hits you like a ton of bricks. The three short story adaptations allow a look into what led him to this and are presented in an experimental way that makes them appear to be filmed stage plays. Ken Ogata is magnificent as Mishima. Despite his eccentricities, he comes off as very sympathetic, a man who is quite willing to die for his beliefs and does. This makes the ending that much more devastating and the sense of loss more meaningful. Of the three story adaptations, Temple of the Golden Pavilion, Kyoko's House and Runaway Horses, it is the last that is the strongest and most emotional. It also is the story that most closely matches Mishima's mood in his final years and illustrates what truly led him to the events of November 1970. This review cannot be complete without a mention of Philip Glass' striking musical score. Not since 2001 has a film score been such a perfect compliment to it's visuals. Paul Schrader crafted one of the most beautiful movies of the 1980s or any other decade for that matter. Have the hankies at the ready because the ending will leave you in tears. Mishima: A Life in Four Chapters reminds you that sometimes film can still be an art form and as art it is brilliant.


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