A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (... See full summary »
The true story of a rich girl who was abducted by American revolutionaries in the 1970's. Her time spent with her captors made her question herself and her way of life and she joined forces... See full summary »
Three workers, Zeke, Jerry and Smokey, are working at a car plant and drinking their beers together. One night when they steal away from their wives to have some fun they get the idea to ... See full summary »
A drug dealer with upscale clientele is having moral problems going about his daily deliveries. A reformed addict, he has never gotten over the wife that left him, and the couple that use ... See full summary »
When Juvenal, a presumed miracle worker, appears on the scene Bill Hill attempts to exploit him but his plans go astray with the untimely intervention of August Murray and the developing ... See full summary »
The siblings Patty and Joe Rasnick live in an industrial suburb in Cleveland, Ohio. While Patty is focused on their rock band, The Barbusters, Joe also cares for the family and the ... See full summary »
Two characters on a Noh stage dramatize the rite of love and death of Lieutenant Shinji Takeyama and his wife Reiko. Takeyama was one of a cadre of young officers who staged a coup d'état ... See full summary »
An English couple holiday in Venice to sort out their relationship. There is some friction and distance between them, and we also sense they are being watched. One evening, they lose their ... See full summary »
A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion (Kinkaku-ji), Kyoko's House, and Runaway Horses), while the fourth depicts 25 November 1970, "The Last Day"... Written by
Nick Lopez <email@example.com>
Has never been officially released in Japan even to this day (2005) theatrically or on video because of the controversy over both Yukio Mishima's politics and the film itself. However, it has been shown on television (albiet with the gay bar scene removed) and the U.S. DVD can legally be imported there. See more »
There were two cadets outside the building, not just Morita. See more »
I come out on the stage determined to make people weep. Instead, they burst out laughing.
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Yukio Mishima is acknowledged to have been a real person, but his acts have been fictionalized by writers. Other persons and events in this film are fictitious. Any similarity to actual persons and events is unintentional. See more »
"Mishima: A Life in Four Chapters" is one of those films which is extremely hard to write about simply because it hit me on such an emotional level and stunned me with its artistry to the point where writing a review or comment on the film seems trivial and useless. Hence, this will be rambling and poorly-written, but I'll give it a shot anyway.
The easiest thing to talk about when discussing "Mishima: A Life in Four Chapters" is the technical elements of the film. The narrative is superb and fairly original with a fine script by Chieko, Leonard, and Paul Schrader and Schrader's decisions as director are pretty much faultless. Every stylistic turn the film took, every sequence which took a risk, and pretty much the whole time the camera was in motion I was utterly enthralled and fascinated with how well the film works as a film. Paul Schrader may not be as great a storyteller as some of the great directors are but in "Mishima" he proves that he is more than capable of being a wonderful storyteller if necessary. The film moves at an extraordinarily fast pace and one barely notices the passing of the two hours.
I have to say, despite being a literature buff to an extent, I have never read anything by Mishima. I knew one or two things about Mishima, including the big ending to his story (which I won't reveal, to keep this spoiler-free) prior to seeing the film, but not much else. Perhaps this is why I felt, contrary to some others, that the film got progressively stronger and ended with a breathtakingly brilliant final act. I also found it completely refreshing how this biopic took no position on Mishima or the final act of his life- it is simply a portrait of a man, not a comment on his life.
The Phillip Glass score is utterly brilliant. There is very little of this film that doesn't prominently feature it, which can come off as the result of a lack of confidence from the director, but in this case it is used superbly well in the film. The score is original, vibrant, interesting, and memorable- much like the film itself.
"Mishima: A Life in Four Chapters" is a film that is certainly ripe for interpretation and analysis. I am not going to attempt to provide either of those, mostly because I'm not really in a position to, and also because I found this a profoundly emotional experience, a film of such artistry that it is a film that everyone should experience without preconceived notions of quality or content and one that everyone should attempt their own analysis of. It's that special. It's that good.
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