A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (... See full summary »
Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "... See full summary »
Benicio Del Toro
A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion (Kinkaku-ji), Kyoko's House, and Runaway Horses), while the fourth depicts 25 November 1970, "The Last Day"... Written by
Nick Lopez <email@example.com>
A substantial amount of the finance was Japanese although, bizarrely, the Toho studio and their partners have persistently denied that they sunk $2 million dollars into the film. Director Paul Schrader : " I moved to Japan and we had a Japanese producer who was able to raise half of the budget through his own money and from Fuji Television and Toho-Towa. Then, of course, the Japanese financiers tried to pull out at the last minute because of pressure from the widow. There was another drama involving that and the end result was that they gave us the money but claimed that they didn't. To this day, they claim that they did not finance the film." See more »
Mishima didn't exaggerate his illness. He was declared unfit for military service because of an inexperienced Army physician's misdiagnosis. See more »
Even the most beautiful body is soon destroyed by age. Where is beauty then? Only art makes human beauty endure. You must devise an artist's scheme to preserve it. You must commit suicide at the height of your beauty.
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Yukio Mishima is acknowledged to have been a real person, but his acts have been fictionalized by writers. Other persons and events in this film are fictitious. Any similarity to actual persons and events is unintentional. See more »
Highly stylized, rewarding film for thoughtful viewers.
It has taken several viewings for me to fully appreciate this film. Initially, I was struck by the stylized sets, but found the rest slow going and dull. I thought that such a sensational subject needed the Ken Russell treatment to take it way over the top. I now find the enforced restraint (placed on the production by Mishima's widow) to be an asset. Some of the more lurid aspects of Mishima's life are reiterated and dramatized by corresponding themes from his novels. I think it helps to be familiar with the novels - that's what finally made the difference for me. Still feel the film overall could be a little tighter and warmer, but it's genuinely unique, and deserves serious attention. Love the fact that the Japanese characters speak Japanese - not English. The Philip Glass score is mesmerizing.
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