A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (... See full summary »
Three workers, Zeke, Jerry and Smokey, are working at a car plant and drinking their beers together. One night when they steal away from their wives to have some fun they get the idea to ... See full summary »
A drug dealer with upscale clientele is having moral problems going about his daily deliveries. A reformed addict, he has never gotten over the wife that left him, and the couple that use ... See full summary »
The siblings Patty and Joe live in an industrial suburb. While Patty's ambition is their rock band "The Barbusters" only, Joe also cares for the family and the upbringing of Patty's young ... See full summary »
When Juvenal, a presumed miracle worker, appears on the scene Bill Hill attempts to exploit him but his plans go astray with the untimely intervention of August Murray and the developing ... See full summary »
The true story of a rich girl who was abducted by American revolutionaries in the 1970's. Her time spent with her captors made her question herself and her way of life and she joined forces... See full summary »
A 10-year-old boy feels unwanted when his mother places him in a home for wayward children. He goes to a foster home where a family of workers finds him to be too much for them. When the ... See full summary »
Two characters on a Noh stage dramatize the rite of love and death of Lieutenant Shinji Takeyama and his wife Reiko. Takeyama was one of a cadre of young officers who staged a coup d'état ... See full summary »
In post-war Japan, people are working hard, but never so much more than the Yakuza. In the city of Yokosuka, Kinta and his lover Haruko brave the post-occupation period with a goal to be ... See full synopsis »
An English couple holiday in Venice to sort out their relationship. There is some friction and distance between them, and we also sense they are being watched. One evening, they lose their ... See full summary »
A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion (Kinkaku-ji), Kyoko's House, and Runaway Horses), while the fourth depicts 25 November 1970, "The Last Day"... Written by
Nick Lopez <firstname.lastname@example.org>
A substantial amount of the finance was Japanese although, bizarrely, the Toho studio and their partners have persistently denied that they sunk $2 million dollars into the film. Director Paul Schrader : " I moved to Japan and we had a Japanese producer who was able to raise half of the budget through his own money and from Fuji Television and Toho-Towa. Then, of course, the Japanese financiers tried to pull out at the last minute because of pressure from the widow. There was another drama involving that and the end result was that they gave us the money but claimed that they didn't. To this day, they claim that they did not finance the film." See more »
The word "country" written in Japanese kanji on the hachimaki is the simplified character. On the actual hachimakis, the kanji for "country" was the long traditional form. See more »
Only knowledge can turn life's unbearableness into a weapon.
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Yukio Mishima is acknowledged to have been a real person, but his acts have been fictionalized by writers. Other persons and events in this film are fictitious. Any similarity to actual persons and events is unintentional. See more »
One would think that a film based on the life of the Japanese author Yukio Mishima would be a daunting if not impossible task. However Paul Schrader has indeed made a film "about" Mishima that is both superb & complex. While it is not a literal biography, Schrader & his co-screenwriter Leonard Scharder (his brother) have taken several incidents from his life, including his sucide and crafted what can best be described as incidental tableaus that are visually sparse and stunning. Mishima's homosexuality is almost not there, due to legal threats from his widow, but in spite of this, the film is still terrific, and one of the best films I saw in 1985. I should also mention the important contribution of Philip Glass who did the score, which adds an additional texture to the film, and is superior to the one he did for Scorsese's Kundun. Also notable is John Bailey's fine crisp beautifully colored cinematography and the great production design & costumes by Eiko Ishioka who went on to do the memorable costumes for Coppola's Dracula for which she received a well deserved Oscar. Hopefully this film will soon be available on DVD.
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