A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (...
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A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion (Kinkaku-ji), Kyoko's House, and Runaway Horses), while the fourth depicts 25 November 1970, "The Last Day"... Written by
Nick Lopez <email@example.com>
Has never been officially released in Japan even to this day (2005) theatrically or on video because of the controversy over both Yukio Mishima's politics and the film itself. However, it has been shown on television (albiet with the gay bar scene removed) and the U.S. DVD can legally be imported there. See more »
Chiba Koga did not try to strangle Mashita with the polishing cloth. He had given the polishing cloth to Mishima to wipe the sword and used his hands to throttle the General from behind. See more »
Yukio Mishima is acknowledged to have been a real person, but his acts have been fictionalized by writers. Other persons and events in this film are fictitious. Any similarity to actual persons and events is unintentional. See more »
Mishima is one of the greatest films ever made. Now I think Paul Schrader is the greatest screenwriter of all time, but I don't really like the films he's directed of what I've seen (with the exception of this and Affliction), but this is an amazing, disturbing, and highly 3-dimensional character study. It follows the life of Yukio Mishima, Japan's most celebrated writer, combining the last day of his life with flashbacks and his stories. I don't know how, but Paul Schrader manages to combine all of those in a very artistic way. The acting is great, so is the photography, and a perfect score by Philip Glass. Although confusing the first viewing, this is one of the few films that becomes richer with each viewing. Truly an underrated gem of a film.
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