A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (... See full summary »
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A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion (Kinkaku-ji), Kyoko's House, and Runaway Horses), while the fourth depicts 25 November 1970, "The Last Day"... Written by
Nick Lopez <firstname.lastname@example.org>
Has never been officially released in Japan even to this day (2005) theatrically or on video because of the controversy over both Yukio Mishima's politics and the film itself. However, it has been shown on television (albiet with the gay bar scene removed) and the U.S. DVD can legally be imported there. See more »
The globe's stand was not knocked during the scuffle. See more »
Yukio Mishima (Narrator):
The instant the blade tore open his flesh, the bright disk of the sun soared up behind his eyelids and exploded lighting the sky for an instant.
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Yukio Mishima is acknowledged to have been a real person, but his acts have been fictionalized by writers. Other persons and events in this film are fictitious. Any similarity to actual persons and events is unintentional. See more »
Highly stylized, rewarding film for thoughtful viewers.
It has taken several viewings for me to fully appreciate this film. Initially, I was struck by the stylized sets, but found the rest slow going and dull. I thought that such a sensational subject needed the Ken Russell treatment to take it way over the top. I now find the enforced restraint (placed on the production by Mishima's widow) to be an asset. Some of the more lurid aspects of Mishima's life are reiterated and dramatized by corresponding themes from his novels. I think it helps to be familiar with the novels - that's what finally made the difference for me. Still feel the film overall could be a little tighter and warmer, but it's genuinely unique, and deserves serious attention. Love the fact that the Japanese characters speak Japanese - not English. The Philip Glass score is mesmerizing.
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