A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (...
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Two characters on a Noh stage dramatize the rite of love and death of Lieutenant Shinji Takeyama and his wife Reiko. Takeyama was one of a cadre of young officers who staged a coup d'état ... See full summary »
In Shanghai in the 1880s there are four elegant brothels (flower houses): each has an auntie (called madam), a courtesan in her prime, older servants, and maturing girls in training. The ... See full summary »
Tony Chiu Wai Leung,
The true story of a rich girl who was abducted by American revolutionaries in the 1970's. Her time spent with her captors made her question herself and her way of life and she joined forces... See full summary »
Ichikawa's cameras follow the 1964 Summer Olympics from opening to closing ceremonies. Sometimes he focuses on spectators, as athletes pass in a blur; sometimes he isolates a competitor; ... See full summary »
A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion (Kinkaku-ji), Kyoko's House, and Runaway Horses), while the fourth depicts 25 November 1970, "The Last Day"... Written by
Nick Lopez <firstname.lastname@example.org>
The globe's stand was not knocked during the scuffle. See more »
You have to promise not to kiss me... until after I'm dead.
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Yukio Mishima is acknowledged to have been a real person, but his acts have been fictionalized by writers. Other persons and events in this film are fictitious. Any similarity to actual persons and events is unintentional. See more »
One would think that a film based on the life of the Japanese author Yukio Mishima would be a daunting if not impossible task. However Paul Schrader has indeed made a film "about" Mishima that is both superb & complex. While it is not a literal biography, Schrader & his co-screenwriter Leonard Scharder (his brother) have taken several incidents from his life, including his sucide and crafted what can best be described as incidental tableaus that are visually sparse and stunning. Mishima's homosexuality is almost not there, due to legal threats from his widow, but in spite of this, the film is still terrific, and one of the best films I saw in 1985. I should also mention the important contribution of Philip Glass who did the score, which adds an additional texture to the film, and is superior to the one he did for Scorsese's Kundun. Also notable is John Bailey's fine crisp beautifully colored cinematography and the great production design & costumes by Eiko Ishioka who went on to do the memorable costumes for Coppola's Dracula for which she received a well deserved Oscar. Hopefully this film will soon be available on DVD.
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