A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (... See full summary »
Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "... See full summary »
Benicio Del Toro
A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion (Kinkaku-ji), Kyoko's House, and Runaway Horses), while the fourth depicts 25 November 1970, "The Last Day"... Written by
Nick Lopez <email@example.com>
Based on the (Mishima's) works : Sun and Steel (1970), Confessions Of A Mask (1948), Runaway Horses (1969), Kyoko's House (1959), The Temple Of The Golden Pavilion (1956). See more »
General Mashita wiped the sword with tissue paper, not cloth. See more »
[after his mistress cuts him with a small blade]
A thought just occurred to me: "This is the woman I've been looking for. I've finally found her." For the first time I feel like I exist. I don't need a mirror.
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Yukio Mishima is acknowledged to have been a real person, but his acts have been fictionalized by writers. Other persons and events in this film are fictitious. Any similarity to actual persons and events is unintentional. See more »
The film, original and hypnotizing depicting of the fascinating Artist's life through his writings, works, especially in the first two chapters, "Beauty" and "Art". They are nothing short of perfection if you ask me. Amazing blend of three different styles - quasi documentary of the last day in his life, black-and-white flashbacks of his earlier days and exiting and stylish color sequences of his novels "The Temple of Golden Pavilion" and "Kyoko's House" helps to understand the constant and tragic search of Mishima's protagonists for beauty and for meaning of art. Two last chapters, "Action" and "Harmony of Pen and Sword" seem weaker than the first two. Two hours are not enough to explore the figure of such complexity but the attempt is very interesting and adds to my interest in Mishima - a great writer, actor, director, a military man, a man who felt that he knew where the future of his country lied and who did not hesitate a second to die for his ideas.
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