| Photos (See all 11 | slideshow) |
| Serena Grandi | ... | Miranda | |
| Andrea Occhipinti | ... | Berto (as Andrea Occhipin') | |
| Franco Interlenghi | ... | Carlo | |
| Andy J. Forest | ... | Norman (as Andy J. Forrest) | |
| Franco Branciaroli | ... | Tony | |
| Malisa Longo | |||
| Laura Sassi | |||
| Isabelle Illiers | |||
| Luciana Cirenei | |||
| Jean René Lemoine | |||
| Mauro Paladini | |||
| Enzo Turrin | |||
| rest of cast listed alphabetically: | |||
| Osiride Pevarello | ... | Man That Sings in Bar (uncredited) | |
Directed by | |||
| Tinto Brass | |||
Writing credits(in alphabetical order) | ||
| Tinto Brass | ||
| Carlo Goldoni | play "La locandiera" | |
Produced by | |||
| Giovanni Bertolucci | .... | producer | |
Original Music by | |||
| Riz Ortolani | |||
Cinematography by | |||
| Silvano Ippoliti | |||
| Erico Menczer | (uncredited) | ||
Film Editing by | |||
| Tinto Brass | |||
Art Direction by | |||
| Paolo Biagetti | |||
Costume Design by | |||
| Jost Jakob | |||
Makeup Department | |||
| Iole Cecchini | .... | hair stylist | |
| Antonio Maltempo | .... | assistant makeup artist | |
| Gilberto Provenghi | .... | makeup artist | |
Production Management | |||
| Mario Di Biase | .... | production manager | |
| Massimo Ferrero | .... | unit manager | |
| Vittorio Fornasiero | .... | unit manager | |
| Aldo U. Passalacqua | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Emanuela Lucidi | .... | second assistant director | |
| Alessandro Peticca | .... | assistant director | |
| Domenico Saverni | .... | second assistant director | |
Art Department | |||
| Egisto Calascibetta | .... | assistant art director | |
| Marco Davoli | .... | assistant art director | |
| Emita Frigato | .... | assistant art director | |
| Roberto Magagnini | .... | prop man | |
| Massimo Spano | .... | set dresser | |
| Otello Tiberi | .... | painter | |
Sound Department | |||
| Fausto Ancillai | .... | sound mixer | |
| Gaetano Carito | .... | sound | |
| Marco Di Biase | .... | boom operator | |
| Alessandro Peticca | .... | sound editor | |
Stunts | |||
| Giorgio Ricci | .... | stunts | |
Camera and Electrical Department | |||
| Luigi Bernardini | .... | assistant camera | |
| Ettore Corso | .... | assistant camera | |
| Augusto Proietti | .... | head grip | |
| Gianfranco Salis | .... | still photographer | |
| Enrico Sasso | .... | camera operator | |
| Sergio Spila | .... | gaffer | |
Costume and Wardrobe Department | |||
| Stefania D'Amario | .... | wardrobe | |
| Simona Mattei | .... | wardrobe (as Simonetta Mattei) | |
| Anna Rasetti | .... | wardrobe | |
Editorial Department | |||
| Emanuela Lucidi | .... | assistant editor | |
| Fiorenza Muller | .... | assistant editor | |
| Giovanna Ritter | .... | assistant editor | |
| Manuela Ruggeri | .... | assistant editor | |
Other crew | |||
| Francesca Andriotto | .... | production secretary | |
| Mauro Babini | .... | production secretary | |
| Lilletta Bertolucci | .... | publicist | |
| Carla Cipriani | .... | continuity | |
| Dorina Mari | .... | paymaster | |
| Giuseppe Pennese | .... | choreographer | |
| Mario Sampaolo | .... | administration manager | |
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| Fly Me the French Way | Emmanuelle | Senso '45 | Così fan tutte | The Cheerleaders |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
Ah, the mature Tinto Brass! After twenty odd years of trying to make difficult, compelling and erotic films, of seeing his work cut to shreds by clumsier, less artistic hands, of working on huge sets with vast unweildy international casts and of the insufferable dictation of linear narrative and intelligible dialogue enough was enough. From now on it would be back to basics, back to his first love. From now on all of his films would be about women with fat arses. Like Walerian Boroczyk or Russ Meyer ( albeit a Russ Meyer who is a foot shorter and facing the wrong way ) Brass' chief concern is the capture of the female form, as often as possible and from suprisingly intrusive angles. To this end he has established a series of erotic props, his own sexual shorthand. There will always be an oval mirror over any bed, there will invariably be a camp dancing sequence during which the heroine will feel compelled to flash her baggy french knickers. There will be a dream sequence, usually on a beach and usually as a tribute to Fellini, and every time a character goes to the cinema it will be to see another Tinto Brass film. And finally, and perhaps most importantly for Tinto, any woman, no matter what the circumstances and appropos of nothing must be allowed to urinate as and when she pleases, preferably backlit and preferably in public. This is the plot of Miranda. Not in essence, this is not a thumbnail sketch or a five word pitch. THIS IS ALL THAT HAPPENS:Miranda ( Serena Grandi ) the landlady of an Italian taverna has to choose between three men: a rich pensioner, an aggressive GI or the lowly waiter who carries a torch for her. Guess which one she goes for!