| Matt Frewer | ... | Edison Carter / Max Headroom | |
| Nickolas Grace | ... | Grossman | |
| Hilary Tindall | ... | Dominique | |
| William Morgan Sheppard | ... | Blank Reg (as Morgan Sheppard) | |
| Amanda Pays | ... | Theora Jones | |
| Paul Spurrier | ... | Bryce Lynch | |
| Hilton McRae | ... | Breugal | |
| George Rossi | ... | Mahler | |
| Roger Sloman | ... | Murray | |
| Anthony Dutton | ... | Gorrister | |
| Constantine Gregory | ... | Ben Cheviot | |
| Lloyd McGuire | ... | Edwards | |
| Elizabeth Richardson | ... | Ms. Formby | |
| Gary Hope | ... | Ashwell | |
| Joane Hall | ... | Body bank receptionist | |
| Howard Samuels | ... | Eng reporter | |
| Roger Tebb | ... | Helipad reporter | |
| Val McLane | ... | Eye witness | |
| Michael Cule | ... | Exploding man | |
| rest of cast listed alphabetically: | |||
| Jeffrey Weissman | ... | Operations | |
Directed by | |||
| Annabel Jankel | |||
| Rocky Morton | |||
Writing credits(in alphabetical order) | ||
| Annabel Jankel | story | |
| Rocky Morton | story | |
| Steve Roberts | ||
| Colin Wilson | story | |
Produced by | |||
| Terry Ellis | .... | executive producer | |
| Chris Griffin | .... | line producer | |
| Peter Wagg | .... | producer | |
Original Music by | |||
| Chris Cross | |||
| Midge Ure | |||
Cinematography by | |||
| Trevor Brooker | |||
| Phil Meheux | |||
Film Editing by | |||
| Michael Bradsell | |||
Casting by | |||
| John Hubbard | |||
| Mary Jo Slater | |||
Production Design by | |||
| Maurice Cain | |||
Art Direction by | |||
| Alan Williams | |||
Costume Design by | |||
| Michael Baldwin | |||
Makeup Department | |||
| Ross Carver | .... | hair stylist | |
| Leon Hamme | .... | assistant hair stylist | |
| Sandra Shepherd | .... | makeup artist | |
Production Management | |||
| Redmond Morris | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Terry Bamber | .... | third assistant director | |
| John Dodds | .... | second assistant director | |
| Chris Rose | .... | first assistant director | |
Art Department | |||
| Rod Lord | .... | graphic artist | |
| John Mills | .... | property master | |
| Micky Mills | .... | standby prop | |
| Brian Read | .... | production buyer | |
| Val Wolstenholme | .... | set dresser | |
Sound Department | |||
| Don Brown | .... | sound maintenance | |
| Paul Conway | .... | assistant dubbing editor | |
| Richard King | .... | dubbing mixer | |
| Howard Lanning | .... | dubbing editor | |
| Steve O'Brien | .... | boom operator | |
| Brad Sherman | .... | sound effects editor | |
| Ken Weston | .... | sound mixer | |
Special Effects by | |||
| John Humphreys | .... | prosthetics designer | |
| Ian Scoones | .... | special effects | |
Visual Effects by | |||
| Craig Zerouni | .... | digital artist | |
Camera and Electrical Department | |||
| Brian Cooke | .... | still photographer | |
| Harry Eckford | .... | camera grip | |
| Mike Pia | .... | video playback supervisor | |
| Terry Potter | .... | gaffer | |
| Ralph Ramsden | .... | clapper loader | |
| Richard Taylor | .... | camera operator: video | |
| Peter Turner | .... | focus puller | |
Animation Department | |||
| Nick Burgess-Jones | .... | chief colorist | |
Costume and Wardrobe Department | |||
| James P. Cullen | .... | costumer | |
| Marina Drecker | .... | wardrobe mistress | |
| Raymond Harris | .... | wardrobe assistant | |
Editorial Department | |||
| Andrew Gillman | .... | video tape playback editor | |
| Andrew Parker | .... | first assistant editor | |
| John W. Stuart | .... | assistant editor | |
Music Department | |||
| Virginia S. Ellsworth | .... | music editor | |
| Rik Walton | .... | music engineer | |
Other crew | |||
| Francine Brown | .... | continuity | |
| Tim Dennison | .... | floor runner | |
| Linda Gregory | .... | production accountant | |
| David Hansen | .... | additional dialogue | |
| Nicholas Hicks-Beach | .... | researcher | |
| Gerry Kennedy | .... | production runner | |
| Richard Monkhouse | .... | electronic effects | |
| Paul Owen | .... | additional dialogue | |
| Clare St. John | .... | production coordinator | |
| Peter Tupy | .... | computer effects | |
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| The Running Man | Brazil | The Truman Show | Fahrenheit 451 | Privilege |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
I happened on the "Max Headroom: 20 minutes into the future" film on the cable channel Cinemax by accident in 1986 or so. The story, the setting, and the characters drew me in and I was blown away. It had the dreary, rainy, dark mood of "Blade Runner" and "Alien" with a touch of film noir where everyone smokes and the surrounding city is dirty and decaying. The cautionary tale of corporate control is dead on target even becoming more true than when this film came out.
There is an underground of people who don't exist - called 'Blanks' - and others who kidnap and kill people to sell their organs at the local tissue collection agencies.
Amongst this backdrop is Edison Carter - played by Matt Frewer - star reporter for Network 23. He uncovers evidence that his employer is killing viewers in an effort to generate more ad revenue. Instead of "killing the story" as happens today, the bosses decide to kill Edison. They have a problem in doing this however. Being that Edison is the star of the network, if he dies then people will know something is up. Enter teen genius Bryce Lynch - played by Paul Spurrier - who does his best thinking while taking a bath, downloads Edison's brain into a computer. He uses that to create a computer version of Edison in hopes of fooling the viewers.
All is not well when virtual Edison takes the name Max Headroom and escapes the control of Lynch and Network 23.
Helped by the lovely Theora Jones - played by Amanda Pays - and the leader of the Blanks, Blank Reg - played by William Morgan Sheppard - Max puts the screws on Network 23 and the whole corporate control culture.
Frewer is a hoot as Max. His zingers through out the movie help lighten the dark tones and Max is not just a computer clone of Edison. Max is how Edison wishes he could be.
Pays is lovely as Edison's and later Max's producer. She and Max have a good relationship.
Sheppard's Blank Reg is an aging punk rocker with a Mohawk to boot. He has it all figured out.
If you get a chance to see this movie then do it. You won't be sorry.