Dexter Cornell, an English Professor becomes embroiled in a series of murders involving people around him. Dexter has good reason to want to find the murderer but hasn't much time. He finds... See full summary »
Following the success of his sci-fi series "Max Headroom: 20 Minutes into the Future," the original talk show of the famous disembodied stuttering head with an over-inflated ego was brought... See full summary »
Max Headroon, the stylish, charming and egotistical artificial intelligence program with a speech impediment, gets to host his own talk show. Done in the same style as Late Night and The ... See full summary »
In the post-apocalyptic future where television sets are more important than food, TV ratings are the all important currency of the nation. A new technique of preventing viewers from channel surfing proves somewhat detrimental to particularly sedentary couch potatoes. The top studio becomes concerned: dead viewers make for low ratings. Edison Carter, top news reporter, is sent to find out more. After a motorcycle accident, his mind is preserved by wizz-kid Bryce and becomes his wise cracking, computer generated alter-ego: Max Headroom, who manages to boost ratings above those of any live hosts to date. This made for TV movie was later remade (sanitized version) as the first episode of the series. Written by
Sven Kahrkling <firstname.lastname@example.org>
The film is set "20 minutes into the future". See more »
And then there's politicians. It's easy to tell when a politician is lying: their lips move.
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The credits roll over a shot of the overpass that our heroes just passed under. After a few minutes the van owned by the thugs that "killed" Edison passes under it - apparently going after our heroes. See more »
Like the TV show that followed it, the "Max Headroom" movie was a great grim look into a bleak, Blade-Runner-esque future ruled by corporations who keep the proletariat down by anesthetizing them with junk food and mind-numbing television pageantry. The parallels are frightening, or haven't you seen a Jerry Springer audience lately? The UK movie is, if anything, even grittier and more creepy than the eventual US pilot and TV series. It's out of print, but well worth searching out -- a dramatic, thought-provoking example of everything that's good about science fiction.
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