| Photos (See all 14 | slideshow) | Videos (see all 2) |
| Tom Hanks | ... | Richard Harlan Drew | |
| Dabney Coleman | ... | Cooper | |
| Lori Singer | ... | Maddy | |
| Charles Durning | ... | Ross | |
| Carrie Fisher | ... | Paula | |
| Edward Herrmann | ... | Brown (as Ed Herrmann) | |
| James Belushi | ... | Morris (as Jim Belushi) | |
| Irving Metzman | ... | Virdon | |
| Tom Noonan | ... | Reese | |
| Gerrit Graham | ... | Carson | |
| David L. Lander | ... | Stemple | |
| Ritch Brinkley | ... | Hulse | |
| Frank Hamilton | ... | Edgar | |
| Dortha Duckworth | ... | Natalie | |
| David Ogden Stiers | ... | The Conductor | |
| Julius Carry | ... | CIA Agent (as Julius J. Carry III) | |
| Stephen Bradley | ... | CIA Agent | |
| Art LaFleur | ... | CIA Agent | |
| Richard McGonagle | ... | CIA Agent (as Richard F. McGonagle) | |
| George Martin | ... | Senate Chairman | |
| Patricia Gaul | ... | Mrs. Brown | |
| Charles Levin | ... | CIA Dentist | |
| Dan Resin | ... | Man in Car | |
| Tom Rayhall | ... | Sergeant at Arms | |
| Victoria Carroll | ... | Receptionist | |
| Mark Robman | ... | Dentist | |
| Charles Walker | ... | Reporter | |
| David Selburg | ... | Reporter | |
| Lisa Raggio | ... | Reporter | |
| Ivy Bethune | ... | Female Patient | |
| Richard Clark | ... | Cab Driver (as C. Richard Clark) | |
| Tom Chiu | ... | Dickie | |
| Damita Jo Freeman | ... | Waitress | |
| Jeff Ware | ... | Prof. Chermenko | |
| Noel De Souza | ... | Officer on Dock | |
| Dan Ziskie | ... | Young American (as Daniel Ziskie) | |
| Sam Sako | ... | Dock Worker | |
| rest of cast listed alphabetically: | |||
| Pamela Clay | ... | Friendly Young Girl (uncredited) | |
| Joe Dooley | ... | Extra (uncredited) | |
Directed by | |||
| Stan Dragoti | |||
Writing credits | ||
| Francis Veber | (screenplay "Le grand blond avec une chaussure noire") and | |
| Yves Robert | (screenplay "Le grand blond avec une chaussure noire") | |
| Robert Klane | ||
Produced by | |||
| Victor Drai | .... | producer | |
| Xavier Gélin | .... | associate producer | |
| Jack Frost Sanders | .... | associate producer (as Jack Sanders) | |
| William W. Wilson | .... | associate producer (as Bill Wilson) | |
Original Music by | |||
| Thomas Newman | |||
Cinematography by | |||
| Richard H. Kline | |||
Film Editing by | |||
| O. Nicholas Brown | |||
| Bud Molin | |||
Casting by | |||
| Dianne Crittenden | |||
Production Design by | |||
| Dean Edward Mitzner | (as Dean E. Mitzner) | ||
Set Decoration by | |||
| Anne D. McCulley | |||
Costume Design by | |||
| William Ware Theiss | |||
Makeup Department | |||
| Ora Green | .... | hair stylist (as Ora T. Green) | |
| Byrd Holland | .... | makeup artist | |
| Bob Mills | .... | makeup supervisor (as Robert J. Mills) | |
| Marina Pedraza | .... | head hair stylist | |
| Ric Sagliani | .... | makeup artist (as Ric G. Sagliani) | |
Production Management | |||
| Henry Kline | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| William S. Beasley | .... | first assistant director (as William Beasley) | |
| Alan B. Curtiss | .... | second assistant director | |
| Regina Gordon | .... | additional second assistant director (as Regina L. Gordon) | |
| Duncan Henderson | .... | first assistant director: second unit (as Duncan S. Henderson) | |
| Max Kleven | .... | second unit director | |
| Christopher Ryan | .... | second assistant director: second unit (as Chris Ryan) | |
Art Department | |||
| Cameron Birnie | .... | set designer | |
| Everett Olson | .... | construction coordinator | |
| Richard M. Rubin | .... | property master | |
| Tom Southwell | .... | production illustrator | |
| Dianne Wager | .... | assistant art director | |
| Kenneth L. Westcott | .... | lead man (as Ken Westcott) | |
Sound Department | |||
| Don J. Bassman | .... | sound re-recording mixer (as Don Bassman) | |
| Garrie Bolger | .... | sound re-recording mixer | |
| Willie D. Burton | .... | sound mixer (as Willis D. Burton) | |
| Kevin F. Cleary | .... | sound re-recording mixer | |
| David M. Ice | .... | sound editor | |
| Lenny Jennings | .... | sound editor | |
| Hal Sanders | .... | sound editor | |
| Richard Sperber | .... | sound editor (as Richard A. Sperber) | |
| Bill Voigtlander | .... | adr editor (as William Voigtlander) | |
| Philip Rogers | .... | sound recordist (uncredited) | |
| Andy Rovins | .... | boom operator (uncredited) | |
Special Effects by | |||
| Alan E. Lorimer | .... | special effects coordinator | |
| Mike Berro | .... | special effects technician (uncredited) | |
| Ken Speed | .... | special effects assistant (uncredited) | |
| Bruno Van Zeebroeck | .... | special effects (uncredited) | |
Stunts | |||
| Sandy Berumen | .... | stunts | |
| Brad Bovee | .... | stunts | |
| Betsy Clark | .... | stunts | |
| Laurie Creach | .... | stunts | |
| Wally Crowder | .... | stunt coordinator | |
| Wally Crowder | .... | stunts | |
| Rawn Hutchinson | .... | stunts | |
| David LeBell | .... | stunts | |
| Kathleen O'Haco | .... | stunts | |
| Hutch Parker | .... | stunts | |
| Carol Rees | .... | stunts | |
| Roger Richman | .... | stunts (as Roger M. Richman) | |
| Pat Romano | .... | stunts (as Patrick Romano) | |
| John-Clay Scott | .... | stunts | |
| Tommie Sikes | .... | stunts | |
| Mark Yerkes | .... | stunts | |
Camera and Electrical Department | |||
| Kenneth Adams | .... | key grip: second unit (as Kenneth A. Adams) | |
| Sidney Ray Baldwin | .... | still photographer (as Sidney R. Baldwin) | |
| Albert Bettcher | .... | camera operator | |
| Richmond G. Cogswell | .... | video assist operator | |
| M. Todd Henry | .... | assistant camera (as Michael Todd Henry) | |
| David Morton | .... | best boy | |
| Jack Priestley | .... | camera operator: second unit | |
| Robert Sordal | .... | key grip (as Robert L. Sordal) | |
| John D. Todd | .... | gaffer: second unit | |
| Gary R. Wostak | .... | gaffer | |
| Mara Kurtz | .... | still photographer (uncredited) | |
| Louis Niemeyer | .... | first assistant camera (uncredited) | |
Casting Department | |||
| Ilene Starger | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sharon Iris Crall | .... | costumer: women | |
| Jered Green | .... | costumer: men (as Jered E. Green) | |
| Thalia C. Macarthur | .... | costume supervisor (as Thalia Macarthur) | |
Editorial Department | |||
| Roger Greene | .... | assistant editor | |
| Scot Scalise | .... | apprentice editor | |
Music Department | |||
| Kenneth Karman | .... | music editor | |
| Michael Masser | .... | composer: love theme | |
| Ken Runyon | .... | music editor | |
| Armin Steiner | .... | score mixer | |
| James B. Campbell | .... | orchestrator (uncredited) | |
| George Doering | .... | musician (uncredited) | |
| Thomas Newman | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Skip Wilson | .... | transportation coordinator | |
| Gina August | .... | driver (uncredited) | |
| Dean E. Mason | .... | transportation captain (uncredited) | |
Other crew | |||
| Pete Emmet | .... | unit publicist | |
| Cherie Franklin | .... | dialogue coach | |
| Todd Grodnick | .... | video consultant | |
| Larry K. Johnson | .... | script supervisor | |
| Richard S. Kaufman | .... | violin coach (as Richard Kaufman) | |
| James Koehler | .... | auditor (as Jim Koehler) | |
| Lloyd Nelson | .... | script supervisor: second unit | |
| Susan Pond | .... | assistant: Stan Dragoti | |
| Pinki Ragan | .... | production coordinator | |
| Binnie Ruben | .... | location manager: Los Angeles | |
| Art Scholl | .... | helicopter pilot | |
| Lisa M. Violé | .... | assistant: Victor Drai | |
| Michael Wallace | .... | location manager: Washington D.C. (as Mike Wallace) | |
| Gary Weddington | .... | assistant auditor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
OK, it's not the most brilliant piece of art in the world, but neither is it the turkey that the video guides make it out to be. It's a cute spy-cliché spoof with good performances from Hanks, Durning, Coleman, Belushi, Herrman and particularly Tom Noonan as the deadpan Agent Reese. Super music by Thomas Newman (one of his first scores), an elegant string of sight gags featuring Belushi and a couple of corpses, and a sweet ending scene more than make up for the underlying silliness of the plot and a handful of flatly delivered lines. Good to watch on a Sunday afternoon when you need to occupy your mind, but not TOO much.