Cody Abiliene is a semi-successful private detective desperately in need of a big (and well-paying) case. When he's hired to solve the murder of Contessa Luciana's husband, he jumps at the ... See full summary »
Brash and crazed cigar-chomping network TV executive Clifford Bradley decides to push the boundaries of good taste and moral decency by broadcasting an extremely bawdy and explicit stag ... See full summary »
A married college professor decides to seduce her student, whom she hired as a handyman for her yacht. The hesitant student succumbs to his buxom professor, but their romance is interrupted by her corrupt husband and a masked murderer.
A group of models fly into the jungle of some South American country to look for a photo location. Their plane is shot down and they are captured by a drug baron's private army. At the same... See full summary »
Ernst R. von Theumer,
Nina van Pallandt,
Paul L. Smith,
Cody Abiliene is a semi-successful private detective desperately in need of a big (and well-paying) case. When he's hired to solve the murder of Contessa Luciana's husband, he jumps at the chance. In between investigating the many women around the Contessa's estate, Abilene eventually uncovers a complex case of espionage and blackmail. Written by
Jean-Marc Rocher <email@example.com>
When Matthew, Mark and Luke hijack the helicopter pilot, you see a sign on the building behind the helicopter that reads Harry Haus Helicopter service. The pilot they kidnap is in fact Harry Hauss. See more »
Although "Malibu Express" is officially the first film in the Andy Sidaris "Bullets, Bombs and Babes" series, it's clear that he still hadn't perfected the formula that would dominate his later work. The film has a male lead, and most of the women are portrayed as nymphos / sex objects. Of course, I know that in an Andy Sidaris film the women have a tendency to remove their clothes at the drop of a hat, but they also have a tendency to shoot people, blow things up, etc. Apart from one scene, of a crackshot policewoman embarrassing the hero who is a lousy shot, there is none of that in "Malibu Express": in other words, there is no empowerment to balance the exploitation. The film is a low-rent cross between James Bond, "Smokey and the Bandit" (country music, hicks and car races) and Agatha Christie (there is a murder in a household and everybody is a suspect). It's really not very good - Sybil Danning's exceptional body is one of the few redeeming virtues - but I guess it's better than "Howling II", where Sybil's body was the only redeeming virtue. (**)
3 of 4 people found this review helpful.
Was this review helpful to you?