| Photos (See all 31 | slideshow) | Videos (see all 4) |
Directed by | |||
| George Miller | |||
| George Ogilvie | |||
Writing credits | ||
| Terry Hayes | (written by) & | |
| George Miller | (written by) | |
Produced by | |||
| Steve Amezdroz | .... | associate producer | |
| Marcus D'Arcy | .... | associate producer | |
| Terry Hayes | .... | co-producer | |
| George Miller | .... | producer | |
| Doug Mitchell | .... | co-producer | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Dean Semler | |||
Film Editing by | |||
| Richard Francis-Bruce | |||
Casting by | |||
| Alison Barrett | |||
Production Design by | |||
| Graham 'Grace' Walker | |||
Art Direction by | |||
| Anni Browning | |||
Set Decoration by | |||
| Martin O'Neill | |||
Costume Design by | |||
| Norma Moriceau | |||
Makeup Department | |||
| Rosalina Da Silva | .... | makeup artist (as Rosalina Silva) | |
| Nik Dorning | .... | prosthetics assistant | |
| Helen Evans | .... | makeup artist | |
| Elizabeth Ann Fardon | .... | key makeup artist | |
| Marjory Hamlin | .... | assistant makeup artist | |
| Sherry Hubbard | .... | assistant makeup artist | |
| Cheryl Newton | .... | wig maker | |
Art Department | |||
| Alan Armytage | .... | scenic painter | |
| Simon Baume | .... | set builder | |
| Tom Beavem | .... | construction assistant | |
| John Bell | .... | construction assistant | |
| Chris Bellet | .... | set builder | |
| Wayne Black | .... | set builder | |
| Peter Bower | .... | set builder | |
| John Buttimore | .... | fibreglasser | |
| Brendyn Byrnes | .... | set builder | |
| Toby Churchill-Brown | .... | art department runner | |
| Matthew Connors | .... | set builder | |
| Pauline Cotter | .... | tent maker | |
| Michael Davis | .... | art department coordinator | |
| Robert Fisher | .... | set builder | |
| John Friedman | .... | construction runner | |
| Chris Gibson | .... | set builder | |
| Errol Glassenbury | .... | construction foreman | |
| Marian Gorsky | .... | construction assistant | |
| Scott Gribble | .... | set builder | |
| Keron Hansen | .... | construction foreman | |
| Kate Highfield | .... | art department coordinator | |
| Tony Hunt | .... | property buyer | |
| Romaine Joseph | .... | draughtswoman | |
| Billy Kennedy | .... | scenic painter | |
| Ross Kens | .... | tent maker | |
| Steve King | .... | set builder | |
| Kirk Lovett | .... | set builder | |
| Nicholas Lyons | .... | construction assistant | |
| Steve Lyons | .... | storyboard artist | |
| Michael Makin | .... | set builder | |
| Billy Malcolm | .... | head scenic artist | |
| Paul McIver | .... | set builder | |
| Rod McKeown | .... | set builder | |
| Paul McKey | .... | construction foreman | |
| Karan Monkhouse | .... | stand-by props | |
| Ken Moore | .... | art department assistant | |
| Mark Morgan | .... | set builder | |
| Ron Morrison | .... | tent maker | |
| Anthony Moss | .... | signmaker | |
| Michael Patterson | .... | set builder | |
| Ray Pedler | .... | scenic artist | |
| Shane Pentland | .... | set builder | |
| Rob Ricketson | .... | construction foreman | |
| John Rowe | .... | scenic painter | |
| Carsten Schimmanowski | .... | set builder | |
| Dennis Smith | .... | construction supervisor | |
| Marcus Smith | .... | set builder | |
| Tom Spellman | .... | set builder | |
| John Sprowle | .... | construction assistant | |
| David Stack | .... | set builder | |
| Jennifer Towne | .... | tent maker | |
| Ed Verreaux | .... | visual design consultant | |
| Suzanne Wallen | .... | tent maker | |
| Daniel Webber | .... | fibreglasser | |
| Graham Wood | .... | construction assistant | |
| Max Worrall | .... | construction foreman | |
| Harry Zettel | .... | stand-by props | |
Sound Department | |||
| Sue Blainey | .... | assistant dialogue editor | |
| Lloyd Carrick | .... | production sound recordist | |
| Craig Carter | .... | sound effects editor | |
| Tim Chau | .... | sound effects editor | |
| Philip Dickson | .... | assistant dialogue editor (as Phil Dickson) | |
| John Herron | .... | dialogue re-recordist | |
| Tim Jordan | .... | dialogue editor | |
| Phil Judd | .... | additional sound | |
| Doron Kipen | .... | 8-track operator | |
| Bruce Lamshed | .... | sound designer | |
| Bruce Lamshed | .... | sound mixer | |
| Sue Lamshed | .... | assistant sound effects editor | |
| Frank Lipson | .... | sound effects editor | |
| Roger Savage | .... | sound mixer | |
| Roger Savage | .... | sound supervisor | |
| Annabelle Sheehan | .... | dialogue editor | |
| Joe Spinelli | .... | boom operator | |
| Andrew Steuart | .... | foley editor | |
| Yvonne Van Gyen | .... | assistant sound effects editor | |
| Rex Watts | .... | assistant sound effects editor | |
| Karin Whittington | .... | dialogue editor | |
| Steve Burgess | .... | foley recordist (uncredited) | |
| Steve Burgess | .... | sound editor (uncredited) | |
| James Mather | .... | sound assistant (uncredited) | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Steve Courtley | .... | special effects coordinator | |
| Brian Cox | .... | special effects technician | |
| Ray Fowler | .... | special effects assistant | |
| Doug Head | .... | special effects assistant | |
| Barrie Mackie | .... | special effects assistant | |
| Robert Podhadsky | .... | special effects assistant | |
| Brian Rallston | .... | special effects assistant | |
| Steve Volich | .... | special effects assistant | |
| David Ward-Fear | .... | special effects assistant | |
| Brian Wood | .... | special effects assistant | |
| Michael Wood | .... | special effects supervisor (as Mike Wood) | |
| David Young | .... | special effects assistant | |
| John Bowring | .... | special effects armorer (uncredited) | |
Visual Effects by | |||
| David Adams | .... | model assistant | |
| Ken Arlidge | .... | camera operator: model unit | |
| Eddie Blazkow | .... | rigger: model unit | |
| Geoff Brown | .... | louma crane operator: model unit | |
| Simon Butler | .... | model assistant | |
| Michael Chorney | .... | scenic artist: model unit | |
| Chris Cole | .... | camera assistant: model unit | |
| Roger Cowland | .... | opticals | |
| Paul Geros | .... | model assistant | |
| Petra Henniger | .... | model maker | |
| Kim Hilder | .... | model maker | |
| Romaine Joseph | .... | model maker | |
| Alan Maxwell | .... | special effects coordinator: model unit | |
| Suza Maybury | .... | model maker (as Susan Maybury) | |
| Suza Maybury | .... | model painter (as SusanMaybury) | |
| Bart Melocco | .... | rigging assistant: model unit | |
| Richard Merryman | .... | camera operator: model unit | |
| Roy Mico | .... | grip: model unit | |
| John Murch | .... | model maker | |
| Dennis Nicholson | .... | model coordinator | |
| Robert O'Keefe | .... | model assistant | |
| Andy Pollard | .... | scaffold supervisor: model unit | |
| Nui Russell | .... | rigging assistant: model unit | |
| Paul Shopis | .... | model assistant | |
| Peter Terakes | .... | camera assistant: model unit | |
| Jennifer Towne | .... | model assistant | |
| Walter Van | .... | model assistant | |
| Richard Weight | .... | model maker | |
| Guy Williams | .... | assistant grip: model unit | |
| Syd Dutton | .... | special visual effects (uncredited) | |
Camera and Electrical Department | |||
| Brian Bosisto | .... | camera crane operator | |
| John Brock | .... | additional focus puller | |
| Dean Bryan | .... | electrician | |
| David Burr | .... | additional camera operator | |
| David Dunkley | .... | camera maintenance | |
| Alan Dunstan | .... | best boy | |
| Tex Foote | .... | generator operator | |
| Jon Goldney | .... | additional assistant grip | |
| Gary Hill | .... | electrician | |
| Neil Howell | .... | assistant grip | |
| Louis Irving | .... | camera operator | |
| Ian Jones | .... | additional Steadicam operator | |
| Jonas Juhanson | .... | rigger | |
| John Mahaffie | .... | Steadicam focus puller | |
| Darren McLaughlin | .... | electrical apprentice | |
| Irvine G. McLaughlin | .... | key grip | |
| Richard Merryman | .... | camera operator | |
| Robin Morgan | .... | additional key grip | |
| John Morton | .... | gaffer | |
| Pat Nash | .... | grip | |
| Toby Phillips | .... | Steadicam operator | |
| Toby Phillips | .... | camera operator | |
| John Platt | .... | Steadicam clapper loader | |
| Jim Sheldon | .... | still photographer | |
| Mark Sullivan | .... | clapper loader | |
| Jon Waller | .... | camera crane assistant | |
| Roydon Johnson | .... | additional focus puller (uncredited) | |
Casting Department | |||
| Mike Fenton | .... | casting: USA | |
| Linda Pavilack | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lyn Askew | .... | stand-by wardrobe | |
| Jenni Bolton | .... | costume supervisor | |
| Susan Bowden | .... | costume designer's assistant | |
| Phil Eagles | .... | stand-by wardrobe | |
| Robyn Elliot | .... | wardrobe assistant | |
| Julie Frankham | .... | seamstress | |
| Lisa Meagher | .... | wardrobe assistant | |
| Anna Nolan | .... | wardrobe assistant | |
| Susan Pullen | .... | wardrobe assistant | |
Editorial Department | |||
| Arthur Cambridge | .... | color grader | |
| Miriam Cortes | .... | negative matcher | |
| Louise Innes | .... | first assistant editor | |
| Claire O'Brien | .... | first assistant editor | |
Music Department | |||
| Maurice Jarre | .... | conductor | |
| Dick Lewzey | .... | music recordist (as Dick Lewsey) | |
Transportation Department | |||
| Helen Folden | .... | transportation | |
| Jeff Reeder | .... | transportation | |
| David Thomas | .... | action vehicle coordinator | |
Other crew | |||
| Billy Allen | .... | additional personnel | |
| Dale Aspin | .... | animal coordinator | |
| David Atkins | .... | additional personnel | |
| Gillian Bailey | .... | additional personnel | |
| Catherine Barber | .... | financial controller (as Cathy Barber) | |
| Ken Barnett | .... | leatherworker | |
| Catherine Bishop | .... | production assistant | |
| Tony Bremner | .... | additional personnel | |
| Jenny Brown | .... | additional personnel | |
| Richard Carroll | .... | pig wrangler | |
| Beverley Clarke | .... | additional personnel | |
| Robin Clarke | .... | additional personnel | |
| Lynda Collings | .... | production accountant | |
| Chantal Cordy | .... | leatherworker | |
| Peter Dons | .... | assistant to accountant | |
| Deidre Eagles | .... | nurse | |
| Justin Fitzpatrick | .... | additional personnel | |
| Catalina Forsyth | .... | additional personnel | |
| Bill Gooley | .... | laboratory liaison | |
| Nicole Gooley | .... | additional personnel | |
| Marguerite Grey | .... | additional personnel | |
| Ollie Hall | .... | assistant: Angelo Rossitto | |
| Cassie Hanlon | .... | additional personnel | |
| Alistair Jenkins | .... | additional personnel | |
| Hine Knapp | .... | additional personnel | |
| Ray Kubacki | .... | mechanic | |
| David Lee | .... | additional personnel | |
| Terry Lee | .... | helicopter pilot | |
| George Mannix | .... | location manager | |
| John May | .... | additional personnel | |
| Bob McCarron | .... | prosthetics manufacture | |
| Sue McKay | .... | additional personnel | |
| Garry McQuinn | .... | production runner | |
| Steve Michaelson | .... | mechanic | |
| Keiron O'Connell | .... | bike builder | |
| Christopher Palmer | .... | assistant: Mr. Jarre | |
| Daphne Paris | .... | script supervisor | |
| Margaret Pavletich | .... | additional personnel | |
| Anne Phillips | .... | additional personnel | |
| Jake Piggeries | .... | pigs supplier | |
| Richard Piorkowski | .... | laboratory liaison | |
| Jenny Quigley | .... | additional personnel | |
| Jason Rogers | .... | additional personnel | |
| Phillip Roope | .... | tutor | |
| Rick Simshauser | .... | additional personnel | |
| Chris Smith | .... | caterer | |
| David Smith | .... | assistant to accountant | |
| Warner Smith | .... | mechanic | |
| John Stark | .... | monkey wrangler | |
| Romana Toson | .... | additional personnel | |
| Alfonso Valencia | .... | metro security | |
| Rod Venables | .... | air truck pilot | |
| P.J. Voeten | .... | unit runner | |
| Jim Walker | .... | pigs supplier | |
| Irene Walls | .... | additional personnel | |
| Glen Walsh | .... | mechanic | |
| Jenny Wilson | .... | assistant: Doug Mitchell | |
| Elizabeth Wright | .... | production secretary | |
| Lyndie Wylie | .... | additional personnel | |
| Michelle Zeisel | .... | assistant: George Miller | |
| Barry Elliott | .... | camel wrangler (uncredited) | |
Thanks | |||
| Stephen Hayes | .... | thanks | |
| Byron Kennedy | .... | dedicatee | |
| Ross Steele | .... | thanks (as Professor Ross Steele) | |
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| Mad Max 2: The Road Warrior | Mad Max | Indiana Jones and the Temple of Doom | Escape from New York | First Blood |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Australia section |
When I first saw Mad Max Beyond Thunderdome, I felt disappointed. It was a letdown from its amazing predecessor. I knew its reputation as an unworthy sequel, but I still realized there was something good about it, something I had never heard from other people's points of view.
It wasn't until some time later when I watched the series a second time that I noticed what it was.
Those who think MMBT is not as exciting as The Road Warrior would be right. But those that think MMBT sucks because it is not as exciting as The Road Warrior would be missing the point. What makes MMBT a worthy sequel is its way of establishing a greater scope of the setting the series takes place in. The dredges of civilization were what set the stage for the series in the original Mad Max. The barren world of desert wastelands and sparse outposts take the idea of a post-apocalyptic world one step further in The Road Warrior. A squalid setting such as Bartertown and an oasis where the tribe of children lived in MMBT once again builds on the elaborate fantasy that makes the series as popular as it is. The final, chilling realization of just what became of civilization in the closing moments of the movie are more than enough explanation as to why the the world the viewer sees in the trilogy is the way it is.
I was too young when I first saw MMBT to understand this. It wouldn't be until I saw it again some time later, with more movie-viewing experience under my belt that I realized that what makes Mad Max Beyond Thunderdome tick is not action set pieces, but a far more subtle approach of atmospheric setting.