When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers.
A veteran policeman, Murtaugh, is partnered with a younger, suicidal officer, Riggs. They both have one thing in common: hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
Bartertown is a city on the edge of a desert that has managed to retain some technology if no civilization. Max has his supplies stolen and must seek shelter there in a post apocalyptic world where all machines have begun to break down and barbarians hold what is left. He becomes involved in a power struggle in this third Mad Max film where he must first survive the town, survive the desert and then rescue the innocent children he has discovered. Written by
John Vogel <firstname.lastname@example.org>
When Max walks in the desert, we see him holding the monkey at his chest. However, when he abruptly falls, there is no sign of the monkey jumping from him, but we then see it alive and safe at the children's cave. See more »
[Aunty Entity's men surround Max, until she makes them stand down]
Well, ain't we a pair, raggedy man.
[she laughs evilly and heads back to her truck]
[she and her men drive off, leaving Max alone in the desert]
See more »
Mel Gibson, who plays Mad Max, is listed again among the Stunt Crew in the End Credits. See more »
This movie was much maligned when it came out in 1985, but that was due to the spectacular qualities of its predecessors, "Mad Max" and "The Road Warrior." Taken out of comparison with the other two, this movie is still solid post-apocalyptic fun, but it's lighter and slightly less violent than "Road Warrior" (as is evidenced by the PG-13 rating.) The actors' performances are perfectly adequate for the action, and the chase scenes bear all the hallmarks of Miller's craftsmanship (which contemporary directors should seriously consider studying and revitalizing.) You just won't see any arrow-riddled bodies slamming into the pavement at 60 mph or watch manned motorcycles sucked under the wheels of a big-rig. This one is about the kids. Think Hook in the wasteland and that starts to approach it.
If you saw this movie in the theaters 25 years ago and walked out hating it, give it another chance. Just don't see "RW" right beforehand. No reason to hobble your experience with unrealistic expectations.
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