A veteran policeman, Murtaugh, is partnered with a younger, suicidal officer, Riggs. They both have one thing in common: hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Bartertown is a city on the edge of a desert that has managed to retain some technology if no civilization. Max has his supplies stolen and must seek shelter there in a post apocalyptic world where all machines have begun to break down and barbarians hold what is left. He becomes involved in a power struggle in this third Mad Max film where he must first survive the town, survive the desert and then rescue the innocent children he has discovered. Written by
John Vogel <firstname.lastname@example.org>
Max's eyes are different; the pupil in his left eye is permanently dilated. This is a nod to The Road Warrior (1981): When his car is forced off the road by Wez and Max crashes, he suffers a severe injury to, among other body parts, his left eye. The disparity is easier to see in close-ups, and very easy to see in high definition versions of the film. In the regular version, it's most prominent when Max first looks down on the Thunderdome. See more »
During Max and the children's attempt to rescue Master, they sneak into the underground in order to free him from the pigpen. At one point, as the escape is put into play, Ironbar arrives and hits Max in the face with a shovel. The problem is that in order to establish the shot and weapon used, the shovel stops abruptly in front of the camera as Max falls backwards, where, unfortunately, the rubber that forms the shovel's fake blade continues to jiggle from the motion. See more »
I can't believe how low the imdb rating is on this film!
Sure it's probably the least good of the Mad Max films, but it is still entertaining as heck! It is maybe a little more Hollywood (which is a bad thing) than the first two. The music is overbearing at times, and some of the attempts at jokes were very cheap and American blockbusterish.
One of the main faults that has to be sited with this one is that the last thirty minutes or so are basically taken straight from The Road Warrior. The car chase and then the speech about how a stranger helped them establish a new society were taken right out of the 2nd installment.
It still is very creative, and the action has a wonderful momentum. I love the whole society that finds Max in the desert. I loved the recitation of their foundation, and I loved their dialect. I loved Masterblaster. And Tina Turner was actually cool, too. 8/10
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