| Photos (See all 14 | slideshow) |
| Tab Hunter | ... | Abel Wood | |
| Divine | ... | Rosie Velez | |
| Lainie Kazan | ... | Marguerita Ventura | |
| Geoffrey Lewis | ... | Hard Case Williams | |
| Henry Silva | ... | Bernardo | |
| Cesar Romero | ... | Father Garcia | |
| Gina Gallego | ... | Ninfa, Whore at Marguerita's | |
| Nedra Volz | ... | Big Ed | |
| Courtney Gains | ... | Red Dick Barker | |
| Woody Strode | ... | Blackman, Hard Case Gang | |
| Pedro Gonzalez Gonzalez | ... | Mexican, Hard Case Gang | |
| Daniel Frishman | ... | Clarence, Hard Case Gang | |
| Ernie Shinagawa | ... | Chang, Hard Case Gang | |
| Pit Ginsburg | ... | Toothless Drunk | |
| Al Cantu | ... | Gunslinger | |
| Clifton S. Doran | ... | Cantina Regular | |
| rest of cast listed alphabetically: | |||
| Noah Wyle | ... | Young man (uncredited) | |
Directed by | |||
| Paul Bartel | |||
Writing credits(in alphabetical order) | ||
| Philip John Taylor | ||
Produced by | |||
| Allan Glaser | .... | producer | |
| Tab Hunter | .... | producer | |
| James C. Katz | .... | executive producer | |
| Robert Raymond | .... | executive producer | |
Original Music by | |||
| Peter Matz | |||
Cinematography by | |||
| Paul Lohmann | |||
Film Editing by | |||
| Alan Toomayan | |||
Casting by | |||
| Ross Brown | |||
| Mary West | |||
Production Design by | |||
| Walter Pickette | |||
Set Decoration by | |||
| Al Eisenmann | |||
| Margot Kilbey | |||
Costume Design by | |||
| Dona Granata | |||
Makeup Department | |||
| Denise Bithos | .... | assistant hair stylist | |
| Denise Bithos | .... | assistant makeup artist | |
| Rene Carrillo | .... | assistant hair stylist | |
| Rene Carrillo | .... | assistant makeup artist | |
| Susan J. Kelber | .... | assistant hair stylist (as Susan Kelber) | |
| George Masters | .... | hair stylist | |
| George Masters | .... | makeup artist | |
| Pamela S. Westmore | .... | key makeup artist | |
| Allan A. Apone | .... | makeup effects supervisor (uncredited) | |
| Richard N. McGuire | .... | special makeup effects artist (uncredited) | |
| Larry Odien | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| John J. Smith | .... | post-production supervisor | |
| John J. Smith | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Michael Schroeder | .... | first assistant director | |
| Dennis M. White | .... | second assistant director (as Dennis White) | |
Art Department | |||
| James Barth | .... | propmaker | |
| Charles W. Cheek | .... | carpenter | |
| John Coffland | .... | scenic artist | |
| Al Eisenmann | .... | assistant props | |
| Flavio Garcia | .... | scenic artist | |
| Jill Hill | .... | scenic artist | |
| Nacho Jaramillo | .... | scenic artist | |
| Bruce Karcher | .... | set dresser | |
| Glenn Wadey Panebouef | .... | property master | |
| David W. Panosh | .... | scenic artist | |
| David W. Phillips | .... | propmaker | |
| Thomas Radaelli | .... | construction coordinator | |
Sound Department | |||
| Lee Archer | .... | boom operator | |
| Barry Bookin | .... | additional boom operator | |
| Gary C. Bourgeois | .... | sound re-recording mixer | |
| Neil Brody | .... | sound re-recording mixer | |
| Lee Chaloukian | .... | sound director: Ryder Sound Services | |
| Joseph D. Citarella | .... | sound re-recording mixer (as Joseph Citarella) | |
| Marvin Kerner | .... | sound effects editor: The Cutters, Inc. | |
| Frank Meadow | .... | sound mixer | |
| Troy Porter | .... | sound recordist | |
| James Thornton | .... | additional sound | |
| Richard Dwan Jr. | .... | adr editor (uncredited) | |
| Richard Dwan Jr. | .... | dialogue editor (uncredited) | |
Stunts | |||
| Michael Carr | .... | stunts | |
| Gary Jensen | .... | stunts | |
| Lori Keel | .... | stunts | |
| Faith Minton | .... | stunts | |
| Janet Lee Orcutt | .... | stunts | |
| Ray Saniger | .... | stunt coordinator | |
| Ray Saniger | .... | stunts | |
| J. Joseph Smith | .... | stunts | |
| Nancy Sylbert | .... | stunts | |
| Dianne L. Wilson | .... | stunts | |
Camera and Electrical Department | |||
| David Burnett | .... | best boy electric (as David R. Burnett) | |
| Buzz Feitshans IV | .... | assistant camera (as Buzz Feitshans) | |
| Jimmy Godber | .... | electrician (as Jim Godber) | |
| Barry Gordon | .... | assistant camera: second unit (as A. Barry Gordon) | |
| Stephen W. Gray | .... | assistant camera | |
| Bruce Hamme | .... | electrician | |
| John Joleaud | .... | grip (as John Andre Joleaud) | |
| Paul J. Lohmann | .... | assistant camera (as P.J. Lohmann) | |
| Michael Lund | .... | assistant camera | |
| Ray Maichen | .... | grip | |
| J. Michael Marlett | .... | gaffer (as Mike Marlett) | |
| Leo J. Napolitano | .... | camera operator: second unit (as Leo Napolitano) | |
| Tom Neerken | .... | still photographer | |
| Guy Polzel | .... | key grip | |
| Peter Van Eynde | .... | best boy grip | |
Casting Department | |||
| Sally Jackson | .... | extras casting | |
| Peggy Schinhofen | .... | extras casting | |
Costume and Wardrobe Department | |||
| Birgitta Bjerke | .... | assistant wardrobe | |
| Rob Saduski | .... | assistant wardrobe | |
| Richard von Ernst | .... | assistant to costume designer | |
Editorial Department | |||
| Mark S. Manos | .... | assistant editor | |
| Kathleen Provost | .... | apprentice editor | |
| Glenn Suffern | .... | negative cutter | |
Music Department | |||
| Allan K. Rosen | .... | supervising music editor: Segue Music | |
| Robert Shad | .... | music producer | |
Transportation Department | |||
| Billy Bates | .... | transportation coordinator | |
| Charles Bell | .... | driver | |
| Al Eisenmann | .... | transportation captain (as Al Eisenmann II) | |
| Michael Logghe | .... | driver | |
| Jack Pressler | .... | driver | |
| Steven Schwartz | .... | driver | |
| Gregg Williams | .... | driver | |
Other crew | |||
| Susan Addy | .... | production liaison | |
| Bob Barnes | .... | medic | |
| Jay Bennett | .... | assistant: Divine | |
| Marion Cronin | .... | script supervisor | |
| Judy Goldberg | .... | production liaison | |
| Kim Kruger | .... | wrangler | |
| Barbara Long | .... | production accountant | |
| Dianne Mapp-Cheek | .... | production coordinator (as Dianne Lisa Cheek) | |
| Stan Mazin | .... | choreographer | |
| Diana Myers | .... | wrangler | |
| Scott Norris | .... | production liaison | |
| Kelly Schroder | .... | wrangler | |
| John Springer | .... | publicist (as John Springer & Associates) | |
| Genevieve Sprinkle | .... | production liaison | |
| Caroline Invicta Stevenson | .... | head wrangler | |
| Caroline Invicta Stevenson | .... | trainer | |
| Judith Taylor | .... | assistant to producers | |
| Arthur Wilde | .... | unit publicist | |
| Betty Wistrand | .... | location manager | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
They sure don't make them like this anymore - A comedic musical western about two buxom women, each with part of a treasure map tattooed on their butt. As a cultural oddity of the 1980s, Lust In The Dust stands alone as a truly bizarre collision of the mainstream and the underground.
Lust In The Dust owes much to the then emerging popularity of John Waters and his Dreamland players. I don't think it is a coincidence that the film reunites two of the stars of Polyester - transsexual goddess, Divine and weathered heart-throb, Tab Hunter. However, while Polyester merely tested the waters of the mainstream, Lust In The Dust jumps right in with a cast of recognisable actors and a comparatively inoffensive plot line. The result is sometimes awkward and occasionally frustrating, but also frequently hilarious and utterly compelling.
Paul Bartel could not have chosen better leads. Divine was really at the height of his powers as Rosie. Rosie is a luscious siren, who positively steams up the screen. Divine was a master at physical comedy and Rosie's facial expressions are priceless. Lainie Kazan more than meets the challenge as Rosie's rival, Marguerita. Lainie, now better known for mush like My Big Fat Greek Wedding, shows why she is one of the best cult actresses in the business. Marguerita is a wonderful creation and her rendition of "South of the Border" (... "but north of my garter") is truly a showstopper. Lust In The Dust also provided Tab Hunter with a memorable role as Able Wood. Tab is smart enough to underplay his part in the presence of these two larger than life ladies and is all the more effective because of it.
Lust In The Dust is a wonderfully offbeat example of the imaginative work being produced by cult directors in the early 1980s and holds up as a great testament to Divine's inimitable talent.