A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
The space shuttle Churchill is assigned to observe the Halley's Comet under the command of Col. Tom Carlsen. They see a strange form attached to the comet and Carlsen goes with a team to investigate. They find three humanoid life forms in caskets and they bring them to the Churchill. However, Earth loses contact with the shuttle and the Space Research Center sends another spacecraft to search the Churchill. They find the crew dead and the shuttle burnt and one rescue pod missing. They bring the humanoids to Earth and soon Dr. Hans Fallada and his team discover that the Space Girl is a sort of vampire and drains the life force from people transforming them into zombies. When the authorities find that Col. Tom Carlsen has survived, they summon him to explain what happened in the Churchill. Carlsen tells an incredible story about the three aliens and he teams up with Col. Colin Caine trying to save mankind from the evil vampires from the space. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
At the end of the film, Carlsen and then Caine enter St. Paul's cathedral by the main entrance. They do this by opening the main entrance door by one hand as if it were as light as balsa wood. In reality, the entrance doors are huge and heavy and usually take some time to swing open, by several people. See more »
I hate to admit it, but I really love this movie, although on every level it really is horrible! The moments of incredibly bad acting (does Steve Railsback HAVE to scream like a maniac in every part he plays? Is it a part of his contract?), cheesy effects (oh, yeah, gotta love those animated corpses...), completely senseless "scientific" explanations and gratuitous nudity... Okay, so the last point is a plus rather than a minus, because Mathilda May has to have been the most beautiful-looking woman on the planet when this film was made, but it's just a little bit obvious that she's serving as a distraction from the rest of the movie rather than an enhancement to it.
You know what? I really don't care. I've watched this movie repeatedly, especially when I've had a few, and I never fail to enjoy it thoroughly, although not perhaps in the way its creators intended. I mean, where else can you see Frank Finlay pontificate in such a wonderful take-off of the original mad scientist? And for screaming, Patrick Stewart sure gives Steve Railsback a run for his money. (That's saying a great deal, believe me!) Let us not forget some other fantastically talented actors whose facial expressions seem to indicate that they can't believe they've been trapped in this low-budget purgatory--Aubrey Morris, Michael Gothard, Jerome Willis, and, of course, the incredible Peter Firth. Oh, Lord, how I love it!
If you're after a movie that doesn't make you think at all but has wonderful eye-candy value (if you appreciate female beauty, anyway), this is the one for you. Slightly better now that all of the original scenes have been re-instated--so many more opportunities for howling with laughter. It just screams "B movie!" but somehow it is so much more fun. Oh, dear, now I have to go and watch it again!
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