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A young man must stop the Lord of Darkness from both destroying daylight and marrying the woman he loves.

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Nominated for 1 Oscar. Another 1 win & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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Alice Playten ...
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Cork Hubbert ...
Peter O'Farrell ...
Pox
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Annabelle Lanyon ...
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Tina Martin ...
Ian Longmur ...
Demon Cook (as Ian Longmuir)
Michael Crane ...
Demon Cook (as Mike Crane)
Liz Gilbert ...
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Storyline

A demon who seeks to create eternal night by destroying the last of the unicorns and marrying a fairy princess is opposed by the forest boy Jack and his elven allies in this magical fantasy. Two different versions of this picture feature soundtracks by either Tangerine Dream or Jerry Goldsmith. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Taglines:

"No Good without Evil. No Love without Hate. No Innocence without Lust. I am Darkness." See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

|

Release Date:

18 April 1986 (USA)  »

Also Known As:

Legenda  »

Box Office

Budget:

$24,500,000 (estimated)

Gross:

$15,502,112 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut) | (theatrical)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When it came time to assemble the full director's cut, the original session masters for the Jerry Goldsmith score could not be located. However, Mike Ross-Trevor of Hit Factory Studios in London had kept a two-track digital copy, mixed down from eight-track session masters, which he knew "would be worth preserving." Most of these tapes contained complete takes, which had to be re-edited from scratch to match the cues in the recut print. See more »

Goofs

The imp statue on the table comes to life twice after Lilly passes the table. It also seems to disappear completely from the table between takes when Lily is opening the jewelry box. See more »

Quotes

Princess Lily: Neither country proverb nor King's command could keep me from the woods, today.
See more »

Connections

Referenced in Dangerous Days: Making Blade Runner (2007) See more »

Soundtracks

Is Your Love Strong Enough
Written and Performed by Bryan Ferry
Produced by Rhett Davies and Bryan Ferry
Mixed by Bob Clearmountain
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
How Americanization ruins...
2 December 1999 | by (London, England) – See all my reviews

Legend...

I can only say that this film, at least the European version, succeeds into the creation of a fantasy world that very very few other films have. And NEVER has a fairytale forest been realised so vividly and fantastically as here. The production design at Pinewood Studios is truly outstanding.

Of course, this film was a considerable flop. And looking at it, it isn't too hard to see why. A film that retains some semblance of morality - in this case the most basic, good versus evil - will not play to young audiences of the late 20th century. The tone of the film is perhaps too dark for young children, the overall theme of the film perhaps too juvenile for most adults. And so Legend finds itself in a cinematic limbo, a place without a core audience.

Of course, a cult audience has evolved around this film as it does around anything that misses its major target, and so Legend is a film that is either loved or loathed. Either way, Ridley Scott's stunning visual imaginings are realised with undeniable skill.

In addition to Scott's and his team's visual successes, this film - at least for European viewers - is embellished with one of the most beautiful scores ever written. Jerry Goldsmith has, during his transition from traditional to synthesied orchestra, created one of the richest scores ever bestowed on a film.

Quite what Warner Bros thought they were doing when they removed this score and cut chunks out of the film (and re-edited what was left) I will never understand. The film would and did flop in both versions, but that doesn't necessarily mean it shouldn't have been made.

If you are knew to this film, do yourself a favour and never watch the American version, unless it is the revamped widescreen version with the Goldsmith score back in place.

A visual dream, a beautiful score, a moral tale. Is there any wonder it flopped?


70 of 118 people found this review helpful.  Was this review helpful to you?

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The 3 versions of this wonderful film.... neilpaulgrimshaw
Goldsmith score vs. Tangerine Dream pmssissy
Remake lunaarwen
It´s all about the music! Tangerine vs. Goldsmith. pradastreet
Tangerine dream version lucy_hutchison
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