Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop's men for ...
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A soldier from Earth crash-lands on an alien world after sustaining battle damage. Eventually he encounters another survivor, but from the enemy species he was fighting; they band together ... See full summary »
Louis Gossett Jr.,
A video game expert Alex Rogan finds himself transported to another planet after conquering The Last Starfighter video game only to find out it was just a test.He was recruited to join the team of best starfighters to defend their world from the attack.
Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop's men for two years, ever since he escaped with the Lady Isabeau who the Bishop has lusted after. Navarre and Isabeau have a curse that the Bishop has placed on them that causes Navarre to be a wolf during the night and Isabeau to be a hawk during the day. Navarre insists that Philipe help him re-enter the city to help him kill the heavily guarded Bishop. Written by
John Vogel <email@example.com>
Richard Donner originally wanted to cast Rutger Hauer as the evil captain of the guard while casting a younger actor, Kurt Russell, as Navarre. Hauer wasn't interested in that role, but expressed interest in playing Navarre. When Russell dropped out a few days before principal photography began, the part was handed to Hauer. See more »
At the end of the battle at Imperius' keep, Isabo changes to a hawk as she falls from the top of the keep. Etienne then shoots the last guards after changing from the wolf. But Etienne is fully dressed, and there was no time for him to do so. See more »
Impossible. Impossible. Nothing is impossible. Come on, Mouse. Dig! Dig, Mouse. Come on.
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The leads are physically beautiful almost beyond film comparison. Their moral-spiritual characters match, which should make the film corny. The plot is preposterous, but the main characters, Isabeau and Gaston, prosecute their roles with such unfailing intensity you can't help but accept the nonsense. What is Ferris Bueller doing in medieval France, though? Perhaps the film needs some salty leavening, and at least he makes the plot work a little more efficiently. Overall, I don't have a rational judgement to make but a purely emotional one: I can never forget this film. It has haunted me since the first time I saw it. And that is all down to the pure intensity of Hauer and Pfeiffer.
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