Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop's men for ... See full summary »
After a failed suicide attempt leaves him partially crippled, Rory begins spending a lot of time at a neighborhood bar full of interesting misfits. When Jerry the bartender suddenly finds ... See full summary »
A band of medieval mercenaries take revenge on a noble lord who decides not to pay them by kidnapping the betrothed of the noble's son. As the plague and warfare cut a swathe of destruction... See full summary »
Jennifer Jason Leigh,
On Valentine's Day is the central film in Horton Foote's semi-autobiographical trilogy that also includes Courtship and 1918. It is a nearly verbatim retelling of his stage play and the sets and costumes.
In Norway a military plane crashes under mysterious circumstances: in his last message the pilot reported many lights falling from the sky. The NATO wants to play down the incident, but the... See full summary »
It's 1918, the height of United States involvement in World War I - Liberty Bonds are sold, German immigrants are suspected as traitors or saboteurs, young men everywhere succumb to the ... See full summary »
Michael has written a schollarly book on the revolutionary war. He has sold the film rights. The arrival of the film crew seriously disrupts him as actors want to change their characters, ... See full summary »
Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop's men for two years, ever since he escaped with the Lady Isabeau who the Bishop has lusted after. Navarre and Isabeau have a curse that the Bishop has placed on them that causes Navarre to be a wolf during the night and Isabeau to be a hawk during the day. Navarre insists that Philipe help him re-enter the city to help him kill the heavily guarded Bishop. Written by
John Vogel <email@example.com>
Warner Brothers falsely marketed the movie as being based on a true medieval legend. Edward Khmara took the issue to the Writers Guild Association and was awarded a cash settlement from Warners, but the medieval legend claim wasn't dropped. See more »
At the end of the battle at Imperius' keep, Isabo changes to a hawk as she falls from the top of the keep. Etienne then shoots the last guards after changing from the wolf. But Etienne is fully dressed, and there was no time for him to do so. See more »
Impossible. Impossible. Nothing is impossible. Come on, Mouse. Dig! Dig, Mouse. Come on.
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As a former video store employee, I am proud to say of all the films I ever recommended, LADYHAWKE came back with all favorable reviews, and not once did anyone I rented it to take me up on my "money-back" guarantee.
No surprises there. Despite the production's troubled history between two studios (Fox and Warner's) and endless rewrites by an army of scribes, it still finds everyone involved at the top of their game, and early into most of their careers!
Rutger Hauer's bad guys were always more interesting and charismatic than his good ones, but his role as Captain Etienne Navarre was the noteable exception. In the best shape of his career both physically and artistically (with the exception of BLADE RUNNER'S Roy Batty), he painted the perfect portrait of noble hubris, tinged with the ache of unfulfilled love for his fair maiden, and the sorrow of an eternal curse that could never be lifted. Even Errol Flynn would've been envious.
Michelle Pfeiffer has been many things in her career: earthy, sensual, campy, courageous, but she would never achieve the combination of radiant strength and vulnerability that she did as Isabeau D'Anjou. There have been other actresses who have looked better and given deeper, more nuanced performances since hers...but it's a REAL short list.
When I saw the previews, I was pretty sure that the main thing I would like the least about this movie was Matthew Broderick, whose Philippe "The Mouse" Gaston was a character I was pretty sure would grate on my nerves. And for the first part of the film, he definitely does. Credit it to Matthew's likeability and talent that before the film's end, though, you're rooting for him as much as for the two leads.
And let's not forget an extremely impressive supporting cast: John Wood (WAR GAMES and JUMPING JACK FLASH), Leo McKern (the OMEN films and PBS' "Rumpole of the Bailey"), Alfred Molina (PRICK UP YOUR EARS, RAIDERS OF THE LOST ARK and the TV series THE LADIES' MAN) and a wicked turn by Ken Hutchison as Navarre's nemesis.
For the couple, the friends or the family who want action AND romance, too, you can't do better, (and can always do worse.) And as far as the "music" controversy is concerned, I am a longtime fan of Andrew Powell's work back from his early days with Alan Parsons, and later with The Project, and I thought that the juxtaposition of the contemporary music with the medieval setting worked perfectly. This is, after all, a fantasy, not a historical record of true events! Enjoy it for what it is!
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