Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop's men for ... See full summary »
With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Richard E. Grant
Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop's men for two years, ever since he escaped with the Lady Isabeau who the Bishop has lusted after. Navarre and Isabeau have a curse that the Bishop has placed on them that causes Navarre to be a wolf during the night and Isabeau to be a hawk during the day. Navarre insists that Philipe help him re-enter the city to help him kill the heavily guarded Bishop. Written by
John Vogel <email@example.com>
The tune that Isabeau and Phillipe dance to in the stable is a genuine Italian 14th Century dance named "Trotto". The film also features a Renaissance piece by John DowlandSee more »
The moon is shown full every night except the night of the struggle on the ice, where it is shown as half full, and then is full again the next night. This is more of a problem because solar eclipses always happen on a new moon (and there is an eclipse in the film).
Also, the Moon is not visible as a black disc (as shown in the film) until the totality phase of a solar eclipse. Before and after totality, only the portion of the Moon that is occulting the Sun is visible. (The Sun's light is strong enough to drown out any view of the Moon when the Moon is near the Sun; moreover, since solar eclipses can only happen at new moon, there is no lit portion of the Moon to be seen anyway.) See more »
Impossible. Impossible. Nothing is impossible. Come on, Mouse. Dig! Dig, Mouse. Come on.
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Stunning beauty - Rutger Hauer and Michelle Pfieffer,
Rutger Hauer and Michelle Pfieffer stunned me with their beauty when I first saw "Ladyhawke", a poignant vision of medieval love and longing. This visually-beautiful tale's cinematographers had filmed their hands, hair, and skin through dappled sunlight and shadows to emphasize their unearthly beauty. Matthew Broderick and Leo MacKern gave this magical story its humanity. Some reviewers have disparaged its musical score by Vangelis. I've always felt that it fit the mood and setting of the film. Rousing sword fights. One of my favorite movies of all time.
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