| Sheila E. | ... | Herself | |
| Joseph Simmons | ... | Himself (Run-D.M.C) | |
| Darryl McDaniels | ... | Himself (Run-D.M.C.) (as Daryll McDaniels) | |
| Jason Mizell | ... | Himself (Run-D.M.C.) | |
| Mark Morales | ... | Himself (Fat Boys) | |
| Damon Wimbley | ... | Himself (Fat Boys) | |
| Darren Robinson | ... | Himself (Fat Boys) (as Darren 'Buffy' Robinson) | |
| Kurtis Blow | ... | Himself | |
| Blair Underwood | ... | Russell Walker | |
| Ricky Bell | ... | Himself (New Edition) | |
| Michael Lamone Bivins | ... | Himself (New Edition) (as Michael Bivins) | |
| Bobby Brown | ... | Himself (New Edition) (as New Edition) | |
| Ronald De Voe | ... | Himself (New Edition) (as New Edition) | |
| Ralph E. Tresvant | ... | Himself (New Edition) (as Ralph Tresvant) | |
| LisaGay Hamilton | ... | Aisha | |
| Daniel Simmons | ... | Reverend Walker | |
| Russell Simmons | ... | Crocket | |
| Charles Stettler | ... | Terri Beiker | |
| Rick Rubin | ... | Rick | |
| Sal Abbatiello | ... | Sal | |
| Adam Horovitz | ... | Himself (Beastie Boys) | |
| Adam Yauch | ... | Himself (Beastie Boys) (as Adam Youck) | |
| Mike D | ... | Himself (Beastie Boys) | |
| Donnie Simpson | ... | Contest MC | |
| Karen Moss | ... | Karen | |
| Andre Harrell | ... | Himself (as Dr. Jeckyll) | |
| Mr. Hyde | ... | Himself | |
| Galaxy | ... | Himself | |
| Chad Elliot | ... | Chad | |
| Michael Lewis | ... | Mandingo | |
| B-Fine | ... | Enforcer #1 | |
| Paul Anthony | ... | Enforcer #2 | |
| Sweet G. | ... | Fever D.J | |
| Mr. Magic | ... | Himself | |
| LL Cool J | ... | Himself | |
| Nayobe | ... | Herself | |
| Michael Kaufman | ... | Loan Officer | |
| Elaine Shapiro | ... | Mrs. Ekhardt | |
| John MacKay | ... | Dean | |
| Karl Schröder | ... | Car Wash Boss | |
| Heidi Smith | ... | Carmen | |
| Leon Stephenson | ... | Scar | |
| Benny Rietveld | ... | Sheila's Friend / Sheila E.'s Band | |
| Haoui Montaug | ... | Danceteria D.J | |
| Julian Jackson | ... | Man in Bar | |
| Sunshine Wright | ... | Kurtis Blow's Girl | |
| Sandra J. Wright | ... | Kurtis Blow's Girl | |
| Jeffrey Fludd | ... | Hollis Crew | |
| Douglas Hayes | ... | Hollis Crew | |
| Danny Hayton | ... | Hollis Crew | |
| Ernest Mobily | ... | Hollis Crew | |
| Raymond White | ... | Hollis Crew | |
| Terry Williams | ... | Hollis Crew | |
| rest of cast listed alphabetically: | |||
| Richard Gant | ... | Jay B (as Richard E. Gant) | |
| Sharon Porter-Phillips | |||
| Stephen Birnbaum | ... | Sheila E.'s Band (uncredited) | |
| Susie Davis | ... | Sheila E.'s Band (uncredited) | |
| Juan Escovedo | ... | Sheila E.'s Band (uncredited) | |
| Ken Grey | ... | Sheila E.'s Band (uncredited) | |
| Eddie Minnifield | ... | Sheila E.'s Band (uncredited) | |
| Coati Mundi | ... | Record Shop Owner (uncredited) | |
| Karl Perazzo | ... | Sheila E.'s Band (uncredited) | |
| Chris Rock | ... | Person Standing Next to Club Phone During Fight (uncredited) | |
| Vicky Ruane | ... | Girl Friday (uncredited) | |
| Kara Vallow | ... | Hip-Hop dancer (uncredited) | |
Directed by | |||
| Michael Schultz | |||
Writing credits(in alphabetical order) | ||
| Ralph Farquhar | ||
Produced by | |||
| Shirley Calloway | .... | associate producer | |
| George Jackson | .... | executive producer (as George A. Jackson) | |
| Lauren Jones | .... | associate producer (as Gloria Schultz) | |
| Robert O. Kaplan | .... | executive producer | |
| Doug McHenry | .... | producer | |
| Michael Schultz | .... | producer | |
| Russell Simmons | .... | co-producer | |
| Dwight Williams | .... | associate producer | |
Cinematography by | |||
| Ernest R. Dickerson | (as Ernest Dickerson) | ||
Film Editing by | |||
| Jerry Bixman | |||
| Conrad M. Gonzalez | |||
Casting by | |||
| Pat Golden | |||
Production Design by | |||
| Mischa Petrow | |||
Set Decoration by | |||
| John Lawless | |||
| James Sherman | (as James Paul Sherman) | ||
Costume Design by | |||
| Dianne Finn-Chapman | |||
Makeup Department | |||
| James Hajdukiewicz | .... | hair stylist | |
| James Hajdukiewicz | .... | makeup artist | |
| Aaron F. Quarles | .... | hair stylist | |
| Aaron F. Quarles | .... | makeup artist | |
Production Management | |||
| Preston L. Holmes | .... | unit production manager | |
| John Orland | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Michea Caye | .... | second second assistant director | |
| Larry Lerner | .... | second second assistant director | |
| Joseph Ray | .... | key second assistant director | |
| Carol L. Vitkay | .... | dga trainee | |
| Dwight Williams | .... | first assistant director | |
Art Department | |||
| Joan Brockschmidt | .... | props | |
| Charles Cecil | .... | stand-by carpenter | |
| Jeffrey Crandell | .... | production assistant: art department | |
| Anthony Dunne | .... | construction coordinator | |
| Melba Katzman Farquhar | .... | assistant to production designer (as Melba L. Katzman-Farquhar) | |
| Tyler Kim | .... | production assistant: art department | |
| Andrew Lassman | .... | property master (as Andy Lassman) | |
| Kristin McNiff | .... | assistant to production designer (as Kristin M. McNiff) | |
| David Moon | .... | master scenic artist | |
| Rhoda E. Neal | .... | set dresser | |
| Mark Nissenholtz | .... | stand-by scenic artist | |
| Andrei Petrow | .... | production assistant: art department | |
| Richard Lee Sisco Jr. | .... | storyboard artist | |
| Lynn Tonnessen | .... | set dresser (as B. Lynn Tonnessen) | |
Sound Department | |||
| Alexandra Baltarzuk | .... | production assistant: sound department | |
| Elizabeth Heddens | .... | production assistant: sound department | |
| David J. Hudson | .... | sound re-recording engineer | |
| Dale Johnston | .... | sound editor | |
| Lawrence Loewinger | .... | sound mixer | |
| Mel Metcalfe | .... | sound re-recording engineer | |
| Terry Porter | .... | sound re-recording engineer | |
| Sandra J. Tait | .... | production assistant: sound department | |
| Jerome R. Vitucci | .... | boom operator (as Jerome Vitucci) | |
Visual Effects by | |||
| Michael Cohen | .... | video and digital audio technician | |
Camera and Electrical Department | |||
| Michael F. Barrow | .... | gaffer | |
| Edward Cohen | .... | best boy (as Edward A. Cohen) | |
| Gary R. Farley | .... | additional assistant camera | |
| Michael Fedack | .... | grip (as Michael John Fedack) | |
| Ken Ferris | .... | additional camera operator | |
| David J. Frederick | .... | first assistant camera (as David Frederick) | |
| Holly Heinzmann | .... | second assistant camera | |
| Haddon Hufford | .... | dolly grip | |
| Robert Ippolito | .... | second grip (as Robert J. Ippolito) | |
| Jeff Levy | .... | additional gaffer | |
| Eric Liebowitz | .... | still photographer | |
| Constantine Makris | .... | camera operator: second unit | |
| Abbie Carey Miller | .... | electrician (as Abbie J. Carey) | |
| David J. Miller | .... | second assistant camera | |
| George Pattison | .... | key grip | |
| Frank Prinzi | .... | additional camera operator | |
| Lowell Schulman | .... | electrician | |
| Daniel L. Turrett | .... | camera operator (as Dan Turrett) | |
| Li-Shin Yu | .... | additional assistant camera | |
| Darryl Walthall | .... | camera production assistant (uncredited) | |
Casting Department | |||
| Lauren Craig | .... | casting assistant | |
| John McCabe | .... | extras casting | |
| Brent Owens | .... | extras casting | |
Costume and Wardrobe Department | |||
| Ilene Barnes | .... | wardrobe assistant | |
| Barbara Krauthamer | .... | wardrobe assistant | |
| Susie Money | .... | wardrobe supervisor | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter (as Donah J. Bassett) | |
| Hubert de La Bouillerie | .... | assistant editor (as Hubert de la Bouillerie) | |
| David Ekstrom | .... | apprentice editor (as David W. Ekstrom) | |
| Richard B. Hassen | .... | post-production coordinator | |
| Alan Kozlowski | .... | supervising editor | |
| Carol Oblath | .... | assistant editor | |
| Brent Emil Schaefer | .... | assistant editor | |
| Gregory Everett | .... | apprentice editor (uncredited) | |
Music Department | |||
| Kurtis Blow | .... | music supervisor | |
| David Lombard | .... | music coordinator | |
Transportation Department | |||
| Patrick J. Feerick | .... | transportation coordinator | |
| Thomas Reilly | .... | transportation captain (as Tommy Reilly) | |
Thanks | |||
| Sal Abbatiello | .... | thanks | |
| Clarence Avant | .... | thanks | |
| Jac Holzman | .... | thanks | |
| Douglas Rosen | .... | thanks | |
| Charles Stettler | .... | thanks | |
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| News articles | IMDb Comedy section | IMDb USA section |
Krush Groove is the most underrated rock n roll movie of the 1980s. Is it the Best music film of the 80s? No that title belongs to Purple Rain. Actually Krush Groove attempts to redo Rain's successful formula, using talented musicians generally playing themselves in a fictitious story with some realistic elements. It actually came out a year or so too early, with rap and hip hop still generally a black phenomenon despite Blondie's #1 pop `Rapture'. (Debbie Harry makes an appearance here portraying a club singer.) The one `Actor' not playing himself was Blair Underwood who played the character Russell Walker (While the REAL Russell Simmons played a stage hand named Crocket)
The story deals with a number of rap artists Run DMC, Kurtis Blow and the Fat boys in their efforts to make it big as hip hop stars. It deals with the good and bad of having a hit record on a small independent record label, competition between two brothers over the heart of a young female singer (Sheila E.), the consequences of borrowing money from a loan shark, the opportunity to sign with a major label and a talent contest looking for new hip hop talent. The contest includes an appearance from New Edition, an all too brief appearance from future superstars The Beastie Boys and an in studio audition from LL Cool J. The film was rated `R' generally for some mild violence and usage of the `F' word. (Six instances where two would automatically mean an `R' rating) It didn't do too hot at the box office. I had stated that the film came out a year or so too early. The reason I stated this was that in 1986, one year following this film's release, Run DMC's cover of Aerosmith's Walk This Way got heavy airplay on white radio, even going to number1 on album rock radio in Aerosmith's homebase of Boston MA. This success opened the door for The Beastie Boys, The Fat Boys, LL Cool J, Will Smith (known at that time as The Fresh Prince) and a large number of other hip hop and rap artists to score BIG on the Pop singles and pop album charts.