| Photos (see all 8 | slideshow) |
| Christopher Plummer | ... | Fitzroy Wynn / Roberto Terranova | |
| Maggie Smith | ... | Lily Wynn | |
| Elke Sommer | ... | Alicia Braun | |
| Adolph Green | ... | Jerry Silber | |
| Sándor Szabó | ... | Teodor | |
| János Kende | ... | Gabor | |
| János Xantus | ... | Miklos | |
| István Butykai | ... | Bela | |
| György Fehér | |||
| Dénes Ujlaky | ... | Worker | |
| Zoltán Bezerédy | ... | Second Worker | |
| Zoltán Gera | ... | Malev Officer | |
| Judit Meszléry | ... | Malev Officer | |
| Ildikó Kishonti | ... | Actress | |
| Rosetta LeNoire | ... | Rosanna | |
| David Purdham | ... | Young Actor | |
| Beatrix Porter | ... | Young Actress | |
| Jennifer Prichard | ... | Young Actress (as Jennifer Babtist) | |
| Merwin Goldsmith | ... | Producer | |
| Aaron Lustig | ... | Chauffeur |
Directed by | |||
| Károly Makk | |||
Writing credits(in alphabetical order) | ||
| Frank Cucci | writer | |
| Ferenc Molnár | play "A testör" (uncredited) | |
Produced by | |||
| Péter Bacsó | .... | executive producer | |
| Robert Halmi Jr. | .... | executive producer | |
| Robert Halmi Sr. | .... | producer (as Robert Halmi) | |
| Altman E. Robert | .... | associate producer (as Robert E. Altman) | |
Original Music by | |||
| Szabolcs Fényes | |||
Cinematography by | |||
| John Lindley | |||
Film Editing by | |||
| Norman Gay | |||
Casting by | |||
| Phyllis Kasha | |||
Art Direction by | |||
| Tamás Vayer | |||
Set Decoration by | |||
| Susan Kaufman | |||
| Harriet Zucker | |||
Costume Design by | |||
| Clifford Capone | |||
| Emöke Csengey | |||
Makeup Department | |||
| Edit Basilides | .... | makeup artist: Ms. Smith | |
| Erika Bayer | .... | makeup artist | |
| Carl Fullerton | .... | special makeup effects artist | |
| Magdolna Márta | .... | makeup artist | |
| Patrick Moreton | .... | wigs/hair designer | |
| Jolán Niederhoffer | .... | hair stylist | |
| Erzsébet Rácz | .... | hair stylist | |
Production Management | |||
| Michelangelo Csaba Bolla | .... | assistant unit manager (as Csaba Bolla) | |
| Robert Halmi Jr. | .... | unit production manager | |
| Judith Kóczány | .... | unit manager | |
| András Ozorai | .... | production manager | |
| Joel Stillman | .... | production supervisor | |
| Ildikó Szolga | .... | unit manager | |
| László Vajda | .... | unit manager | |
Art Department | |||
| Péter Brill | .... | construction coordinator | |
| Ferenc Heisz | .... | construction coordinator | |
| Ron Stone | .... | property master | |
Sound Department | |||
| Jack Cooley | .... | sound re-recording mixer | |
| Farrel Levy | .... | assistant sound editor (as Farrel Levy Duffy) | |
| Lawrence Loewinger | .... | sound recordist | |
| István Sipos | .... | sound recordist | |
| György Sívó | .... | dubbing editor | |
| Sandy Tung | .... | sound editor | |
Special Effects by | |||
| Ferenc Hábetler | .... | special effects | |
| Péter Tímár | .... | special effects | |
Camera and Electrical Department | |||
| Tamás Andor | .... | camera operator | |
| John Beymer | .... | camera operator | |
| Gábor Deák | .... | assistant camera | |
| Steve Drellich | .... | first assistant camera | |
| Bill Farber | .... | best boy | |
| József Halom | .... | assistant camera | |
| Ferenc Kátai | .... | gaffer | |
| Tamás Kende | .... | still photographer | |
| Richard C. Kerekes | .... | dolly grip | |
| Mitchell Andrew Lillian | .... | key grip (as Mitch Lillian) | |
| Marc Rogers | .... | gaffer | |
| Barry Wetcher | .... | still photographer: New York (uncredited) | |
Casting Department | |||
| Sylvia Fay | .... | extras casting | |
Costume and Wardrobe Department | |||
| Elin Bjorkman | .... | wardrobe (as Ellie Bjorkman) | |
| Barbara Hause | .... | wardrobe | |
Editorial Department | |||
| Ralph O. Sepulveda Jr. | .... | apprentice editor | |
| Karen I. Stern | .... | assistant editor | |
Music Department | |||
| George Andrews | .... | conductor | |
| George Andrews | .... | orchestrator | |
| Irwin Fisch | .... | composer: additional music | |
| Gary Knox | .... | music arranger: "This Will Never Change" | |
Other crew | |||
| William Curry | .... | teamster captain (as Billy Curry Sr.) | |
| Lydia Dean Pilcher | .... | production assistant (as Lydia Pilcher) | |
| Jean Garcia | .... | secretary to producer | |
| Adrienne Hamalian-Mangine | .... | script supervisor (as Adrienne Hamalian) | |
| Ferenc Kardos | .... | technician | |
| Edit Nagy | .... | cashier (as Edith Nagy) | |
| Gogi Sargeant | .... | auditor | |
| Victor Skita | .... | assistant to producer | |
| Michael Sweeney | .... | production assistant | |
| Selma Weitz | .... | financial consultant | |
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| Prick Up Your Ears | Dizzy Dames | Funny Girl | Looking for Palladin | The Saxon Charm |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Hungary section | Add this title to MyMovies |
First off, let me say that I believe Dame Maggie Smith to be the classiest actress in cinema. Her eyes are mesmerizing - she can look so coy and yet still patronize with a little curl in her grin. She certainly does not disappoint in this tale of comedic deception and romance.
The set-up is cute...Christopher Plummer plays Fitz Wynn, a truly talented but overly-satisfied stage actor who wants to star in a new movie written by his wife, Lily (Smith). Lily doesn't feel her Fitz is right for the part, and explains to him why and what she's looking for in the role. Fitz proceeds to orchestrate his own transformation (with the reluctant assistance of his agent) into Roberto Terranova, a blonde Italian who seems to be exactly what Lily wants. His deception seems successful, but does Lily want Roberto for more than just her movie?
It is at this point where the movie struggles - the initial delicious tension goes bland with redundancies; and although some wit is regained at the climax, the movie struggles through some sort of resolution, leaving us wondering just when the credits will roll?
Plummer does fine - his 'tantrums' seem contrived, but I don't really blame him. Smith is as witty as a lady can be with this material, which seems so dated now - especially the music (groan). As for the rest of the cast, Elke Sommer is totally wasted, and the remainders are unrecognizable and unimpressive.
In summary, the sole reason to watch *Lily in Love* is to watch Maggie Smith. She is graceful, she is radiant, and she is the perpetual professional. Rating 5/10 for the film :: 10/10 for Dame Maggie Smith