Dan was a successful football player, but when his contract expired recently, it wasn't renewed due to his age. Together with his wife Julie he decides to make a new start and they move ... See full summary »
Lieutenant Faversham resigns his officer's commission rather than fight in the Sudan war.His army pals mockingly present him with four white feathers for cowardice.Lieutenant Faversham regains his honor by fighting in the Sudan incognito.
Based on the Gothic romance novel by Daphne Du Maurier, Rebecca is a classic tale of love and hate. Maxim De Winter marries a woman half his age only a year after his first wife, the ... See full summary »
True story from the 19th century about an English actress who marries a US plantation owner. Appalled by slavery, she dedicates her life to oppose it and her husband and help her husband's slaves in any way possible, including escaping.
Seeking to escape the stifling London court society, the beautiful headstrong Lady Dona St. Columb flees to her family estate on the Cornish coast. Her new freedom swiftly brings her into ... See full summary »
A young English girl in Monte Carlo falls in love with a rude, handsome stranger who proposes to her and rescues her from the drudgery of being a hired companion. But when he takes her to ... See full summary »
An ex-soldier suffered some sort of injury to his genitals during World War I. Instead of going back home to the USA, he stays in Paris with several other wounded souls; some have been ... See full summary »
Mary Yellan (Jane Seymour) lives in the English village of Halston at the time of King George IV, and is the daughter of seaman James (Pavel Douglas) who is killed when `wreckers' trick the ship he is on into crashing onto rocks, stealing cargo and murdering the inhabitants. After Mary's mother Martha (Vivian Pickles) goes mad, Mary travels to live with her Aunt Patience (Billie Whitelaw) and be a maid for her Uncle Joss Merlyn (Patrick McGoohan), the landlord of Jamaica Inn, located on the moors of Cornwall. Mary's antipathy towards the drunken bully Joss is heightened when she learns he is the name leader of the wreckers, though she falls in love with his brother Jeremiah 'Jem' (Trevor Eve). Joss plans to leave Cornwall when public favour and the authorities turn against him, however he and Patience are thwarted by Vicar Francis Davey (John McEnery), who takes Mary with him to a Druid place of worship clifftop. Will Jem rescue Mary in time?
In spite of Seymour's beauty, represented by her long hair and hooded cape costume and best observed when she listens, she works against her romantic look to make Mary anti-romantic, rebellious and afraid to let herself love Jem. It also helps that every other man who has designs on her is repulsive, and even the Vicar sends mixed sexual signals in a scene of them in a carriage together where he tells her to undress out of her wet clothes. Seymour uses the region accent and gives Mary harsh yells, tears at her father's funeral and in a close-up before she blows out a candle, a duplicitous smile to conceal Jem's illegal behavior, twitches her left eye when Jem kisses her for the first time, scratches the face and hits peddlar Harry (Michael Goldie) with a rock when he tries to rape her, trying to stab Joss, and her bloodied hands shake after finding someone dead. We see Mary often with her hair wet from the rain or strands of it covering her face, reflected in well water, sweeping, riding a cart, slapped and having her arm twisted behind her back by Joss. Seymour makes some of her lines funny - `This is suitable housiery for the likes of you', `You call these your friends?!', and `Why should I lie to you?'.
The teleplay by Derek Marlowe, based on the novel by Daphne du Maurier, runs for 3 hours, though Marlowe is fortunate that du Maurier's narrative builds suspense as it continues. When Jems tells Mary that `she could be very pretty' it is laughable considering the way Seymour looks, but Joss gets a funny line to her in `Did you imagine all of God's creatures smelled like a nosegay?'.
Director Lawrence Gordon Clark provides lightning for Martha's death scene and lingers tediously on the drooling Joss in a drunken confession to Mary, but cross-cuts effectively between Mary with the Vicar and Jem and then bloodhounds in pursuit.
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