Harry Tasker is a secret agent for the United States Government. For years, he has kept his job from his wife, but is forced to reveal his identity and try to stop nuclear terrorists when he and his wife are kidnapped by the terrorists.
Jamie Lee Curtis,
Casey Ryback hops on a Colorado to LA train to start a vacation with his niece. Early into the trip, terrorists board the train and use it as a mobile HQ to hijack a top secret destructive US satellite.
Counter-terrorist Jack Quinn misses his target, Stavros, on the eve of his final mission. From there, he is sent to "The Colony", a rebirth for presumed-dead assassins. He breaks free from ... See full summary »
Jean-Claude Van Damme,
A terrorist, Rostov, is planning to unleash a reign of terror on the U.S. but before he does he decides to go after, Matt Hunter, a former CIA agent, who lives in Florida, who once had Rostov's life in his hands but on orders took him alive, and now Rostov is plagued by nightmares of Hunter killing him. So Rostov goes after him but misses, so Hunter, who has already been approached by his former employers to go after Rostov, after initially turning down the job, cuase he believed that they should have let him terminate Rostov when he had the chance, decides to go after him. But he is only one man and Rostov has hundreds of men ripping the country apart, so how will he stop it. Written by
In the final showdown between Hunter and Rostov, Rostov walks down a hallway scanning very carefully to his left and right. When Hunter appears behind him and racks his grenade launcher, Rostov swings around to face him. He is 3 feet away from a window, at the end of a dead-end hallway. See more »
[putting a grenade in Thomas' hand]
If you live through this, tell Rostov It's time to die.
See more »
A large group of international terrorists led by Soviet agent Rostove invade America unexpectedly and go on to turn country against each other. However after turning down the job, ex-government agent Matt Hunter takes up the assignment, when they kill his friend in an attack that was aimed at him. Rostove and Hunter share a past, and now Hunter wants to seem him dead and Rostove fearful obsession of Hunter could disrupt their plans of turning America against each other.
Who you kidding? No one can take down Chuck. Not even an army of international mercenaries! Gee this is gold medal stuff from Norris (whose name appears in bold gold letters to head the credits) and he even co-wrote the insane screenplay. Touchdown! Get ready for something so stupendously outrageous and wonderfully dumb that you'll get an all out assault on your senses and plenty "bang" for your buck. While your funny bone will get a real tickle out of it! Director Joseph Zito and actor (or better put karate champ) Chuck Norris tackle this preposterous, but always riveting anarchy macho action camp that the 80s loved to heave up. Plenty of gunfire assured and Norris showing off with those eye-opening moves (no not that bare chest sticking out of his always half/or unbuttoned shirt), but the main weapon of choice seemed to be anything that caused numerous explosions. Meaning a high and random casualty rate! Zito's bravura style never lets up, as the crunching stunt-work holds up strongly and the perverse violence towards innocence amazes. Joao Fernandes' professionally shoots the film with the right scope to capture the mayhem and Jay Chattaway's roaring score fits ruggedly into the mix.
A denim wearing Norris is looking comfortably stiff and expressionless throughout as former CIA agent Matt Hunter. The excellent Richard Lynch goes monstrously hammy as the mastermind villain Soviet agent Rostov and Alexander Zale sticks to a rather icy and relaxed mode as his right-hand. Showing up in smaller parts is a bored looking Eddie Jones, the feisty and useless irritation that was Melissa Prophet and Billy Drago as a greasy drug dealer. Now that armadillo was a star. I thought Norris was going to have a buddy to work off, but it seem to get the boot.
The hysterical premise is corn, laughable and downright punishing in its look at the heart of America and Reagan-era that turns the country upside down. It done with serious faces, which only makes it more stupid and plot holes are that large due to probably all of those explosions. Norris character must've been so gifted in that he was the everywhere man with his pick-up truck. How does he do it? How does he know? Because he was at the right place at the right time to prevent what he could well 99% of the time. However nothing beats how he manages to disappear then reappear to stump those villains. They didn't know what hit them! The juvenile script on the other-hand did, but these carefree one-liners were ridiculously fun and Norris always had a way with words. The less the better.
Loud and senseless gung-ho gusto. With security like Norris, America should never fear an invasion on their doorstep.
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