A reporter and her cameraman connect a surviving Jonestown leader and a TV exec's missing son to a drug war where jungle installations are being massacred by an army of natives and a skilled white assassin.
A cameraman and a reporter head into the jungle searching for the missing son of a TV producer hoping to find a big story. What they get caught up in is a drug war which threatens to take their own lives. Written by
Sujit R. Varma
This was originally filmed in direct-sound English. This was very rare for Italian movies at that time, but necessary due to the large number of American actors. When Anchor Bay released the uncut version on DVD, the scenes were dubbed into Italian with English subtitles. Apparently the original soundtrack could not be located. The scenes are in Italian because the English-export edition and the Italian edition were edited with different shots. The English-export edition (released in theaters in the US) used "cleaner" versions shot at the same time as the "gorier" versions. It was not a matter of cutting down the gorier shots to make them less gory, as the producers actually filmed two different versions of the same scenes. Anchor Bay was a bit sloppy putting together its release, as one shot with Karen Black dubbed into Italian can be found in English on earlier VHS releases. See more »
During the intro titles as the camera is following the woman holding the baby, as she steps onto an escalator there is a man behind her wearing a grey T-shirt who is carrying a shoulder bag with a red strap. However as the camera shot changes to show her getting off at the end, the man is suddenly now in front and can be seen stepping off and walking ahead of her. See more »
More jungle-based blood 'n' guts action from Ruggero Deodato.
Five years after he shocked the world with his controversial gut-muncher Cannibal Holocaust, director Ruggero Deodato returned to the jungle to deliver another dose of nastiness in the form of brutal adventure Cut and Run.
In this entertaining slice of gory, exploitative action, Lisa Blount plays Fran, a TV reporter who, along with her cameraman Mark (Leonard Mann), travels to the Amazon where she hopes to interview Colonel Brian Horne (Richard Lynch), the supposedly dead right-hand-man of infamous cult leader Jim Jones, whilst also attempting to locate her boss's missing son Tommy (Willy Aames), who is being held in the jungle against his will by evil drug traffickers.
Despite once again dealing with the themes of reportage and the media, Deodato stays clear of any attempts at a Cannibal Holocaust-style social commentary, preferring instead to concentrate on giving viewers a bloody good time (and I mean bloody!). Large amounts of graphic violence (which includes numerous decapitations and impalements, a disembowelment, and a guy being completely torn in half); frequent scenes of rape and female nudity (including welcome nekkidness from the gorgeous Valentina Forte); and a whole lot of nonsense involving a tribe of bloodthirsty natives (led by bald genre favourite Michael Berryman): all of this takes precedence over narrative cohesion, but it matters not a jot, 'cos you'll be having way too much fun to care.
In addition to all the gory mayhem, we are also treated to a dreadful cameo performance from Karen Black, a nifty turn from ER's Eriq La Salle as a fedora wearing informant, an effective synth score from Goblin's Claudio Simonetti, lush cinematography by Alberto Spagnoli, and, perhaps best of all, a chance to see Willy Aames display his complete lack of emotional range in some unintentionally hilarious dramatic scenes.
Nowhere near as horrific as Holocaust, nor quite as gruelling as Deodato's Jungle Holocaust, Cut and Run is still a worthwhile example of the jungle adventure/survival horror sub genrejust make sure that you watch the uncut version for full effect!
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