Dhileepan and Shyama are Tamil-speaking residents of Mankulam, Sri Lanka, who get married with the blessings of their respective families. After the marriage, Shyama confides that she would... See full summary »
Anniyan is about Ramanujam alias Ambi who suffers from Multiple Personality Disorder. Ambi (a lawyer), Remo(a suave supermodel) and Anniyan (a vigilante who wreaks havoc on people who cheat, loots or conned Ambi).
Divya, a woman grieving over the death of her lover, is convinced into an arranged marriage with Chandra Kumar. Over a year the couple attempt to adjust to each other's presence and live with each other.
Entrusted with the task of chairing an inquiry commission involving an influential politician, alcoholic Vishwanath must attempt to deal with issues that he has with in personal life. ... See full summary »
Surya (Rajnikanth) is an orphan raised in a slum. He finds a friend in the local Godfather (Mamooty). They rule the town and forms a parallel government. Things are well until new district ... See full summary »
A small boy (Ratnavelu) from Tamilnadu sees his father, a labor leader, killed in cold blood by a policeman. He kills the policeman and runs away to the city of Bombay. From there, the ... See full summary »
After all these years this film still manages to make one sit till the end, and IMHO the fabulous music by Ilayaraja is the sole reason. Classics such as "Idhayam oru koil", "Yaar veettil roja", "Koottathile koil pura", and "Naan paadum mouna raagam" are still a hit among Tamil listeners. My personal favourite is "Vaanuyarntha soliayile", written by Paavalar Varadarajan, Ilayaraja's brother and mentor. The storyline is nothing great - Mohan comes to the city, makes it big as a singer, Radha has the hots for him but he has eyes only for booze, and thereby hangs a tale. Mohan is surprisingly tolerable here. It's hard to believe this is a Mani Ratnam film, as it has practically none of the irritating features of his later films (like clichéd stilted dialogue, overdose of semi-darkness, insufferable heroines, bad comedy tracks). The Goundamani comedy track is quite good. Overall a watchable entertainer, but take out the songs and there's nothing.
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