A Hindu man and a Muslim woman fall in love in a small village and move to Mumbai, where the have two children. However, growing religious tensions and erupting riots threaten to tear the family apart.
Fresh printed bank notes to the value of incredible 10 billion rupies are stolen in India from a train by the henchmen of super-gangster Vikram living in London. The code card only being ... See full summary »
A little girl is told by her parents that she is adopted. Determined to find her birth mother, her family eventually agrees to take her to Sri Lanka, where they are abducted by the terrorist group known as the Tamil Tigers.
Divya, a woman grieving over the death of her lover, is convinced into an arranged marriage with Chandra Kumar. Over a year the couple attempt to adjust to each other's presence and live with each other.
Entrusted with the task of chairing an inquiry commission involving an influential politician, alcoholic Vishwanath must attempt to deal with issues that he has with in personal life. ... See full summary »
After all these years this film still manages to make one sit till the end, and IMHO the fabulous music by Ilayaraja is the sole reason. Classics such as "Idhayam oru koil", "Yaar veettil roja", "Koottathile koil pura", and "Naan paadum mouna raagam" are still a hit among Tamil listeners. My personal favourite is "Vaanuyarntha soliayile", written by Paavalar Varadarajan, Ilayaraja's brother and mentor. The storyline is nothing great - Mohan comes to the city, makes it big as a singer, Radha has the hots for him but he has eyes only for booze, and thereby hangs a tale. Mohan is surprisingly tolerable here. It's hard to believe this is a Mani Ratnam film, as it has practically none of the irritating features of his later films (like clichéd stilted dialogue, overdose of semi-darkness, insufferable heroines, bad comedy tracks). The Goundamani comedy track is quite good. Overall a watchable entertainer, but take out the songs and there's nothing.
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