This films tells the true story of seven teenagers who agitated for reduced student bus fares under two different regimes in Argentina, with tragic results. At first succeeding under the ... See full summary »
Alejo García Pintos,
At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time ... See full summary »
In the 70's, eighteen year-old Maria Fabiani lives with her French mother Diane in an old house in Buenos Aires, subletting rooms and giving classes to illiterate adults in the slums. One ... See full summary »
In 1920, some workers of Patagonia, grouped in anarchist and socialist societies, decide to make a strike demanding better working conditions. The situation becomes unsustainable and the government sends the order is restored.
Two masters of chess duel each other not only in their game but also in their different ideologies. The veteran Akiva is a Soviet Jew and ferocious Communist, master of his game but also ... See full summary »
Alicia Marnet de Ibáñez is a high school history professor and a well-to-do housewife in Buenos Aires, circa 1983, after the fall of the "junta militar" that had taken over the government since 1976. She has a husband, Roberto, who is a succesful lawyer and a five-year-old adopted daughter. Written by
Gaby is wonderful. She says I'm the "divided" friend.
She can't pronounce devoted. She loves the word and uses it constantly.
Will you be staying?
I don't know yet.
You're looking good. I never saw you in a skirt before. Europe was good for you, wasn't it? It seems to have polished up your edges.
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Overcoming the banality of evil, corruption in adoption
La Historia Official is a well-made film about awakening from passive complicity in evil, in this case, forced adoption. The Grandmothers of the Plaza de Mayo were and are an inspiration to those who struggle to uncover and resist abuses in adoption practices, be they the enslaved Irish women of the Magdalen laundries or the many indigenous peoples who had children forcibly removed from homes to be adopted by whites. Most of adoption does not involve abduction, but to turn a blind eye to the fact that it does exist, is to be passively complicit, as was the protagonist in this film.
The scene in which the teacher realizes that tremendous evil has indeed been perpetrated, and that she may very well be the beneficiary of such evil, is staggering. Norma Aleandro is a talented enough actress that we believe her initial rejection of this revelation, and her gradual evolution from passive cohort to courageous seeker of the truth.
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