| Fred Düren | ... | Grünstein | |
| Klaus Schwarzkopf | ... | Spiros, Grieche | |
| Jörg Gudzuhn | ... | Lodeck | |
| Rolf Hoppe | ... | Gefängnisdirektor | |
| Arno Wyzniewski | ... | Kaminski | |
| Rolf Ludwig | ... | Garstecki | |
| Willi Schrade | ... | Wärter | |
| Hubert Gleissner | ... | Wärter |
Directed by | |||
| Bernhard Wicki | |||
Writing credits | ||
| Wolfgang Kohlhaase | radioplay and | |
| Ludwig Turek | stories | |
| Wolfgang Kohlhaase | (screenplay) and | |
| Bernhard Wicki | (screenplay) | |
Original Music by | |||
| Günther Fischer | (as Günter Fischer) | ||
Cinematography by | |||
| Edward Klosinski | |||
Film Editing by | |||
| Tanja Schmidbauer | |||
Art Direction by | |||
| Alfred Hirschmeier | |||
Costume Design by | |||
| Christiane Dorst | |||
Production Management | |||
| Lilo Pleimes | .... | production manager | |
| Karl-Heinz Rüsike | .... | unit manager | |
| Hartwig Schmidt | .... | executive in charge of production | |
| Myrian Ulbrich | .... | unit manager (as Myriam Ulbrich) | |
| Giselher Venzke | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jörg Foth | .... | assistant director | |
Art Department | |||
| Dietmar Scheer | .... | property master | |
| Karl-Heinz Zastrow | .... | property master | |
Sound Department | |||
| Michael Gehr | .... | assistant sound | |
| Dieter Schwarz | .... | sound mixer | |
| Klaus Tolstorf | .... | sound | |
Camera and Electrical Department | |||
| Günter Sahr | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Marcel Manoury | .... | assistant costume designer | |
Editorial Department | |||
| Gudrun Kieckheim | .... | assistant editor | |
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| Spider's Web | Sansibar oder Der letzte Grund | The Bridge | Der Paukenspieler | Das falsche Gewicht |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb West Germany section |
Three prisoners in a pre-World War Two French jail occupy the long hours before their courtroom trials, each after his own fashion: the young German sailor Lodeck teaches chess to the elderly Jew Grünstein, while their simpleminded Greek cellmate daydreams aloud about being Kaiser Wilhelm's personal chef. Showing more patience than aptitude, the novice Grünstein unwittingly stumbles onto a foolproof chess strategy, the secret of which will elude a mystified Lodeck for the rest of his life. It may play like theater, but it's good theater, written and directed with humor and sympathy and graced by a trio of fine performances.