When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real. When the root takes life they seem to have gained a child; but its appetite is much greater than a ... See full summary »
A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. Svankmajer's Faust is a ... See full summary »
Consuming Spirits 16mm to HD, is an Independent feature animation, chronicling the lives of three characters who live in a rust belt town called Magguson, and work at its local newspaper ... See full summary »
The film follows Nishi, a loser who has a crush on his childhood girlfriend. After an encounter with the Japanese mafia, the film follows Nishi as he journeys to heaven and back, and ends ... See full summary »
On the night of a cat village's Festival of the Stars, a kitten and his friend go on an celestial journey on a magical space locomotive. On that trip, they have various stops where they meet strange sights, even more unusual fellow passengers and learn some lessons of life on their trip to the terminus of the Galactic Railroad. Written by
Kenneth Chisholm <email@example.com>
The film is based on an unfinished children's novel by Kenji Miyazawa. He started work on the novel in 1924, and kept polishing the work until his untimely death in 1933. In adapting the film, the novel's unfinished portions (mostly the middle sections) were handled by writer Minoru Betsuyaku. See more »
Kenji Miyazawa intended "Ginga tetsudo no yoru" as a book for children. But in it are truths that everyone big and small look to find. No one is comfortable with death. Everyone searches for answers. As I read the book before seeing the movie, I was amazed to see how accurately and wonderfully the director and animators were able to capture the feeling of this fantasy. It may be too arty for some, but I feel that more often than not, viewers will come away with a deeper sense of what death can do for life and what life can mean if given a chance.
As for the cat characters, this seems to be a consistent image that surrounds Miyazawa. Some of the stories he wrote were populated by cats that would take human roles. Interestingly enough, in Kenji Miyazawa's biographical anime (Shoji Kawamori's Spring and Chaos) Miyazawa is portrayed as a cat. Maybe the cats exist to shield children from the pain that these harsh truths might bring. But not shield too much
Sometimes it is easy to look at a work like Night on the Galactic Railroad and say, this is just a fantasy. Perhaps Miyazawa wanted us to think that, maybe at first anyhow. But the true beauty behind this animation is that by creating a fantasy world so wild and vibrant, it forces us to see who and what we really are.
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