| Photos (See all 22 | slideshow) |
| Chris Sarandon | ... | Jerry Dandrige | |
| William Ragsdale | ... | Charley Brewster | |
| Amanda Bearse | ... | Amy Peterson | |
| Roddy McDowall | ... | Peter Vincent | |
| Stephen Geoffreys | ... | Evil Ed | |
| Jonathan Stark | ... | Billy Cole | |
| Dorothy Fielding | ... | Judy Brewster | |
| Art Evans | ... | Detective Lennox (as Art J. Evans) | |
| Stewart Stern | ... | Cook | |
| Nick Savage | ... | Bouncer #1 | |
| Ernie Holmes | ... | Bouncer #2 | |
| Heidi Sorenson | ... | Hooker | |
| Irina Irvine | ... | Teenage Girl | |
| Bob Corff | ... | Jonathan (as Robert Corff) | |
| Pamela Brown | ... | Miss Nina | |
| Chris Hendrie | ... | Newscaster | |
| Prince Hughes | ... | Bouncer #3 (as Prince A. Hughes) | |
| rest of cast listed alphabetically: | |||
| Christopher Lee | ... | Dracula (archive footage) | |
| Lene Hefner | ... | (unconfirmed) (uncredited) | |
| Joy Michelle Moore | ... | High School Student (uncredited) | |
Directed by | |||
| Tom Holland | |||
Writing credits | ||
| Tom Holland | (written by) | |
Produced by | |||
| Jerry A. Baerwitz | .... | associate producer | |
| Herb Jaffe | .... | producer | |
Original Music by | |||
| Brad Fiedel | |||
Cinematography by | |||
| Jan Kiesser | (director of photography) | ||
Film Editing by | |||
| Kent Beyda | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| John DeCuir Jr. | (as John De Cuir Jr.) | ||
Set Decoration by | |||
| Jerry Adams | |||
Costume Design by | |||
| Robert Fletcher | |||
Makeup Department | |||
| Ken Diaz | .... | makeup artist | |
| Marina Pedraza | .... | hair stylist | |
| Rick Stratton | .... | additional makeup artist | |
| Dale Brady | .... | special makeup effects artist (uncredited) | |
| Bill Sturgeon | .... | creature effects crew (uncredited) | |
Production Management | |||
| Jerry A. Baerwitz | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Carole Keligian | .... | second assistant director | |
| Rory Romero | .... | dga trainee | |
| Jerry Sobul | .... | first assistant director (as Gerald Sobul) | |
Art Department | |||
| Mark Fabus | .... | set designer | |
| Ross Gallichotte | .... | set designer | |
| Arthur Shippee | .... | property master (as Art Shippee) | |
| Robert Van Dyke | .... | propmaker gangboss | |
| Hendrik Wynands | .... | set construction (as Henry Wynands) | |
Sound Department | |||
| Neil Burrow | .... | sound editor | |
| David E. Campbell | .... | sound re-recording mixer | |
| Gordon Davidson | .... | sound editor | |
| Jay Engel | .... | adr editor | |
| David J. Kimball | .... | sound re-recording mixer | |
| Tom McCarthy Jr. | .... | supervising sound editor | |
| Michael P. Redbourn | .... | sound editor (as Mike Redbourn) | |
| Brossy Reina | .... | assistant sound editor | |
| John T. Reitz | .... | sound re-recording mixer | |
| Don Rush | .... | production sound mixer | |
| David Spence | .... | sound editor | |
| Vanessa Theme Ament | .... | foley artist (uncredited) | |
| Joseph Holsen | .... | sound editor (uncredited) | |
Special Effects by | |||
| Morton Greenspoon | .... | contact lens consultant (as Dr. Morton K. Greenspoon) | |
| Albert Lannutti | .... | special effects | |
| Michael Lantieri | .... | special effects | |
| Dean W. Miller | .... | special effects | |
| Thaine Morris | .... | mechanical effects supervisor: Entertainment Effects Group, Los Angeles | |
| Clay Pinney | .... | special effects (as Clayton Pinney) | |
| Darrell Pritchett | .... | special effects | |
| Johan Klingler | .... | special effects (uncredited) | |
| Larry Odien | .... | animatronics (uncredited) | |
Visual Effects by | |||
| Fredrick Albrecht | .... | grip: Entertainment Effects Group, Los Angeles (as Fred Albrecht) | |
| Brent Boates | .... | production illustrator: Entertainment Effects Group, Los Angeles | |
| Dale Brady | .... | crew/creature effects shop: Entertainment Effects Group, Los Angeles | |
| John Bruno | .... | visual effects art director: Entertainment Effects Group, Los Angeles | |
| Laura Buff | .... | production supervisor: Entertainment Effects Group, Los Angeles | |
| Rob Cantrell | .... | crew/creature effects shop: Entertainment Effects Group, Los Angeles | |
| Craig Caton | .... | crew/creature effects shop: Entertainment Effects Group, Los Angeles | |
| Dave Chamberlain | .... | model shop production assistant | |
| Robert Cole | .... | head effects technician: Entertainment Effects Group, Los Angeles (as Bob M. Cole) | |
| Randall William Cook | .... | creature designer and creator: Entertainment Effects Group, Los Angeles | |
| Charles Cowles | .... | optical printer operator: Entertainment Effects Group, Los Angeles (as Chuck Cowles) | |
| Richard Edlund | .... | visual effects producer | |
| Robert Eyslee | .... | gaffer: Entertainment Effects Group, Los Angeles | |
| Alan Harding | .... | assistant matte cameraman: Entertainment Effects Group, Los Angeles | |
| Steve Johnson | .... | creature designer and creator: Entertainment Effects Group, Los Angeles | |
| Makio Kida | .... | crew/creature effects shop: Entertainment Effects Group, Los Angeles | |
| Neil Krepela | .... | matte department supervisor: Entertainment Effects Group, Los Angeles | |
| John Lambert | .... | assistant cameraman: Entertainment Effects Group, Los Angeles | |
| Mary Mason | .... | production coordinator: Entertainment Effects Group, Los Angeles (as Mary C. Mason) | |
| Dave Matherly | .... | crew/creature effects shop: Entertainment Effects Group, Los Angeles (as David Matherly) | |
| Michele Moen | .... | matte artist: Entertainment Effects Group, Los Angeles (as Michelle Moen) | |
| Ronald B. Moore | .... | optical line-up: Entertainment Effects Group, Los Angeles | |
| Bill Neil | .... | visual effects cameraman: Entertainment Effects Group, Los Angeles | |
| Steve Neill | .... | crew/creature effects shop: Entertainment Effects Group, Los Angeles | |
| James Nelson | .... | production advisor: Entertainment Effects Group, Los Angeles | |
| Sean Newton | .... | key animator: Entertainment Effects Group, Los Angeles | |
| Martin November | .... | visual effects editor: Entertainment Effects Group, Los Angeles | |
| Pat Repola | .... | lab technician: Entertainment Effects Group, Los Angeles (as Patrick Repola) | |
| Pete Romano | .... | assistant cameraman: Entertainment Effects Group, Los Angeles | |
| Richard Ruiz | .... | crew/creature effects shop: Entertainment Effects Group, Los Angeles | |
| Annick Therrien | .... | rotoscope supervisor: Entertianment Effects Group, Los Angeles | |
| Patrick Van Auken | .... | grip: Entertainment Effects Group, Los Angeles | |
| Mark Vargo | .... | optical supervisor: Entertainment Effects Group, Los Angeles | |
| Garry Waller | .... | animation supervisor: Entertainment Effects Group, Los Angeles | |
| Mary E. Walter | .... | optical line-up: Entertainment Effects Group, Los Angeles | |
| Gene Whiteman | .... | chief engineer: Entertainment Effects Group, Los Angeles | |
| Claire Wilson | .... | production accountant: Entertainment Effects Group, Los Angeles | |
| Mark Bryan Wilson | .... | first technician/creature effects shop: Entertainment Effects Group, Los Angeles (as Mark B. Wilson) | |
| Terry Windell | .... | animation supervisor: Entertainment Effects Group, Los Angeles | |
| Matthew Yuricich | .... | chief matte artist: Entertainment Effects Group, Los Angeles (as Matt Yuricich) | |
Stunts | |||
| Bradley Alan | .... | stunts (as Brad Alan) | |
| Christine Anne Baur | .... | stunts (as Christine Baur) | |
| Alonzo Brown | .... | stunts | |
| Jerry Brutsche | .... | stunts | |
| Cheré Bryson | .... | stunts (as Chere Bryson) | |
| Gerald Clarke | .... | stunts | |
| Bill Couch Jr. | .... | stunt coordinator | |
| Paula Crist | .... | stunts | |
| Nick Dimitri | .... | stunts | |
| Gardner Doolittle | .... | stunts | |
| Cheryl E. Duncan | .... | stunts (as C.E. Duncan) | |
| Donna Hall | .... | stunts | |
| Mark Harden | .... | stunts | |
| Larry Holt | .... | stunts | |
| Terry James | .... | stunts | |
| Loren Janes | .... | stunts | |
| Lane Leavitt | .... | stunts (as Lane Levitt) | |
| Frank Perrino | .... | stunts | |
| Thomas Rosales Jr. | .... | stunts (as Tom Rosales) | |
| Clifford Strong | .... | stunts | |
| Kym Washington | .... | stunts (as Kim Washington) | |
| Mike Washlake | .... | stunts | |
| Jerry Wills | .... | stunts | |
Camera and Electrical Department | |||
| Ron Batzdorff | .... | still photographer | |
| Craig Denault | .... | camera operator | |
| Clyde Hart | .... | key grip (as Clyde W. Hart) | |
| To Lee | .... | second assistant camera | |
| Calvin Maehl | .... | chief lighting technician (as Cal H. Maehl) | |
| Louis Niemeyer | .... | first assistant camera | |
| Charles E. Nippell | .... | best boy | |
| Aaron Pazanti | .... | first assistant camera | |
| Jeff Stanman | .... | lighting technician | |
| Bruce Zachary Herman | .... | still photographer (uncredited) | |
| Scott C. Williman | .... | rigging (uncredited) | |
Costume and Wardrobe Department | |||
| Bettylee Balsam | .... | costumer | |
| Mort Schwartz | .... | costume supervisor | |
Editorial Department | |||
| Larry Bock | .... | additional editor | |
| Carrie Ellison | .... | assistant editor | |
| Patricia Lee | .... | assistant editor | |
| Adam Weiss | .... | assistant editor | |
Music Department | |||
| Kevin Benson | .... | music supervisor: Cinemusic | |
| David Chackler | .... | music supervisor: Cinemusic | |
| Ross Levinson | .... | musician: electric violin | |
| Irwin Mazur | .... | music supervisor: Cinemusic | |
| Steve Plunkett | .... | composer: additional music | |
| Jim Weidman | .... | music editor | |
Transportation Department | |||
| Buster Kohloff | .... | transportation coordinator (as Buster Kohlhoff) | |
Other crew | |||
| Sheila Barnes | .... | production coordinator | |
| Oga Danylo | .... | assistant: Herb Jaffe | |
| Sue Donoghue | .... | unit publicist | |
| Marcia 'Mavis' Girard | .... | script supervisor (as Mavis Girard) | |
| Dorain Grusman | .... | choreographer | |
| Steven E. Housewright | .... | production assistant (as Steve Housewright) | |
| Pamela Madeiros | .... | assistant: Mr. Holland (as Pamels Madieros) | |
| Gail Mutrux | .... | video consultant | |
| Glenn Nicol | .... | production accountant | |
| Hal Reinstra | .... | personal assistant: Mr. Holland | |
| Miguel Tejada-Flores | .... | assistant to producer | |
| Bundy Chanock | .... | set medic (uncredited) | |
| Mark Harden | .... | animal trainer: wild animals (uncredited) | |
| Brian McMillan | .... | head animal trainer (uncredited) | |
| Mike Revell | .... | assistant production accountant (uncredited) | |
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| Fright Night Part 2 | Blade II | A Bay of Blood | So Sweet, So Dead | Machete |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Before I first watched Fright Night, I admit I was unsure about what to think about it. All I knew about it was from what I had been told from my Dad (though his likes/dislikes are generally on par with mine, they sometimes border on plain stupid). But when I saw it to the end, I was almost totally converted.
Although the beginning is a bit cheesy and reminiscent of stereotypical horror B-movies, it soon becomes clear that this is part of what makes Fright Night so original. All the typical horror film genres are there: horror, romance, comedy (well maybe comedy isn't a typical horror element); but what makes this horror flick stand out a mile-and-a-half from the rest is that it's a very offbeat tale. It's creepily cheesy but gets away with it because it's atmosphere is so good.
All this and I haven't mentioned the acting or special effects yet. Sarandon seems to give such an effortless performance as the vampire and as a result is almost perfect. I had thought of what a modern day vampire would be like before I saw Fright Night; but Jerry Dandridge just blew all these ideas away and has to be the coolest (and I don't often use that word) and sexiest vampire ever, and is one of my favourite movie villains. Roddy McDowall can't hold a candle to Sarandon but is still very good, and Stephen Geoffreys is one of the funniest and memorable movie characters ever to grace a film screen too.
The special effects are good for 1985 and unlike where in modern films the SFX are the main point in the movie, here they add to the already present chilling atmosphere. And although on the one hand, Fright Night is quite dated, it also captures the atmosphere and the essence of the 80s. The soundtrack is excellent for the film, but paradoxically not very memorable (apart from one or two good songs).
[I wish I'd been born before 1981 (maybe 1961) so that I could have lived in the late-70s and 80s, and would have memories of the best music from that time, and not the boybands/Beatles clones/dance ditties (not decent tunes mind) we have now.]
All in all an (almost) perfect film: watch it and you'll (most likely) enjoy it and watch it again and again.