IMDb > Florence Nightingale (1985) (TV)

Florence Nightingale (1985) (TV) More at IMDbPro »


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Down 8% in popularity this week. See why on IMDbPro.
Ivan Moffat (teleplay) and
Rose Leiman Goldemberg (teleplay) ...
View company contact information for Florence Nightingale on IMDbPro.
Release Date:
7 April 1985 (UK) See more »
The fact-based story of the pioneer of nursing known as 'the Lady with the Lamp'. Full summary » | Add synopsis »
Plot Keywords:
User Reviews:
How to Make a Successful Biopic See more (13 total) »


  (in credits order)

Jaclyn Smith ... Florence Nightingale

Claire Bloom ... Fanny Nightingale

Timothy Dalton ... Richard Milnes

Timothy West ... William Russell

Peter McEnery ... Sidney Herbert

Stephan Chase ... Dr. Sutherland
Ann Thornton ... Parthe Nightingale

Jeremy Brett ... William Nightingale
Jeremy Child ... Dr. Hall (as Jeremy Childs)

Brian Cox ... Dr. McGregor
Patrick Drury ... Henry Nicholson

Lesley Dunlop ... Joanne

Michael Elwyn ... Dr. Menzies

Julian Fellowes ... Charles Bracebrige
Lorna Heilbron ... Selina
Wolf Kahler ... Gunther
Richard Leech ... Lord Ragland
Ellen Pollock ... Lady Monteagle
Marjorie Yates ... Trude
Geraldine Alexander ... Marianne Nicholson
Denis Lill ... Dr. Howe
Emma Vansittart ... Elizabeth Herbert (as Emma Watson)
Madeleine Christie ... Mrs. Glover
Erin Geraghty ... Iris

Andrea Evans ... Mrs. Brent (as Andree Evans)
Jacqueline Reddin ... Mary Kennedy
Carol Gillies ... Nurse Davis

Richenda Carey ... Committee Lady
Fanny Carby ... Thin Lady
Aimée Delamain ... Older Committee Lady (as Aimee Delamaine)
June Ellis ... Mrs. Burbage
Peter Burton ... 1st Member
John Quarmby ... 4th Member
Stephen Churchett ... Dr. Clark
Paul Williamson ... Army Doctor

Patrick Murray ... Young Soldier
Mark Jefferis ... Young Soldier
Kenneth Waller ... Hall Porter

Martin Phillips ... Wounded Soldier
Tim Seeley ... Officer
rest of cast listed alphabetically:
Taryn Kay ... Dancer (uncredited)

Derek Lyons ... Dying Soldier with Florence (uncredited)

Lucien Morgan ... Cavalry Captain (uncredited)
Adam Tomlinson ... General's Aide (uncredited)
Frank Wylie ... Dr.Hector Gavin (uncredited)

Directed by
Daryl Duke 
Writing credits
Ivan Moffat (teleplay) and
Rose Leiman Goldemberg (teleplay)

Ivan Moffat (story)

Produced by
Gerald W. Abrams .... executive producer
Ron Carr .... producer
Jennifer Faulstich .... associate producer
Anthony B. Richmond .... producer (as Tony Richmond)
Original Music by
Stanley Myers 
Cinematography by
Jack Hildyard 
Film Editing by
Bill Lenny 
Casting by
Rose Tobias Shaw 
Production Design by
Harry Pottle 
Art Direction by
Mark Nerini 
Set Decoration by
Terry Parr 
Costume Design by
Marit Allen 
Makeup Department
Alan Brownie .... makeup artist
Jan Dorman .... hair stylist
Production Management
Nick Anderson .... production executive
Second Unit Director or Assistant Director
Terry Bamber .... third assistant director
Peter Price .... first assistant director
Gerard Wall .... third assistant director
Art Department
Mark Hedges .... props storeman
Sound Department
Robin Gregory .... sound recordist
Eddie Stacey .... stunt coordinator
Camera and Electrical Department
Peter Butler .... key grip
Brian Ellis .... first assistant camera: second unit
Nigel Ellis .... second assistant camera: second unit
Costume and Wardrobe Department
Philippe Pickford .... wardrobe supervisor (as Phil Pickford)
Editorial Department
Simon Harris .... assistant editor
Music Department
Fiachra Trench .... composer: additional music (uncredited)
Other crew
Bobby Blues .... production accountant
Robert Easton .... dialect coach
Marion Gray .... production coordinator
Marjorie Lavelly .... continuity

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
140 min
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:

Did You Know?

Claire Bloom has starring billing in the main titles but her role is a extended cameo not a lead.See more »
Richard Milnes:[voice over, as Narrator] Those of you who ask, "Who is this Florence Nightingale, and what did she do?", you would have to understand the world into which she was born. It was England, Dickens' England. Where the people were divided into two classes: the very rich and the very poor. But whether rich or poor, it was a time of great medical ignorance, when to fracture an arm or a leg was to lose it.See more »
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1 out of 2 people found the following review useful.
How to Make a Successful Biopic, 15 January 2013
Author: James Hitchcock from Tunbridge Wells, England

Florence Nightingale has long been a revered figure in Britain, so much so that she has even been officially canonised by the Church of England, so it is not surprising that a number of films have been made about her life, the most famous of which is probably "The Lady with the Lamp" with Anna Neagle from 1951. (I must admit that I have never seen any of them). Nightingale had many achievements to her credit; she was the founder of modern nursing, a celebrated social reformer and also a gifted mathematician and statistician, being regarded as a pioneer of statistics as an intellectual discipline. Her prominence in the public's imagination, however, largely rests upon her role as a nurse during the Crimean War. Most of the films I refer to earlier were made in the early twentieth century; the first dates from as long ago as 1912, only two years after her death. This television drama from 1985 is the only film about her in recent decades and, as one might expect, deals with her early years, up to and including her Crimean War experiences.

When I recently reviewed "Grace Kelly", another eighties made-for- television biopic starring a former Charlie's Angel, in that case Cheryl Ladd, it struck me as an object lesson in how not to make a filmed biography, being quite devoid of any insight into what sort of person Kelly was or of any dramatic tension. Its only aim seemed to be to convey factual information; I could just as well have been watching a dramatisation of an encyclopedia entry. The lack of any physical resemblance between Ladd and the woman she was playing didn't really help matters.

Certainly, Jaclyn Smith probably looks even less like Florence Nightingale than Ladd does like Grace Kelly, but that does not matter quite so much. Kelly was one of the iconic beauties of her generation, whereas Nightingale, although described by contemporaries as attractive in her youth, became famous for matters quite unconnected with her looks, and this film avoids most of those defects which so marred "Grace Kelly". A biopic needs to do more than simply narrate the facts; it also needs a narrative structure akin to that of a purely fictitious drama, and this can often be supplied by dramatising some conflict or struggle in the life of its subject. The story as told here is that of a strong woman who has to struggle against obstacles, both external social ones and internal psychological ones, in order to achieve her destiny. Nightingale's internal conflict is the one between her love for the poet and statesman Richard Monckton Milnes and her religiously-inspired sense of vocation as a nurse. In reality, Nightingale rejected Milnes after a nine year courtship, convinced that marriage would interfere with her ability to follow her calling, whereas in the film it is he who rejects her, a change probably made in order to soften her character.

Nightingale's external conflicts are twofold. She initially experiences resistance from her family to the idea of her becoming a nurse- in the early nineteenth century nursing was not regarded as a fit profession for a young lady of quality- but this is soon overcome after she wins over her kindly, liberal father William. She faces more serious opposition to her plans to form a female nursing corps to nurse soldiers in the Crimean War. The British military establishment, including the Army Medical Corps, was particularly resistant to change- wounded soldiers had never previously been attended by female nurses- and tended to regard sick and wounded "other ranks" as expendable, even if their wounds had been incurred while performing some heroic action. Even here, however, Nightingale eventually succeeds in her goals, aided by allies such as the politician Sidney Herbert and the journalist William Russell, and by the fact that even the Army top brass cannot close its eyes to the dramatic reduction in the death rate achieved by her methods.

Jaclyn Smith was easily the most beautiful of the various "Angels", with Tanya Roberts her only serious rival in that department. (I realise that will be a controversial statement, but then I am one of the few heterosexual males of my generation not to have had a schoolboy crush on the artificial-looking Farrah Fawcett-Majors). Jaclyn also struck me as having a lot more talent than some of the other Angels, so I am always surprised that she never went on to become a major movie star, although she has remained a well-known figure on television. She acquits herself well here, showing that there was a lot more to her than just a bikini- clad beauty and that she was also capable of taking on leading roles in serious drama. The best of the supporting cast are probably Jeremy Brett as William and future James Bond star Timothy Dalton as Milnes. "Florence Nightingale" is informative, but also dramatically satisfying, the sort of biopic that works both as biography and as drama. It can serve as an object lesson in how to make a successful filmed biography. 7/10

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