When Andy and Elizabeth buy a farm in Vermont, they can't imagine the trouble that awaits them. Andy has quit his job as a sports journalist and is planning to use the peace and quiet of ... See full summary »
George Roy Hill
Madolyn Smith Osborne,
Irwin "Fletch" Fletcher, Los Angeles journalist, really lives for his profession. As Jane Doe, he publishes articles that have caused several heads to roll in the past. Now, Fletch is at it again: In disguise as a bum, he lives at the beach, researching drugs and their dealing. One day, Fletch is addressed by Alan Stanwyk, a rich man, who asks him, the bum, a favour. For the sum of $50,000, Fletch should kill poor cancer-ridden Mr. Stanwyk with a gun, so that his wife will get the insurance money. What the guy didn't think of was Fletch's real profession. Returning into normal life, Fletch instantly takes up research not only to find out that Mr. Stanwyk is healthy as life itself but he also runs into certain connections between drug dealing at the beach, Alan Stanwyk, his private jet, the police and a very expensive piece of Land in Utah. Written by
Julian Reischl <firstname.lastname@example.org>
Fletch tells beach drifter in one scene that he "feels like a hundred dollars". This line is also said by Ty Webb in Caddyshack (1980), a role also played by Chevy Chase. See more »
Alan's other wife is supposed to by flying out of Provo, Utah. However, the closest airport is in Spanish Fork, Utah, just south of Provo. See more »
As I pulled up to my imitation palatial apartment building, I noticed the familiar red OldsmoBuick of one Arnold J. Pants, esquire, attorney to the former Mrs. Irwin M. Fletcher.
[drives around to fire escape]
Time to use the service entrance.
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Chevy Chase's finest comedy. It's the part that he really sunk his teeth into. It's a perfect blend of humor, mystery and drama. Although Chase gets more mileage out of it because of the laughs, it's an intriguing character in all respects.
Michael Ritchie directs nicely and the supporting cast works well, particularly Libertini as Fletch's noisy and brassy editor in chief. This is a film that is filled with more classic one liners than any film in the 1980's. It's one that makes us miss the old Chase and wonder why he's planning to make yet another "Vacation" movie.
We miss you, Chevy!
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