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Irwin "Fletch" Fletcher, Los Angeles journalist, really lives for his profession. As Jane Doe, he publishes articles that have caused several heads to roll in the past. Now, Fletch is at it again: In disguise as a bum, he lives at the beach, researching drugs and their dealing. One day, Fletch is addressed by Alan Stanwyk, a rich man, who asks him, the bum, a favour. For the sum of $50,000, Fletch should kill poor cancer-ridden Mr. Stanwyk with a gun, so that his wife will get the insurance money. What the guy didn't think of was Fletch's real profession. Returning into normal life, Fletch instantly takes up research not only to find out that Mr. Stanwyk is healthy as life itself but he also runs into certain connections between drug dealing at the beach, Alan Stanwyk, his private jet, the police and a very expensive piece of Land in Utah. Written by
Julian Reischl <firstname.lastname@example.org>
Fletch. Until last week, he was just another mild-mannered reporter fighting for truth, justice and a window office. Now he's being threatened, shot at, accused and arrested. And that's by the people he's trying to help. But there's still one thing even more dangerous than his work. His love life. See more »
When Mr. Underhill comes to collect the money for his lunch bill, Fletch searches for the time on his non watch-wearing wrist. This is a trademark of Chevy Chase. See more »
When Fletch is "quitting", his boss moves his mouth twice on the same piece of dialog between cuts. See more »
Excuse me, Señor. You are a member of the club?
No, I'm not, I'm with the Underhills.
They already left, Señor.
It's all right, they'll be back. He went out for his urinalysis.
Would you like some drinks, Señor, while you wait? I will put it on the Underhills' bill.
Yes, very good. I'll have a Bloody Mary and a steak sandwich and... a steak sandwich, please.
See more »
Chevy Chase's finest comedy. It's the part that he really sunk his teeth into. It's a perfect blend of humor, mystery and drama. Although Chase gets more mileage out of it because of the laughs, it's an intriguing character in all respects.
Michael Ritchie directs nicely and the supporting cast works well, particularly Libertini as Fletch's noisy and brassy editor in chief. This is a film that is filled with more classic one liners than any film in the 1980's. It's one that makes us miss the old Chase and wonder why he's planning to make yet another "Vacation" movie.
We miss you, Chevy!
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