The army of the Marauders, led by by King Terak and the witch Charal attack the Ewoks village. The parents and the brother of Cindel all die in this attack. Cindel and the Ewok Wicket ... See full summary »
C-3PO and R2-D2 are on their way to Biitu to meet their new master, Mungo Baobab, when their ship is attacked and they are taken prisoner. Biitu has been taken over by the giant mechanical ... See full summary »
Clive A. Smith
Long John Baldry,
'Adult Wicket' remembers four memorable adventures from his youth: how he fixed up his great grandfather's battle wagon, the occasion when Latara ran away from the Ewok village to join the ... See full summary »
Morag the Tulga Witch seeks revenge on her old enemy Logray, shaman of the Ewoks, who holds the magic Sunstar while she possesses it's darker half, the Shadowstone. The Witch unleashes her ... See full summary »
Artoo, Threepio and a broken down android are traded into the hands of young miner Jann Tosh. The android turns out to be an alien with amnesia and a price on his head. It is in fact Mon ... See full summary »
Mungo Baobab and his droids, Threepio and Artoo, are trailing the Rainbow comets of Manda in search of the fabled Roon system. Before they get there, they make an enemy out of the greedy ... See full summary »
The army of the Marauders, led by by King Terak and the witch Charal attack the Ewoks village. The parents and the brother of Cindel all die in this attack. Cindel and the Ewok Wicket escape and in a forrest they meet Teek a naughty and very fast animal. Teek takes them to a house in which a old man, Noa, lives. Like Cindel he also crashed with his Starcruiser on Endor. Together they fight Terak and Charal. Written by
R. Kessen <firstname.lastname@example.org>
As with the previous film, The Ewok Adventure (1984), this movie is a spin-off from the original Star Wars trilogy, but fans remain undecided as to whether these two films should be considered part of the official Star Wars canon. See more »
Aubree Miller (Cindel) looks directly into the camera, then quickly away, when she, Noa and the liberated Ewoks arrive at Noa's star cruiser. See more »
Better than the previous outing - but that is not saying much
This is a major improvement over the first Ewok TV movie. However it still bears many of that previous films weaknesses The script, written by the directors is serviceable enough , and is clearly aimed at a very young audience. The fact that there was a band of armed marauders on the planet right under the noses of the Empire stretches credibility to beyond breaking point. However, the bold move to kill off 3 key protagonists from the first TV movie was effective and gave the villains more menace than the previous Ewok film. The directors themselves, Ken and Jim Wheat, who had just come of a small independent film called Lies, do a better job this time around. While some the action sequences to show that they were working with a far too small a budget, they actually do try to inject some energy and pace into proceedings and, if they had been given more money, could have really made something of this story. While some of the matte painting are reasonably effective, the stop motion animation is again very crude and well below the standards ILM is capable of.
Performances are what you would expect for a TV movie aimed at young children, that is very broad. However, Aubree Miller gives a solid performance again, as does Warwick Davis, now as a broken English speaking Ewok, but they are helped considerably by veteran actor Wilford Brimley in an charming performance as an elderly stranded space pilot. He is ably supported by a very well realised creature called Teek, well played by actress Niki Botelho combined with some very effective animatronics/costume work by Kevin Brennan and a clever, high quality ILM visual effect associated with the character The films ending is sentimental, but works pretty well within the confines of a badly cash-limited production and is actually quite moving. But the whole production needed a lot more money, which would have meant the film standing the test of time much better, and feeling less like an blatant exercise to milk yet more profit from the Star Wars franchise.
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