| Neville Brand | ... | Kurt | |
| Aldo Ray | ... | Fred | |
| Tina Louise | ... | Cora | |
| John Carradine | ... | Dr. Kozmar | |
| Julie Newmar | ... | Dr. Zarma | |
| Karrie Emerson | ... | Nancy | |
| Bridget Holloman | ... | Heather | |
| David Hawk | ... | Brian | |
| G.T. Taylor | ... | Connie | |
| Keith Fisher | ... | Ron | |
| Tony O'Dell | ... | Billy | |
| Kelly Parsons | ... | Laura Lee (as Kelly Parson) (as Kelly Parsons) | |
| Scott Hunter | ... | Young Man on Beach & Garage | |
| Laura Lee | ... | Young Lady on Beach | |
| Dawn Wildsmith | ... | Alien Commander (as Bonnie J. Karlyle) | |
| Susan Pastor | ... | Alien Guard | |
| Kimberly Bleier | ... | Alien Guard | |
| Kari Thompson | ... | Alien Guard | |
| Diana Payne | ... | Alien Guard | |
| Amber Lynn | ... | Joyce | |
| Jerry Butler | ... | Eddie (as Paul Siederman) | |
| Jody Swafford | ... | Girl Applying Lotion | |
| Shone Taylor | ... | First Guy Having Sex (as Shane Taylor) | |
| Crystal Breeze | ... | First Girl Having Sex (as Lisa Stanyo) | |
| Traci Escobar | |||
| rest of cast listed alphabetically: | |||
| Cynthia Windham | ... | Alien guard | |
Directed by | |||
| Mardi Rustam | |||
Writing credits | ||
| Mardi Rustam | (written by) & | |
| Philip Dennis Connors | (written by) (as Phillip D. Connors) | |
Produced by | |||
| Joan Kasha | .... | associate producer | |
| Mardi Rustam | .... | producer | |
| Mohammed Rustam | .... | producer (uncredited) | |
Original Music by | |||
| Robert O. Ragland | |||
Cinematography by | |||
| Don Stern | (director of photography) | ||
Film Editing by | |||
| Henri Charr | |||
Art Direction by | |||
| Gregory R. Wolf | (as Gregory Wolf) | ||
Set Decoration by | |||
| Deborah Madalena-Lloyd | (as Debbie Madalena) | ||
Costume Design by | |||
| Jennifer Michaud | |||
Makeup Department | |||
| Rhonda Spector | .... | makeup artist (as Rhonda Specter) | |
Production Management | |||
| Henri Charr | .... | executive in charge of production | |
| Jeanne Van Cott | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Richard Kanter | .... | first assistant director | |
| William Nettle | .... | second assistant director (as William Nettles) | |
Art Department | |||
| Christian Lee | .... | assistant set decorator | |
Sound Department | |||
| Eusebio F. Aguila | .... | boomman | |
| Terry J. Chiappe | .... | sound effects editor (as Terry Chiappe) | |
| Irv Nafshun | .... | sound mixer | |
| Steven Nafshun | .... | sound mixer (as Steve Nafshun) | |
| Bill Navarro | .... | sound mixer | |
| Gerald B. Wolfe | .... | sound (as Gerald Wolf) | |
Special Effects by | |||
| Donn Markel | .... | special effects makeup | |
Stunts | |||
| Keith Johnson | .... | stuntman | |
| Ericka Marr | .... | stuntwoman (as Erika Marr) | |
| Walter G. Zeri | .... | stunt coordinator (as Walter Zeri) | |
Camera and Electrical Department | |||
| Bob Amerian | .... | gaffer (as Robert Amerian) | |
| Bob Amerian | .... | set lighting (as Robert Amerian) | |
| Larry J. Aube | .... | key grip (as Larry Aube) | |
| Sharon Beard | .... | still photographer | |
| Anthony Coogan | .... | key grip | |
| Larry Greis | .... | gaffer | |
| Larry Greis | .... | set lighting | |
| Brian Johnson | .... | grip | |
| Karima | .... | additional still photographer | |
| Richard Lance | .... | camera operator | |
| Kimberly Ellen Lowe | .... | second assistant camera (as Kimberly Voight) | |
| Rod Thompson | .... | second assistant camera | |
| Vance Trussell | .... | grip | |
| Kenneth H. Wiatrak | .... | first assistant camera (as Ken Wiatrak) | |
Casting Department | |||
| Jose Altonaga | .... | casting assistant | |
| Karima | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jennifer Michaud | .... | wardrobe | |
| Susan Roberts | .... | wardrobe assistant | |
| Kari Thompson | .... | wardrobe assistant | |
Editorial Department | |||
| Jess Mancilla | .... | assistant editor (as Jesus Mancilla) | |
Music Department | |||
| Michael Linn | .... | music editor | |
Other crew | |||
| David Bey | .... | production assistant | |
| Michael Bey | .... | production assistant | |
| Michael Bey | .... | production assistant | |
| Chris | .... | beach sequence | |
| James Knight | .... | production assistant | |
| Robert Miller | .... | production accountant | |
| Julie Roberts | .... | production secretary | |
| Kathie Sacks | .... | assistant production accountant | |
| Sandy | .... | search sequence | |
| Sarah Shoup | .... | technical medical consultant | |
| Elizabeth Smith | .... | production accountant | |
| Nigel Timperly | .... | production assistant | |
| Kathryn Weygand | .... | script supervisor (as Kathy Weygand) | |
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| Lolita | Carrie | The Burning | Short Cuts | Slaughterhouse-Five |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section |
Right from the opening, depicting something resembling a customized mobile home floating through space, you know this is something special. A low budget space ship lands in the middle of the woods - this contains alien scientists John Carradine, Julie Newmar, and Tina Louise. Using a hospital as a base of operations, they set out to fulfill their mission; to gather blood platelets from young Earth people and send the stuff back to their home planet. Platelets, it seems, are the key to eternal life. They hire two mechanics (Aldo Ray and Neville Brand) to handle the dirty work of capturing unwilling donors. And what luck - nearby there are a group of perfect specimens on a camping trip...
First of all, the cast is amazing. Carradine and Newmar - no strangers to this terrain - actually manage to pull their roles off with style and dignity. Aldo Ray was probably used to this kind of movie as well, having already appeared in such things as Mongrel and Biohazard - while Tina Louise was `Ginger' on Gilligan's Island. Neville Brand had a distinguished record in World War 2, and afterward found his way into a major Hollywood career, specializing in westerns during the fifties - and notably played Duke, the embittered POW in Stalag 17. In this, his last film, he plays the role of Ray's lackey - and actually appears to be enjoying himself, even while unpleasantly ogling and pawing his captured female victims. Also worth mentioning is the fact that the victims and potential victims are not just cardboard cut-outs, and you actually like them.
Is this movie any good? Well, let me put it this way - it's dumb and cheap and sleazy - but that's exactly what it's intended to be. It would have been a perfect feature on the late, great USA Up All Night, as it's very much in that "style". For the people who consider that a recommendation, dive right in.