6.2/10
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16 user 10 critic

Détective (1985)

Unrated | | Comedy, Crime, Drama | 23 August 1985 (USA)
In a palace of Paris. Two detectives are investigating a two-year-old murder. Emile and Francoise Chenal are putting pressure on Jim Fox Warner, a boxing manager, who owes them a huge ... See full summary »

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Writers:

(screenplay), (screenplay) | 2 more credits »
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2 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
William Prospero
Aurelle Doazan ...
Arielle
...
Inspector Neveu
...
Françoise Chenal
...
Emile Chenal
...
Alain Cuny ...
Old Mafioso
Xavier Saint-Macary ...
Accountant
Pierre Bertin ...
Alexandra Garijo ...
Young Daughter
Stéphane Ferrara ...
Tiger Jones
...
Eugène Berthier ...
Old manager
...
Wise young girl
Cyrille Dajinckourt ...
La fille
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Storyline

In a palace of Paris. Two detectives are investigating a two-year-old murder. Emile and Francoise Chenal are putting pressure on Jim Fox Warner, a boxing manager, who owes them a huge amount of money. But Jim also owes money to the Mafia, and it seems the boxing match he is counting on to bail out will not be sufficient... Written by Yepok

Plot Summary | Add Synopsis

Genres:

Comedy | Crime | Drama

Certificate:

Unrated | See all certifications »
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Details

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Language:

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Release Date:

23 August 1985 (USA)  »

Also Known As:

Detective  »

Company Credits

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Technical Specs

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Sound Mix:

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Did You Know?

Trivia

Jean-Luc Godard dedicated the film to John Cassavetes, Edgar G. Ulmer and Clint Eastwood. See more »

Quotes

Tiger Jones: Tiger Jones - - I'll knock him out!
Françoise Chenal: Isn't he Tiger Jones?
Jim Fox Warner: Yeah, but a champion always fights himself.
See more »

Connections

Features La belle et la bête (1946) See more »

Soundtracks

Rienzi
(Opera)
Written by Richard Wagner
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User Reviews

 
Godard's most complex soundtrack?
17 March 2008 | by (United States) – See all my reviews

Like zetes stated, this was supposed to be Godard's "commercial" movie. However, it actually feels like his least commercial film of the ones released since 1980. Ever the prankster, Godard stocks the film to the brim with pratfalls, movie quotes and other allusions.

It's hard to imagine how it is watching this in the theater. The film is so multi-layered that it's impossible to take in at one time.

I'm not sure what his stance is on the home video vs. theater debate. A movie so dense with quotes is almost destined to be better viewed at home. There are multiple scenes where if you pay attention to one thing, you wind up missing some other detail. Even after multiple viewings. I had to watch this more times than any of the other Godard film currently in print just to make sure I caught enough of the details.

As awesome technically as the film is, it somehow feels like a rehash of what he already did with First Name Carmen, Passion and Hail Mary. The fact that this was a commission may mean his heart wasn't quite in it. You could never accuse him of that with most of his other films.


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