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Dressage (1986)

 |  Comedy  |  16 April 1986 (France)
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Ratings: 5.7/10 from 78 users  
Reviews: 1 user | 2 critic

Nations' Cup CDI Horse Dressage Class: 519 - FEI I1 Freestyle CDI-O3* Rider and Horse Caroline Roffman - Her Highness O Lars Petersen - Chicco Roslev Carlos Munoz - Klouseau Christilot ... See full summary »



(adaptation), (dialogue), 2 more credits »
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Title: Dressage (1986)

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Cast overview, first billed only:
Véronique Catanzaro ...
Patrick Guillemin ...
Baron Plessis du Regard
Marc Henry
Henri-Jacques Huet ...
M. Leroy-Murville
André Nader ...
Colonel Montvilliers
Sylvie Novak ...
Katya Strambi
Cornélia Wilms ...
Pierre Doris ...
Le valet
Carole Grove
Marie Jose Urbain
Kate Nelson
André Kay ...
(as André Vinouze)
Myriam Daujat
Annick Chatel


Nations' Cup CDI Horse Dressage Class: 519 - FEI I1 Freestyle CDI-O3* Rider and Horse Caroline Roffman - Her Highness O Lars Petersen - Chicco Roslev Carlos Munoz - Klouseau Christilot Boylen - Dio Mio Kimberly Herslow - Rosmarin Shelly Francis - Doktor Heather Blitz - Paragon David Marcus - Don Kontes Susan Dutta - Currency DC Cesar Parra - Van The Man Judge E Judge H Judge C Judge M Judge B Total Zang Eisenhardt Macartney Gribbons Alonso Written by Anonymous

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Release Date:

16 April 1986 (France)  »

Also Known As:

Dressage: La dolce punizione  »

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User Reviews

Pretentious French soft porn, but well-made
30 July 2002 | by (Canterbury, England) – See all my reviews

The British genre press received this film with hostility when it came out on video in the mid 1990s. Why? This is undoubtedly an exploitation film, more precisely: soft pornography, but it does not fit easily into the usual subgenre classification Eurotrash fans come to expect. Although it is a sex comedy, it isn't one of those silly dim-witted sex comedies so frequently made in Italy, England and Germany in the 1970s. In particular, the film takes the eroticism more seriously than comedies normally do and shows even signs of pretentiousness [you can tell it is a French production], and it is particularly the latter aspect British genre critics seem to find hard to accept. Similarly, there are themes of revenge, humiliation, voyeurism, bondage - but these are treated in a semi-comical way, and the distinctly misogynist appetites harboured by the unpleasanter fans of sexploitation cinema remain unsatisfied.

Overall, this movie is a generally well-made soft porn flick (cinematography, acting, production values - all of good quality) that is less offensive, violent or silly than so many other products of the genre. Therefore, it should be watchable for a mainstream audience when in adventurous mood.

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