Loretta Castorini, a book keeper from Brooklyn, New York, finds herself in a difficult situation when she falls for the brother of the man she agreed to marry (the best friend of her late husband who died seven years previously).
Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date... See full summary »
Bored Roberta spots a regular personal ad in the paper titled 'Desperately Seeking Susan'. She heads off to New York, following one of the ads, and finds Susan. When Susan sells her jacket, Roberta - trying to emulate her mystery ad writer - buys the jacket and wears it. Little does she know someon is looking for the jacket - and its owner... Written by
Colin Tinto <email@example.com>
(October 2007) A musical version of the movie was staged in London's Novello Theatre featuring Emma Williams as Susan and Kelly Price as Roberta. Written and conceived by American actor Peter Michael Marino, the musical was directed by Angus Jackson, choreographed by Andy Blankenbuehler featuring Blondie classics such as, "One Way or Another," "Heart of Glass," "Atomic," "Dreaming," "The Tide is High," "Hanging On the Telephone," "Picture This," "Rapture," etc. See more »
Reflected in car windshield as Roberta and Susan walk outside. See more »
[Seeing Roberta after she gets in the Police car]
So how do the birds work?
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This was THE defining movie of my coming-to-teenage years. I saw a rerun on TV the other night and I still knew all the lines by heart. Thank God for this little gem of a movie, in all its silliness. It takes me back to a time when everything was still possible, and I thought I knew everything although I really knew nothing. Well, now that I know, not everything but a great deal, I still find this movie really likable. It's strange that it's so old, and it still feels quite fresh and exciting. Maybe it's the New York atmosphere, or the sense of excitement that Madonna brings to every one of her scenes. I think she's good in this film because she doesn't yet take herself too seriously and isn't trying too hard. She is a natural performer, after all. How else could you solve the mystery of "the one good movie Madonna ever made"?
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