After witnessing the murder of a famous psychic, a musician teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen assailant bent on keeping a dark secret buried.
An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
Art imitating art is the basis of this demonic tale of a group of invited guests who are granted a free lunch in the form of a screening of a horror film that brings naturalism to life. Baited and penned in, this walled-in feeling quickly turns to screams and fear as those who are dead lust after the flesh of those living. The free lunch has turned full circle in the cinema of hell and it is only a question of time before the demons from the abyss are asking for second portions. Written by
The blind man going to the cinema was meant as an ironic joke. See more »
At the end scene during the motorcycle chase, Nina's demonic character is not waring any demonic makeup. See more »
[Tony and several other patrons have discovered one of the prostitutes face down on the stage. She has a huge neck wound from Rosemary's attack]
Tony the Pimp:
There's some kind of madman loose in here!
[the prostitute's fingernails begin to develop claws]
Tony the Pimp:
Son of a bitch! Shit!
[Now the woman's front teeth are falling out, and long, sharp fangs grow in to replace them. Her eyes have also become bloodshot]
Tony the Pimp:
Get out! Everybody get away!
[the theater's patrons flee in a panic up the stairs]
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In West Berlin, a stranger wearing a mask randomly distributes tickets for the reopening of the Metropol movie theater on the streets for different persons, including a blind man. Cheryl (Natasha Hovey) gets two tickets in the subway and invites her friend Kathy (Paola Cozzo) to skip their music class and go to the movie theater to watch the film. The viewers come to the restored Metropol without having any information about the film they will see in the advance screening. While waiting for the beginning of the preview, a woman sees an exposed promotional mask of a demon and accidentally scratches her face with the object. When the film begins, the foregoing woman transforms in a monster in the same way it is happening on the screen with the characters of the film, in a kind of weird connection. She attacks the audience, and each viewer that is infected by a monster, is contaminated and transformed in another monster, threatening the rest of the defenseless persons. Sooner the survivors realize that they are trapped in the locked building.
The first time I saw "Demons" was in the mid 80's. I recall that it made me feel very uncomfortable. Then I saw this film many other times on VHS and today (04 November 2010) I have just seen it on DVD. This claustrophobic and sick film is a scary horror movie indeed. The story recalls "The Night of the Living Dead", only using gruesome demons instead of zombies. The disgusting make-up and special effects are excellent and compensate the weak performances of most of the cast. Bigas Luna used part of this idea in his 1987 "Angustia". The music score is awesome and this movie is only recommended for fans of trash-movies and is a classic in the genre. My vote is seven.
Title (Brazil): "Demons Filhos das Trevas" ("Demons Sons of the Darkness")
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