| Photos (See all 13 | slideshow) |
| Dustin Hoffman | ... | Willy Loman | |
| Kate Reid | ... | Linda Loman | |
| John Malkovich | ... | Biff | |
| Stephen Lang | ... | Happy | |
| Charles Durning | ... | Charley | |
| Louis Zorich | ... | Ben | |
| David S. Chandler | ... | Bernard | |
| Jon Polito | ... | Howard | |
| Kathryn Rossetter | ... | Woman from Boston (as Kathy Rossetter) | |
| Tom Signorelli | ... | Stanley | |
| Linda Kozlowski | ... | Miss Forsythe | |
| Karen Needle | ... | Letta | |
| Anne McIntosh | ... | Jenny | |
| Michael Quinlan | ... | Waiter |
Directed by | |||
| Volker Schlöndorff | (as Volker Schlondorff) | ||
Writing credits | ||
| Arthur Miller | (teleplay) | |
| Arthur Miller | (play) | |
Produced by | |||
| Robert F. Colesberry | .... | producer | |
| Michael Nozik | .... | associate producer | |
| Nellie Nugiel | .... | associate producer | |
Original Music by | |||
| Alex North | |||
Cinematography by | |||
| Michael Ballhaus | |||
Film Editing by | |||
| Mark Burns | |||
| David Ray | |||
Production Design by | |||
| Tony Walton | |||
Art Direction by | |||
| John Kasarda | |||
Set Decoration by | |||
| Robert J. Franco | |||
Costume Design by | |||
| Ruth Morley | |||
Makeup Department | |||
| Ann Belsky | .... | makeup designer: Dustin Hoffman | |
| Alan D'Angerio | .... | hair designer | |
| Victor DeNicola | .... | hair stylist (as Victor De Nicola Jr.) | |
| Robert Laden | .... | makeup artist: Dustin Hoffman (as Bob Laden) | |
| Rita Ogden | .... | makeup artist | |
Production Management | |||
| Michael Nozik | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ann Egbert | .... | second assistant director (as Ann B. Egbert) | |
| Joseph P. Reidy | .... | first assistant director (as Joseph Reidy) | |
| Tomaz Remec | .... | dga trainee | |
Art Department | |||
| Tommy Allen | .... | property master (as Tom Allen) | |
| Charles Cecil | .... | set builder | |
| Ann Edgeworth | .... | inside property assistant (as Ann L. Edgeworth) | |
| W. Steven Graham | .... | assistant art director | |
| Stephen J. Lineweaver | .... | head set dresser | |
| Anamarie Michnevich | .... | set dresser | |
| Joseph Petruccio Sr. | .... | construction coordinator | |
| Richard A. Ventre | .... | master scenic artist | |
Sound Department | |||
| Harriet Fidlow | .... | sound editor: Hastings Sound Editorial, Inc. | |
| Tom Fleischman | .... | sound re-recording mixer | |
| David Grossack | .... | sound apprentice: Hastings Sound Editorial, Inc. | |
| Danny Michael | .... | production sound mixer | |
| Abe Nejad | .... | assistant sound editor: Hastings Sound Editorial, Inc. | |
| Brenda Ray | .... | additional boom operator | |
| Dan Sable | .... | sound editor: Hastings Sound Editorial, Inc. | |
| Lynn Sable | .... | assistant sound editor: Hastings Sound Editorial, Inc. | |
| Elizabeth Schwartz | .... | assistant sound editor: Hastings Sound Editorial, Inc. | |
| Jess Soraci | .... | sound editor: Hastings Sound Editorial, Inc. | |
| Marc-Jon Sullivan | .... | boom operator (as Marc Jon Sullivan) | |
Camera and Electrical Department | |||
| Florian Ballhaus | .... | second assistant camera | |
| Arthur Blum | .... | dolly grip | |
| Stefan Czapsky | .... | electric supervisor | |
| Stefan Czapsky | .... | grip | |
| James Donahue | .... | electrician | |
| David M. Dunlap | .... | focus puller | |
| Anthony Dunne | .... | grip | |
| Morris Flam | .... | gaffer | |
| Michael Levine | .... | camera operator | |
| Dennis J. Lootens | .... | grip | |
| Charlie Marroquin | .... | grip | |
| Michael Papadapolous | .... | electrician (as Michael Papadopoulos) | |
| Susan Starr | .... | second assistant camera | |
| Allen Stillman | .... | grip | |
| Michael Trim | .... | best boy | |
| Barry Wetcher | .... | still photographer | |
Casting Department | |||
| Todd M. Thaler | .... | extras casting (as Todd Michael Thaler) | |
Costume and Wardrobe Department | |||
| Taylor Kincaid Cheek | .... | wardrobe supervisor | |
| Sharon Lynch | .... | wardrobe assistant | |
Editorial Department | |||
| Jon Neuburger | .... | assistant editor (as Jon Neuberger) | |
| Judy Silberstein | .... | assistant editor | |
Music Department | |||
| Thomas A. Carlson | .... | assistant music editor (as Tom Carlson) | |
| Fred Steiner | .... | orchestrator | |
| Dan Wallin | .... | music mixer: Record Plant Scoring | |
| Kenneth Wannberg | .... | music editor | |
Transportation Department | |||
| Thomas Reilly | .... | transportation coordinator | |
Other crew | |||
| Judith Lyn Brown | .... | assistant: producer | |
| Joe Caroff | .... | title designer | |
| Terry Fred Cassidy | .... | production assistant | |
| Susan Gammie | .... | assistant: Ms. Morley | |
| Shelley Houis | .... | production office coordinator | |
| Anna Graham Hunter | .... | intern | |
| Mary A. Kelly | .... | continuity | |
| Thomas A. Kelly | .... | technical staging consultant | |
| Robert Mullis | .... | assistant: Ms. Reid | |
| Nellie Nugiel | .... | production accountant | |
| Franke Piazza | .... | assistant: Mr. Hoffman | |
| Dale Pierce-Johnson | .... | office assistant | |
| Sharret Rose | .... | assistant production accountant | |
| Michael Rudman | .... | stager: Broadway production | |
| David Sardi | .... | production assistant | |
| Noel Tirsch | .... | intern | |
| Aaron D. Weisblatt | .... | picture apprentice | |
| Gilbert S. Williams | .... | production assistant: studio (as Gilbert Williams) | |
| Laura Zaccaro | .... | intern | |
| Robert Whitehead | .... | producer: original stage production (uncredited) | |
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| Before the Devil Knows You're Dead | The Best Years of Our Lives | My One and Only | Those Who Love Me Can Take the Train | One Hour Photo |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This is a truly outstanding perfomance of what may be the most important american play ever written. Hoffman and Malkovich seem to become the characters they play in what may be their greatest performances. This is an incredible drama that can be interpreted many ways... it's subtle and powerfull. Death of a salesman is about a man's realization that he isn't living the american dream he once thought he was. It's about self-deception. It's about trying to keep up with the Jones's. It's about pursuing your dreams, or regretting that you didn't. The plot is nothing special because it's simply a device that Mailer uses to explore these themes.