An abridged award-winning TV adaptation of a famous play about an aging traveling salesman who's on the verge of a nervous breakdown. His job is gone and his family hates him for never being there. He tries mending things with them.
Willy Loman is an over-the-hill salesman who faces a personal turning point when he loses his job and attempts to make peace with his family: Willy's long-suffering wife Linda, and Biff and Happy, his troubled sons and his life.
Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up ... See full summary »
An aging salesman is fired from his job after a long career in it. Broken, without much to look forward to, he tries reconnecting with his wife and kids who he had always put down as he dedicated himself to work.
Willy Loman clings to the belief that he is a success as a salesman, that he is a beloved family man, that he is well-liked; but, as he grows older, he is forced to contemplate the unpleasant reality of his existence.
Salesman Willy Loman is in a crisis. He's about to lose his job, he can't pay his bills, and his sons Biff and Happy don't respect him and can't seem to live up to their potential. He wonders what went wrong and how he can make things up to his family. Written by
It took three and a half hours for makeup artists to transform Dustin Hoffman, then in his forties, into Willy, who is described in the stage directions as "over sixty". See more »
When Willy puts on his jacket in the Boston hotel room, his lapel is folded inside the jacket. Then after a shot of Biff, the next shot shows his jacket is not folded inside but is in its proper place, laying flat. See more »
[to his father]
Will you let me go, for Christ's sake? Will you take that phony dream and burn it before something happens?
See more »
Arthur Miller's compelling work is deftly translated to the small screen here, with riveting performances by Dustin Hoffman as Willy Loman, Kate Reid as Willy's wife Linda, and John Malkovich as the prodigal son Biff. This work touches my soul on several levels: sympathy for the fallen man Willy, understanding of the difficulty of both hating your father and wanting him to be proud of you as Biff shows, and the ever-protective enabler Linda, who defends Willy even as she sees him failing before her eyes. Miller took a simple American family struggling to make life work, and made each character in their own way extraordinary.
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