An abridged award-winning TV adaptation of a famous play about an aging traveling salesman who's on the verge of a nervous breakdown. His job is gone and his family hates him for never being there. He tries mending things with them.
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Willy Loman is an over-the-hill salesman who faces a personal turning point when he loses his job and attempts to make peace with his family: Willy's long-suffering wife Linda, and Biff and Happy, his troubled sons and his life.
An aging salesman is fired from his job after a long career in it. Broken, without much to look forward to, he tries reconnecting with his wife and kids who he had always put down as he dedicated himself to work.
Salesman Willy Loman is in a crisis. He's about to lose his job, he can't pay his bills, and his sons Biff and Happy don't respect him and can't seem to live up to their potential. He wonders what went wrong and how he can make things up to his family. Written by
It took three and a half hours for makeup artists to transform Dustin Hoffman, then in his forties, into Willy, who is described in the stage directions as "over sixty". See more »
When Biff and Linda argue in the kitchen, Linda grabs an empty glass and places it under the tap, when she turns the tap on no water comes out but when she picks the glass up, it is full of water. See more »
[to Willy's grave]
Willy, dear, I can't cry. Why did you do it? I search and search and I search, and I can't understand it, Willy. I made the last payment on the house today. Today, dear. And there'll be nobody home.
[a sob rises in her throat]
We're free and clear.
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I had to read Arthur Miller's Death of a Salesman` for my English class this year. Our teacher was a very industrious woman and let us analyze every character's every word several times, until we couldn't hear the words Willy`, Linda`, Biff`, American Dream` and stockings` any more. It was terrible! She didn't show us any theater or film version, so we began to utterly dislike the text as a whole: a sentimental play where you already know the ending when you read the title.
A few days ago, I spotted Volker Schlöndorff's film version on television, a German dubbed version, but that doesn't matter because I already knew the lines and Schlöndorff hardly changed them.
Fortunately, Schlöndorff didn't make any effort to put his own special style into the movie, he just left the play the way it was and the way, I suppose, Arthur Miller wanted it. So some of you might claim that this version was too stage-drama-like, not cinematic. For me, this was ideal because I could see the REAL, lively Death of a Salesman`, played by an ideal cast: Dustin Hoffman: a little over-acting, but enthusisiastic; Kate Reid: so authentic that she could be taken for my mother; John Malkovich: silent, thoughtful, self-confident`, great! How shall I put it? This film sort of opened my eyes towards this great, merciless work of Arthur Miller. This play is something you can orientate your life to. At many important turning points of your life, you can remember Willy Loman and his fate that is fictitious but and believe me, I know some people who are exactly like him definitely could be the fate of a real person, and not only of an American. I found the Salesman` important, not as much as a criticism of the American Dream but an account of what must happen, if lives are built upon lies lies to others and lies to yourself. Those people who think Death of a Salesman` is rubbish are those who suppress cruel truths just as Willy Loman does.
So, when I saw this movie, I was completely stunned because its hopelessness became clear to me and I noticed how crucial this American classic really is. I give Schlöndorff 8 out of 10 stars because there are some flaws in his way of directing (e. g. letting Malkovich and Lang play their young alter egos was stupid because no one believes that they are 17).
Another sad example how bad teachers can destroy a masterpiece. Shame on you, Mrs. H.!
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