Architect/vigilante Paul Kersey arrives back in New York City and is forcibly recruited by a crooked police detective to fight street crime caused by a large gang terrorizing the neighborhoods.
Architect Paul Kersey once again becomes a vigilante when he tries to find the five street punks who murdered his daughter and housekeeper, this time on the dark streets of Los Angeles.
Director:
Michael Winner
Stars:
Charles Bronson,
Jill Ireland,
Vincent Gardenia
Architect/vigilante Paul Kersey takes on the members of a vicious Los Angeles drug cartel to stop the flow of drugs after his girlfriend's daughter dies from an overdose.
A New York City architect becomes a one-man vigilante squad after his wife is murdered by street punks in which he randomly goes out and kills would-be muggers on the mean streets after dark.
Director:
Michael Winner
Stars:
Charles Bronson,
Hope Lange,
Vincent Gardenia
An action-packed thriller starring Charles Bronson as Jack Murphy, a cop who is running to stay alive long enough to even the score with his wife's killer.
Director:
J. Lee Thompson
Stars:
Charles Bronson,
Kathleen Wilhoite,
Carrie Snodgress
Wifes and children of the Mormon Orville Beecham become victims of a massacre in his own house. The police believes the crime had a religious motive. Orville doesn't give any comment on the... See full summary »
Director:
J. Lee Thompson
Stars:
Charles Bronson,
Trish Van Devere,
Laurence Luckinbill
Jay Killion (Charles Bronson) had been the presidential bodyguard, but for the inauguration of the recently elected president, he is assigned to the first lady, Lara Royce (Jill Ireland). ... See full summary »
Director:
Peter R. Hunt
Stars:
Charles Bronson,
Jill Ireland,
Stephen Elliott
Paul Kersey, New York City architect and part-time vigilante, returns from L.A. to visit an old friend. Instead, he must avenge his death by fighting youth gangs. Written by
Dragan Antulov <dragan.antulov@altbbs.fido.hr>
Charles Bronson uses a Wildey .475 Magnum hand cannon in this movie. It was his personal handgun in real life, and he suggested it as a means to make the film unique. In a 2005 interview in 'American Handgunner' magazine with Wildey Moore, the gun's creator and a technical consultant to the production, Moore said that sales for the weapon increase each time this film is aired on cable television. Moore said: "To this day there is a spike in Wildey Magnum sales every time 'Death Wish 3' appears on cable TV." See more »
Goofs
During the showdown when Fraker firebombs a building and a man and women tumble down a flight of stairs in flames, the man's hair is clearly soaked in fire retardant. See more »
Quotes
Richard S. Shriker:
[speaking to Kersey]
I have a theory. If I'm right, after LA you turned pro.
[looks a newspaper clippings]
Richard S. Shriker:
Six creeps shot dead in a week. Four gang mebers killed in Kansas City.
See more »
Crazy Credits
A shot during the end credits shows police cars and an ambulance and fire truck screaming down a street towards the epicenter of the riots. See more »
Most critics seem to have dismissed this film, like so many other Charles Bronson vehicles, as just another patchwork of mindless violence. And while there is a fair amount of mayhem, DEATH WISH 3 is not that awful of an effort, particularly for fans of the series and its star.
This time out, aging Charlie's Paul Kersey is let loose by a police chief desperate to clean up a rough part of New York City. The trigger-happy vigilante moves into the heart of gang territory, where he once again becomes a one-man army in an urban war of good versus evil. Bronson, at least the "older" version, is truly at his best.
I'm not saying DEATH WISH 3 is a classic. Indeed to the discriminating eye it has a plethora of imperfections. The characters are generally made of cardboard. The violence is over the top. A man well into his 60s outruns and outspooks dozens of young punks. But in the tradition of the original DEATH WISH and later films such as FALLING DOWN with Michael Douglas, it has a definite crowd-pleasing charm. Who doesn't want to see gangbangers get their due? There are also some great cheesy moments and one-liners so common in 1980s films. When a tenant of his apartment building sees Kersey setting up a booby trap, for instance, the vigilante lightheartedly says he's "thinning the herd." A line only Bronson can truly make work.
So you see, the key to enjoying DEATH WISH 3 is to accept it for what it is. It ain't Spielberg and it ain't art. So throw the popcorn in the microwave and have fun with it.
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Most critics seem to have dismissed this film, like so many other Charles Bronson vehicles, as just another patchwork of mindless violence. And while there is a fair amount of mayhem, DEATH WISH 3 is not that awful of an effort, particularly for fans of the series and its star.
This time out, aging Charlie's Paul Kersey is let loose by a police chief desperate to clean up a rough part of New York City. The trigger-happy vigilante moves into the heart of gang territory, where he once again becomes a one-man army in an urban war of good versus evil. Bronson, at least the "older" version, is truly at his best.
I'm not saying DEATH WISH 3 is a classic. Indeed to the discriminating eye it has a plethora of imperfections. The characters are generally made of cardboard. The violence is over the top. A man well into his 60s outruns and outspooks dozens of young punks. But in the tradition of the original DEATH WISH and later films such as FALLING DOWN with Michael Douglas, it has a definite crowd-pleasing charm. Who doesn't want to see gangbangers get their due? There are also some great cheesy moments and one-liners so common in 1980s films. When a tenant of his apartment building sees Kersey setting up a booby trap, for instance, the vigilante lightheartedly says he's "thinning the herd." A line only Bronson can truly make work.
So you see, the key to enjoying DEATH WISH 3 is to accept it for what it is. It ain't Spielberg and it ain't art. So throw the popcorn in the microwave and have fun with it.