Top detective Lou Torrey is transferred to Los Angeles and uncovers a plot by a Sicilian mafioso to use Vietnam veterans to murder all his enemies in a rerun of the "Sicilian Vespers" when ... See full summary »
Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he ... See full summary »
Chicago DEA agent John Hatcher has just returned from Colombia, where his partner was killed in the line of duty by a drug dealer who has since been taken down. As a result of his partner's... See full summary »
Dwight H. Little
Brooklyn cop Gino Felino is about to go outside and play catch with his son Tony when he receives a phone call alerting him that his best friend Bobby Lupo has been shot dead in broad ... See full summary »
In Japan, the Sicilian martial arts expert Nicolo "Nico" Toscani is recruited by the CIA Special Agent Nelson Fox to join the Special Operations Forces in the border of the Vietnam and ... See full summary »
As principal photography was mostly filmed in London, the movie featured extras and background artists playing a variety of characters including police officers and gang members. Their audible dialogue, however, was in the British accent. This movie was set in New York and required American accents. As such, during post-production, director Michael Winner enlisted the assistance of the military personnel of the US Air Force stationed in England to dub over these UK accents. See more »
In the parking garage, when Hermosa falls off the hood of Maria's car, his hat falls off and lands beside him. In the next shot it has disappeared when he gets up and tries to kill her. See more »
A .475 Wildey magnum is a shorter version of the African big game cartridge, it makes a real mess.
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A shot during the end credits shows police cars and an ambulance and fire truck screaming down a street towards the epicenter of the riots. See more »
What a romp this is. The great Kersey (Charles Bronson), ignoring advice to lay low for a while (like ten years!), relocates his trigger finger and bad attitude to New York City.
A long sequence where Kersey runs the streets shooting at everything in sight redefines this as a crazy modern Western. All sense goes out the window and the angry vigilante's original reasons for revenge fade slowly into the bullet-ridden background.
You get exploded thugs, burning cars, bodies through glass, dozens of bullet-riddled corpses and a lurid directing style that is perfect for the material.
Not as fine as DEATH WISH 2, but fine, nevertheless.
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