| Michael Hurst | ... | Michael Tucker | |
| Margaret Umbers | ... | Sandy | |
| William Upjohn | ... | Lucas | |
| Norelle Scott | ... | Jeannie | |
| David Letch | ... | Spider | |
| Geoff Snell | ... | Jannings | |
| Gary Day | ... | Dr. Archer Howell | |
| Bruno Lawrence | ... | Tex | |
| Ian Watkin | ... | Bill | |
| David Weatherley | ... | Professor Tucker | |
| Tina Grenville | ... | Netty Tucker | |
| Nathaniel Lees | ... | Jackson | |
| Karam Hau | ... | Berry | |
| Jonathan Hardy | ... | Ranji Gandhi | |
| Norman Fairley | ... | Barman | |
| Eva Radich | ... | Sister Scott | |
| Judy McIntosh | ... | Duty Nurse | |
| Ken Harris | ... | Janitor | |
| Melissa Miles | ... | Nurse | |
| Rebecca Saunders | ... | Nurse | |
| Donna Oldmall | ... | Nurse (as Donna Oldnail) | |
| Julie Cooper | ... | Nurse | |
| Michelle Yates | ... | Nurse | |
| Dianna Guthrie | ... | Nurse | |
| Rochelle Lawrence | ... | Nurse | |
| Deborah McKinlay | ... | Nurse | |
| Rochelle Drumm | ... | Nurse | |
| Angela Needham | ... | Nurse | |
| Erna Larsen | ... | Nurse (as Erina Larsen) | |
| Victoria Bogle | ... | Nurse | |
| Betty Wok | ... | Nurse | |
| David Parry | ... | Milkboy |
Directed by | |||
| David Blyth | |||
Writing credits(in alphabetical order) | ||
| David Blyth | ||
| Michael Heath | ||
Produced by | |||
| Murray Newey | .... | producer | |
Original Music by | |||
| Mark Nicholas | |||
Cinematography by | |||
| James Bartle | |||
Film Editing by | |||
| David Huggett | |||
Production Design by | |||
| Michael Glock | |||
Art Direction by | |||
| Robert Pearson | (as Rob Pearson) | ||
Costume Design by | |||
| Barbara Darragh | |||
Makeup Department | |||
| Dorothy Anderson | .... | makeup artist | |
| Bryony Hurden | .... | special makeup effects artist | |
| Rosalind McCorquodale | .... | special makeup effects artist | |
Production Management | |||
| Lynette Gordon | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Paul Grinder | .... | second assistant director | |
| Bob Howard | .... | assistant director | |
| Evan Jenkins | .... | third assistant director | |
Art Department | |||
| Mike Becroft | .... | art department assistant | |
| Dave Cooke | .... | carpenter | |
| Paul Keruse | .... | construction coordinator | |
| Mark Robins | .... | art department assistant (as Mark Robbins) | |
| Trevor Roe | .... | painter | |
| Hugh Tennent | .... | props | |
Sound Department | |||
| Brent Burge | .... | assistant re-recording mixer | |
| Don Connolly | .... | stereo sound consultant: Dolby (as Don Connelly) | |
| Mike Hopkins | .... | assistant dubbing editor (as Michael Hopkins) | |
| David Huggett | .... | dubbing editor | |
| Stewart Main | .... | boom operator | |
| John McKay | .... | dubbing editor | |
| John McKay | .... | sound effects editor | |
| Susan Nemec | .... | assistant dubbing editor | |
| Brian Shennan | .... | sound re-recording mixer | |
| Steve Upton | .... | assistant sound mixer | |
| Mike Westgate | .... | sound mixer | |
Stunts | |||
| Peter Bell | .... | stunt driver | |
| Peter Bell | .... | stunts | |
| Dave Brown | .... | stunts | |
| Robert Bruce | .... | stunt coordinator | |
| Robert Bruce | .... | stunt driver | |
| Robert Bruce | .... | stunts | |
| Dave Clark | .... | stunts | |
| Alistair Douglas | .... | stunts | |
| Timothy Lee | .... | stunt driver | |
| Philip Thorogood | .... | stunt driver | |
Camera and Electrical Department | |||
| Trou Bayliss | .... | key grip | |
| Donald Duncan | .... | focus puller | |
| Chris Graves | .... | focus puller | |
| Craig Howard | .... | Steadicam operator | |
| Steve Latty | .... | gaffer (as Stephen Latty) | |
| Alan Locke | .... | camera operator | |
| Simon Marler | .... | clapper loader | |
| Brett Mills | .... | best boy | |
| Pip Tocker | .... | grip | |
Costume and Wardrobe Department | |||
| Penny Maich | .... | wardrobe | |
Editorial Department | |||
| Mairi Gunn | .... | second assistant editor | |
| Anny Lowery | .... | assistant editor (as Annie Lowery) | |
| Susan Nemec | .... | assistant editor | |
Music Department | |||
| Mike Donnelly | .... | music engineer | |
| David Jenkin | .... | musician: cello (as David Jenkins) | |
| Peter Scholes | .... | musician: clarinet | |
| John Ure | .... | musician: french horn | |
Other crew | |||
| Cathy Anderson | .... | location unit manager | |
| Chris Carr | .... | production secretary | |
| Penny Garland | .... | production assistant | |
| Sarah Muir | .... | continuity (as Sara Muir) | |
| David Parry | .... | assistant to director | |
| Avril Stotl | .... | accountant (as Avril Stott) | |
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| Disturbing Behavior | Bride of Re-Animator | The Lawnmower Man | Creepshow 2 | Frankenpimp |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Australia section |
This New Zealand-made movie focuses on a mad scientist who is performing experiments on mental patients in an effort to defeat death. Unfortunately, his efforts spawn a dangerous collective of Mad Max extras, and even worse, he tends to plaster his island compound with gigantic photos of himself, a la Big Brother from 1984.
The plot gets moving when a young man with a decade old grudge against the scientist shows up on the island to get revenge, for some reason bringing his young adult friends with him. What follows just goes to show that revenge and vacations just don't mix.
This film is bad in so many ways that it is almost impossible to list them here. The dialogue is laughable, with the best line being "I'll get you-I'll get you all," which is repeated at least five times by the head Mad Max escapee. Furthermore, the mad scientist's headquarters looks like an ultra trendy 1980s night club, with punked out nurses to match. The film tries, lamely, to adopt a punk sensibility, with main titles and transitions that look like they were designed by the artist of a Sex Pistols album cover.
On the plus side, the film's gore and overall approach foreshadow the early work that Australian director Peter Jackson would put out several years later. However, it's not really worth wasting your money on when you can just rent the real thing.