| Videos (see all 4) |
| Lori Cardille | ... | Sarah | |
| Terry Alexander | ... | John | |
| Joseph Pilato | ... | Capt. Rhodes (as Joe Pilato) | |
| Jarlath Conroy | ... | William McDermott | |
| Anthony Dileo Jr. | ... | Pvt. Miguel Salazar (as Antonè DiLeo) | |
| Richard Liberty | ... | Logan | |
| Sherman Howard | ... | Bub (as Howard Sherman) | |
| Gary Howard Klar | ... | Pvt. Steel (as G. Howard Klar) | |
| Ralph Marrero | ... | Pvt. Rickles | |
| John Amplas | ... | Dr. Ted Fisher | |
| Phillip G. Kellams | ... | Pvt. Miller | |
| Taso N. Stavrakis | ... | Pvt. Torrez | |
| Gregory Nicotero | ... | Pvt. Johnson | |
| Don Brockett | ... | Featured Zombie (chief) | |
| William Cameron | ... | Featured Zombie | |
| Deborah Carter | ... | Featured Zombie | |
| Winnie Flynn | ... | Featured Zombie | |
| Debra Gordon | ... | Featured Zombie (1st pulled out of mine) | |
| Jeff Hogan | ... | Featured Zombie | |
| Barbara Holmes | ... | Featured Zombie | |
| David Kindlon | ... | Featured Zombie | |
| Bruce Kirkpatrick | ... | Featured Zombie | |
| William Andrew Laczko | ... | Featured Zombie | |
| Susan Martinelli | ... | Featured Zombie | |
| Kim Maxwell | ... | Featured Zombie | |
| Barbara Russell | ... | Featured Zombie (who kills Miller) | |
| Gene A. Saraceni | ... | Featured Zombie | |
| John D. Schwartz | ... | Featured Zombie (as John Schwartz) | |
| Mark Tierno | ... | Featured Zombie (2nd pulled out of mine) | |
| Mike Trcic | ... | Eviscerated Zombie (as Michael Trcic) | |
| John Vulich | ... | Featured Zombie | |
| rest of cast listed alphabetically: | |||
| J.R. Bookwalter | ... | Zombie (uncredited) | |
| Mark Dodson | ... | Zombies (voice) (uncredited) | |
| Donald Farmer | ... | Underground zombie (uncredited) | |
| Peter Iasillo Jr. | ... | Elevator zombie (Tip O'Neil zombie) (uncredited) | |
| Daniel Krell | ... | Zombie (uncredited) | |
| Ed Lammi | ... | Zombie with Cast Arm (uncredited) | |
| Al Magliochetti | ... | Bathrobe zombie / Sunglasses zombie (uncredited) | |
| Robert Martin | ... | Zombie (uncredited) | |
| George A. Romero | ... | Zombie with scarf (uncredited) | |
| Vincent D. Survinski | ... | Elevator Zombie (uncredited) | |
Directed by | |||
| George A. Romero | |||
Writing credits(in alphabetical order) | ||
| George A. Romero | written by | |
Produced by | |||
| David Ball | .... | co-producer | |
| Salah M. Hassanein | .... | executive producer | |
| Ed Lammi | .... | associate producer | |
| Richard P. Rubinstein | .... | producer | |
Original Music by | |||
| John Harrison | |||
Cinematography by | |||
| Michael Gornick | (director of photography) | ||
Film Editing by | |||
| Pasquale Buba | |||
Casting by | |||
| Christine Forrest | (as Christine Forrest Romero) | ||
| Gaylen Ross | |||
Production Design by | |||
| Cletus Anderson | |||
Art Direction by | |||
| Bruce Alan Miller | (as Bruce Miller) | ||
Set Decoration by | |||
| Jan Pascale | |||
Costume Design by | |||
| Barbara Anderson | |||
Makeup Department | |||
| Barry Anderson | .... | special makeup effects assistant: Florida | |
| Linda Arrigoni | .... | special makeup effects assistant: Florida | |
| Terri Basilone | .... | hair stylist (as Terry Basilone) | |
| Howard Berger | .... | special makeup effects | |
| Barry Burghtaller | .... | special makeup effects assistant: Florida | |
| Everett Burrell | .... | special makeup effects artist | |
| Dean Gates | .... | special makeup effects assistant: Florida | |
| Rick Gonzales | .... | makeup effects assistant | |
| Jeannee Josefczyk | .... | makeup artist (as Jeanne Josefczyk) | |
| David Kindlon | .... | special makeup effects | |
| Mary Lefore | .... | special makeup effects assistant: Florida | |
| Gregory Nicotero | .... | special makeup effects artist | |
| Terry Prince | .... | zombie background mask creator | |
| Bonnie Priore | .... | makeup artist | |
| Tom Savini | .... | special makeup effects | |
| David E. Smith | .... | masks: background zombies (as David Smith) | |
| Mike Trcic | .... | special makeup effects | |
| Natalka Voslakov | .... | makeup artist | |
| John Vulich | .... | special makeup effects | |
| Michael Deak | .... | makeup artist (uncredited) | |
Production Management | |||
| Zilla Clinton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Harrison | .... | first assistant director | |
| Annie Loeffler | .... | second assistant director (as Ann Loeffler) | |
| Katarina Wittich | .... | second assistant director | |
Art Department | |||
| Norman Beck | .... | head carpenter | |
| Dan Gaittens | .... | carpenter | |
| Eileen Garrigan | .... | head scenic artist | |
| Marty Garrigan | .... | set dresser (as Martin Garrigan) | |
| Jay Hart | .... | assistant art director | |
| Gary Kosko | .... | set draftsman | |
| Randy Montgomery | .... | assistant scenic artist | |
| Celeste Parrendo | .... | painter | |
| Michael Reid | .... | carpenter | |
| Kevin Ritter | .... | property master | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Rick Ash | .... | foley artist | |
| James Beshears | .... | sound editor (as Jim Beshears) | |
| Tony Bush | .... | dolby mastering | |
| David B. Cohn | .... | supervising sound editor (as David Cohn) | |
| Stuart Deutsch | .... | boom operator | |
| Chris Jenkins | .... | sound re-recordist | |
| Trevor Jolly | .... | sound editor | |
| Howard Neiman | .... | sound editor | |
| Patrick O'Sullivan | .... | supervising sound editor | |
| Lauren Palmer | .... | adr editor | |
| Rolf Pardula | .... | sound mixer | |
| David Pettuch | .... | supervising sound editor | |
| Larry Stensvold | .... | sound re-recordist | |
Special Effects by | |||
| Howard Jones | .... | scenic special effects | |
| Steven Kirshoff | .... | special effects | |
| Mark Mann | .... | special effects | |
Visual Effects by | |||
| Jim Danforth | .... | matte artist | |
| Jim Danforth | .... | matte photographer | |
Stunts | |||
| Taso N. Stavrakis | .... | stunt coordinator | |
| Jim O'Rear | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Peter Bennett Beal | .... | electrician | |
| Ernest R. Dickerson | .... | camera operator: second unit | |
| Richard Golomb | .... | still photographer | |
| Susan Golomb | .... | still photographer | |
| John Janusek | .... | electrician | |
| Barry Kessler | .... | grip | |
| Simon Manses | .... | assistant camera | |
| Nicholas Mastandrea | .... | key grip (as Nick Mastandrea) | |
| Frank Perl | .... | assistant camera | |
| Frank Prinzi | .... | assistant camera: Florida | |
| Kurt Rimmel | .... | best boy | |
| G. Frederic Roth | .... | gaffer | |
| Richard M. Sieg | .... | dolly grip | |
| John Snyder | .... | generator operator: Florida | |
| Nick Tallo | .... | grip | |
Casting Department | |||
| Gary Brotz | .... | extras casting: Florida | |
| Felice Lammi | .... | additional casting | |
| Bill McNulty | .... | casting associate: New York | |
| Holly Wagner | .... | additional casting | |
Editorial Department | |||
| John Stuart Bick | .... | assistant editor (as John Bick) | |
| Kristine Bulakowski | .... | assistant editor | |
| Steven Farkas | .... | assistant editor | |
| Dan Korintus | .... | assistant editor | |
| Tom San Martin | .... | negative matcher | |
| Arnold Shuster | .... | negative matcher (as Arnie Shuster) | |
| Bob Wolfrum | .... | negative matcher | |
Music Department | |||
| John Harrison | .... | musician: keyboard | |
| John Sutton | .... | music producer | |
| John Sutton | .... | soundtrack producer | |
| Jim Blazer | .... | musician: keyboards (uncredited) | |
| Delilah | .... | singer (uncredited) | |
| Michael Fisher | .... | musician: percussions (uncredited) | |
| Don Garvin | .... | music sound designer (uncredited) | |
| Grant Geissman | .... | musician: guitar (uncredited) | |
| Modern Man | .... | music performers (uncredited) | |
| Talmadge Pearsall | .... | musician: keyboard (uncredited) | |
| Sputzy Sparacino | .... | musician: voice & guitar (uncredited) | |
| Gary Wallo | .... | musician: percussions (uncredited) | |
| Carl Wurtz | .... | musician: emulator (uncredited) | |
Transportation Department | |||
| P.D. Levy | .... | transportation coordinator | |
Thanks | |||
| Lester Rosenkrantz | .... | special thanks | |
| Frank Rubinstein | .... | special thanks | |
| Irvin Shapiro | .... | special thanks | |
| R.C. Staab | .... | special thanks | |
| Norman Stern | .... | special thanks | |
| Vincent D. Survinski | .... | special thanks (as Vince Survinski) | |
| Mary Ann Volvonas | .... | special thanks | |
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This is one of the most under-rated films ever. It was practically doomed to cult-status from the word go. Basically, George Romero wrote a script and took it to a company to get it funded. They like the script and offered George 7 million dollars on the condition he would make the film R rated. George however refused to compromise so they only gave him half that, 3.5 million dollars (next to nothing for a movie) to film an Unrated film -this was because an Unrated movie wouldn't make too much money back. This led to the script being completely re-written so it could be made on the budget. Most of the elements from the original Day were worked into the recent Land of the Dead. Unfortunately, not many cinemas were willing to screen Unrated films as they were too much hassle and not many people would go to see them. Even more unfortunately, 1985 saw many big R rated horror films being released which attracted all the attention away from Day. Many critics and fans complain about this movie, calling it the worst in the series. This is far from the truth. Most people who don't like this movie judge it purely on technical details such as the standard of the acting or the music. Considering the budget, everything in this film is amazing. I personally thought the music completely worked in the film too and some of it was incredibly effective. And the make-up and special effects were incredible, even by today's standards. This film has the best zombie make-up ever, period. For people who don't mind B-movie standard acting, or few locations and other features of low budget movies, you should definitely give this film a try. It's continues with the social messages of society we see in all of Romero's movies. This time it's a mix of how the military basically take control and cock stuff up and (in the style of Lord of the Flies) with no policing, people turn into monsters. Along with the bleak view looking at how easily our society fell apart. The opening of this movie is incredible and very atmospheric. This film also features the greatest zombie ever: Bub. He's friendly, and uber-cool. Trained by scientist Dr. Logan to not eat people. Believe it or not, this film is the closest a movie has ever been to making me cry (if you've seen it I'm talking about when Bub discovers a certain someone's body in the freezer). I don't know what that says about me but whatever. This movie is also the only film I have seen which managed to make me jump with me watching it on the small screen (very, very start with the arms coming through the wall). The film plays off it's sense of claustrophobia well to make it what is probably the scariest in the Dead series (though that still isn't saying much). By the way, Gorillaz, an amazing band seem to love this movie as they have sampled sound clips on several of their tracks including "M1 A1" and "Hip Albatross". They've done the same thing with the original Dawn of the Dead too. Too anyone who has seen 28 Days Later..., 28 Days Later... is a Day of the Dead rip-off! I'll go into that when I get round to reviewing 28 Days Later..., for now, just take my word for it. Not that 28 Days Later... is bad by any means though, but Day of the Dead is still way better. Finally, Day of the Dead actually tries something new with the genre. It would have been so easy for Mr. Romero to simply show a few survivors in a bunker hiding from zombies for most of the movie; instead he mixed in the ideas of experimenting on and training the zombies. He's a magnificent director. In short this movie surpasses it's predecessors "Night of the Living Dead" and "Dawn of the Dead" and both films set the bar incredibly high. It has the best story, make-up, atmosphere, character development, is scariest and is generally the best of the 3. It's also better than it's sequel "Land of the Dead".