A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
A cop chases two hippies suspected of a series of Manson family-like murders; unbeknownst to him, the real culprits are the living dead, brought to life with a thirst for human flesh by chemical pesticides being used by area farmers.
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
Zombies rule the world, except for a small group of scientists and military personnel who reside in an underground bunker in Florida. The scientists are using the undead in gruesome experiments; much to the chagrin of the military. Finally the military finds that their men have been used in the scientists' experiments, and banish the scientists to the caves that house the Living Dead. Unfortunately, the zombies from above ground have made their way into the bunker. Written by
Matt Puskas <firstname.lastname@example.org>
During the opening dream sequence when zombie arms attack Sarah through the wall, one of them was Lori Cardille's husband. See more »
When Sarah sits in front of the helicopter a lot of seagulls can be seen and their shadows pass over her. When camera closes in, the gulls are gone. See more »
Nothing, nothing at all.
I've been sending up and down the coast from Sarasota to the Everglades and still getting back the same dead air. There's nothing! There's nobody or at least nobody with a radio.
All right then let's set down, we'll use the bullhorn.
Set down? Wait a minute, that's not in our contract!
It's the biggest city within 150 miles and we're going to give it every chance.
Jesus, Mary and Joseph!
Set down, John!
I'll set us down. But I won't leave my ...
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Day of the Dead (1985) was the third film in the "Dead" series. For awhile this was going to be the last chapter until recent events have changed the mind of the series creator George A. Romero. Whilst it was going to be a huge budgeted venture for Romero and Laurel Films, a small budget and a few extras limited the scope of the director's vision for this film. But like all good film makers he made do with what he had around him and made a dreary and depressing film.
Society is dead. Zombies have overran the living and the survivors can only be found in very small numbers. One of these groups are bunkered inside an old underground bomb shelter. The survivors inside this subterranean military installation have been divided into three groups: the soldiers, scientists and civilian employees. Stress, sexual tension and a dire situation have split the group even further apart. The dead have been growing in numbers outside and dwindling supplies have made everyone desperate. But within the base their is some order. But what will happen with that collapses?
The third film of the series is not as great as the second film but it's a good film. Performances from the actors may be uneasy and the tight budget restrains the director's vision but it still succeeds as a very frightening and depressing horror film. Savini and company have made the gore more realistic and nauseating. Gone is the cartoonish blood and cheesy gore effects. State-of-the-art splatter effects have been included adding a whole new element to this awesome trilogy. I have to strongly recommend this film. If you love the first two, you'll definitely enjoy this this installment of the one and only trilogy of cinema!
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