Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Zombies rule the world, except for a small group of scientists and military personnel who reside in an underground bunker in Florida. The scientists are using the undead in gruesome experiments; much to the chagrin of the military. Finally the military finds that their men have been used in the scientists' experiments, and banish the scientists to the caves that house the Living Dead. Unfortunately, the zombies from above ground have made their way into the bunker. Written by
Matt Puskas <email@example.com>
During the end credits of the movie to the Love Ballad song "The World Inside Your Eyes", Sputzy Sparacino's first lead vocal part of the lyrics singing "Only you, only me. Here alone, all alone. It's our destiny. Plans were made. Now they've changed. Know what's right, know what's wrong. Life just rearranged. All we can do is to try and understand. I've given all I can. My future's in your hands. Come take my heart, my soul, my love, my life! Hold me tight, babe. Take me to the world inside your eyes. Take me to the world inside your eyes." never appeared on the end credits at the beginning of the song. It was instrumental for a minute until we heard Sputzy's band mates in Modern Man as the Chorus voices whispered singing "Eyes, Eyes, Eyes" and then co-lead Singer Delilah's vocal part of the song lyrics "Is it you? Is it me? Holding on for so long, trying desperately. Is it right or is it fair? Wanting more, so much more, and it's never there. I am with you when I feel like I'm alone. It's easy to pretend this world could never end. Come take my heart, my soul, my love, my life. Hold me tight, babe. Take me to the world inside your eyes. Take me to the world inside your eyes!" with the bandies of Modern Man singing their chorus parts "Tonight" could be heard near the very end of the song as the credits finally ended. But you can hear Sputzy's first lead vocal parts of the song on the soundtrack album itself. Then you can finally hear what the original recording sounds like. See more »
When Sarah sits in front of the helicopter a lot of seagulls can be seen and their shadows pass over her. When camera closes in, the gulls are gone. See more »
Nothing, nothing at all.
I've been sending up and down the coast from Sarasota to the Everglades and still getting back the same dead air. There's nothing! There's nobody or at least nobody with a radio.
All right then let's set down, we'll use the bullhorn.
Set down? Wait a minute, that's not in our contract!
It's the biggest city within 150 miles and we're going to give it every chance.
Jesus, Mary and Joseph!
Set down, John!
I'll set us down. But I won't leave my ...
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"Day of the Dead" is a film that is an unfortunate sufferer of the "Alien 3 Syndrome". And, no, I don't classify those that are affected by the syndrome to be disappointing final entries in a trilogy. To suffer from "Alien 3 Syndrome", you must follow two exceptional films, and the entry that has preceded you must be so exciting and action-packed that when you dare take a grimmer, more deliberately paced approach to your material, you will become universally reviled, with many people failing to notice that you have more than your fair share of merits on your own. In fact, "Day of the Dead" has a LOT of merits - even more than the film that its syndrome is based on. While it doesn't quite approach the greatness of "Dawn of the Dead", it is still an intelligent, first-rate horror effort and stands as one of the best genre films of the 80s.
In this final entry of George Romero's "Living Dead" trilogy, the walking dead supposedly outnumber the humans by a ratio of 400,000 to 1. Twelve people who have devoted themselves to studying and wiping out the zombies hole up together in an underground missile silo, and for all we know, these could be the last twelve living humans on the face of the planet. Most of these people don't capture our sympathy like the foursome who holed up in the shopping mall in "Dawn". Half of them are gung-ho soldiers who seem to take great pleasure in threatening the scientific team, and Romero spends much of the first half focusing on the bickering and intense conflicts between these people. In fact, for over an hour, the hordes of living dead get very little screen time, as the story focuses on the tension between the characters, and the efforts of an off-the-wall scientist to train a captured zombie named Bub to act human. Compared to its predecessors, this long section of the film may seem slow and talky, but it is always interesting and, for the most part, effectively performed by its unknown cast. Besides, it all eventually leads up to a corker of finale when the zombies finally invade the compound, and most of the humans become showcases for the brilliance of Tom Savini, who outdoes even himself in the gore F/X department.
While most of this material is very grim, "Day" ironically has the most hopeful, upbeat conclusion in the trilogy - which, alas, is its only major shortcoming. The quick transition to the final scene is so abrupt and unexpected that the audience feels cheated, leaving the impression that the production ran out of money before the whole climax could be filmed. Indeed, Romero has often expressed his unhappiness about being underfunded for this project, which prevented him from creating a truly definitive final chapter for the trilogy. But while "Day of the Dead" may not quite be the ultimate finish to one of the greatest trilogies of all time, it is still a very satisfying conclusion (at least until Romero gets funding for his long-rumoured "Twilight of the Dead"). It may not be popular among everyone, due to many unfair comparisons to its superior predecessors, but on its own, it is about as good as horror films get.
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