Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Zombies rule the world, except for a small group of scientists and military personnel who reside in an underground bunker in Florida. The scientists are using the undead in gruesome experiments; much to the chagrin of the military. Finally the military finds that their men have been used in the scientists' experiments, and banish the scientists to the caves that house the Living Dead. Unfortunately, the zombies from above ground have made their way into the bunker. Written by
Matt Puskas <email@example.com>
First, he brought us the most frightening film ever made. Then he took his unique version of horror one step further. Now, George Romero takes us out of the night, beyond the dawn, and into the darkest day of horror the world has ever known. See more »
The underground facility was not on a soundstage. It was shot in the Wampum mine, a former limestone mine near Pittsburgh, that was being used for a underground storage facility. The 2,500,000 square foot mine is now operated as the Gateway Commerce Center who now called it a "subsurface storage facility". See more »
When Sarah sits in front of the helicopter a lot of seagulls can be seen and their shadows pass over her. When camera closes in, the gulls are gone. See more »
Nothing, nothing at all.
I've been sending up and down the coast from Sarasota to the Everglades and still getting back the same dead air. There's nothing! There's nobody or at least nobody with a radio.
All right then let's set down, we'll use the bullhorn.
Set down? Wait a minute, that's not in our contract!
It's the biggest city within 150 miles and we're going to give it every chance.
Jesus, Mary and Joseph!
Set down, John!
I'll set us down. But I won't leave my ...
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I saw DAY OF THE DEAD at a drive-in; the second half of the double bill was DAWN OF THE DEAD (which I'd seen a dozen times by then, most often at midnight showings). I was stunned. DAY OF THE DEAD was as tight and as dramatic and as frightening as anything I'd ever seen. Although I'd championed Romero's movies in the pages of magazines like Famous Monsters of Filmland, Fantastic Films and Fangoria for years, I was totally blown away by the savvy evinced in DAY OF THE DEAD. No more of the tell-tale amateurishness of a "regional filmmaker," no more overindulgence: this is Romero at his very best, and a great movie by any standards. For critics who espouse the virtues of DAWN OF THE DEAD over DAY OF THE DEAD, take this simple test: watch them back to back, as I did the night DAY OF THE DEAD opened. If you're still not convinced, you may be a zombie yourself...
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