6.8/10
2,058
23 user 18 critic

Dance with a Stranger (1985)

A stormy relationship, complicated by the strictures of 1950s social class and gender roles, ends in death. Based on the life of Ruth Ellis, the last woman hanged in Britain.

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3 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Matthew Carroll ...
Andy
...
Jane Bertish ...
Carole Findlater
...
Cliff Davis
Paul Mooney ...
Clive Gunnell
...
Morrie Conley
...
Christine
Susan Kyd ...
Barbara
...
Maryanne
Sallie Anne Field ...
Claudette (as Sallie-Anne Field)
David Beale ...
Man in Little Club
Tracy-Louise Ward ...
Girl with David Blakely
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Storyline

Ruth Ellis lives with her 10-year old son Andy next to a night club. One night she meets David Blakely, and they start a love affair. However, for David with his upper-class background it is impossible to uphold the relationship. He breaks up with her, something which makes Ellis, obsessed by him, very upset... Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

It wasn't simply love. It was a case of cold-blooded passion.

Genres:

Biography | Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 August 1985 (USA)  »

Also Known As:

Bailar con un extraño  »

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Box Office

Gross USA:

$2,174,622

Cumulative Worldwide Gross:

$2,260,519
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The real-life date of Ruth Ellis' execution was July 13, 1955. See more »

Goofs

Ruth switches on a radio which begins to play immediately. In those times, vacuum-tube radios had to warm up for about 20 seconds. See more »

Quotes

David Blakeley: I want you to marry me.
Ruth Ellis: Why? Are you pregnant?
See more »

Connections

Featured in Siskel & Ebert: Buried Treasures - 1987 Edition (1987) See more »

Soundtracks

Dark Eyes
(uncredited)
Traditional
Arranged by Richard Hartley
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User Reviews

Worth the wait
13 December 2000 | by See all my reviews

I first heard of this movie at work in 1984 when I saw an engineer who had the movie ad pinned up in his cubicle. I'd had this movie in the back of my head and always meant to check it out, but I've never seen it for rental and didn't want to risk plunking down $20 to order it. It was worth the wait.

Miranda Richardson, probably best known for The Crying Game and Sleepy Hollow (Now there's a combo!) stars as Ruth Ellis, a deluded romantic from 1950's England who managed to ride a sexual obsession to her own execution, the last on the books in the country's history. All this comes at the expense of a man who truly loves her, and a son who is not a priority in her life, to say the least. Ellis was adored, worshipped even, by clumsy businessman Ian Holm, but she only has eyes for Ruppert Everett. Everett's a hot shot car driver working on some new car design that's he convinced is going to revolutionize the auto industry. He exudes the confidence that Holm couldn't hope to possess. All three performances are outstanding.

As the story unfolds, director Mike Newell seems to pull no punches. I don't know the how's or the who's of this case, but Newell gives this film an authenticity many strive for, but few attain. In essence, it's Holm's character that is hung out to dry. He has to stand by as Everett continually denigrates Richardson both physically (A few punches, a glass of booze in the face,etc.), and emotionally (Too many episodes to count). Holm could have been molded into a flawed hero, and perhaps he would have been in the hands of a director with eyes on receipts instead of craft. Everett's character could have slipped into melodrama, as well. He has a roguish charm, I suppose, but he's basically just a spoiled rich boy, the type to bring a low class Richardson too his parents estate, and be suprised when she is intimidated.

At the center is Richardson, bringing Ruth Ellis back to life. It's disturbing how she can see what she's doing to her young son, truly care for him, but not let it effect her. Even more reprehensible is watching her use Holm to watch her child while she crawls back to Everett after another beating, to sneak a quickie in a fog-filled back alley.

Mike Newell directed Donnie Brasco, an excellent film which took a similar, bleak look at the life of a policeman who set aside his family in the name of his job. Newell didn't flinch in painting Joseph Pistone (The real life cop), as an obsessed man who started to lose his own identity. Pistone's family pays a heavy price for his dedication (misplaced?), but Ruth Ellis' paid even more. She left a son alone, and it's not a stretch to infer that he led a desperate life, based on what we learn in the closing comments.

Don't wait 16 years to see this film, like I did. Hunt it down on cable, or check out your local video store. This is a small story that gets big treatment.


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