Dance with a Stranger (1985) 6.8
A woman can not accept that her boyfriend dumped her. Director:Mike NewellWriter:Shelagh Delaney |
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Dance with a Stranger (1985) 6.8
A woman can not accept that her boyfriend dumped her. Director:Mike NewellWriter:Shelagh Delaney |
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| Credited cast: | |||
| Miranda Richardson | ... | ||
| Rupert Everett | ... |
David Blakeley
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| Ian Holm | ... |
Desmond Cussen
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Stratford Johns | ... |
Morrie Conley
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| Joanne Whalley | ... |
Christine
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| Tom Chadbon | ... |
Anthony Findlater
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Jane Bertish | ... |
Carole Findlater
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David Troughton | ... |
Cliff Davis
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Matthew Carroll | ... |
Andy
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| Rest of cast listed alphabetically: | |||
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David Beale | ... |
Man in Little Club
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Charon Bourke | ... |
Ballroom Singer
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Charles Cork | ... |
Policeman #2
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Patrick Field | ... |
Builder
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Sallie Anne Field | ... |
Claudette
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Ian Hurley | ... |
Policeman #1
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Ruth Ellis lives with her 10-year old son Andy next to a night club. One night she meets David Blakely, and they start a love affair. However, for David with his upper-class background it is impossible to uphold the relationship. He breaks up with her, something which makes Ellis, obsessed by him, very upset... Written by Mattias Thuresson
There is nothing sentimental about this story of obsession. Set in London in the 1950's--and what could be drearier--this bleak story based on the true story of Ruth Ellis, the last woman to be executed in England, is a tour-de-force for Newell, the director, the two leads, Richardson and Everett, and the incomparable Ian Holm.
Miranda Richardson as Ellis gives a knockout performance in every scene. She has so perfectly captured the emotional pitch of a woman in love with a heel that one cannot help identifying with her. Her all-consuming love, even to the point of neglecting her son, makes it ridiculous to entertain the common query of "why doesn't she just get away from him?" Mike Newell captures all of the emotional highs and lows of a relationship of this kind, and the rakishly handsome Everett is both charming and destructive as Ellis's amor.
The beauty of this movie is that it is not just about two ill-fated lovers, the way many Hollywood movies are. It is also about England's class system. Ellis's attraction to Blakeley is more about her desire to be acknowledged by her "betters" than just by this one man. Perhaps the most heartrending scene comes at the end where one sees Ellis's painted finger going over a letter she is about to send on the eve of her execution to Blakeley's mother, apologizing for the misery she has caused her. The language of the letter is perfect, because it reveals volumes about Ellis's class aspirations, and the hopelessness of her ever achieving them.
This movie is a must-see for movie lovers, but it is not for the Meg Ryan set.